front cover of Les Paul
Les Paul
Guitar Wizard
Bob Jacobson
Wisconsin Historical Society Press, 2012

This addition to the Badger Biographies series for young readers tells the story of Les Paul, the legendary “Wizard of Waukesha,” who pioneered the solid body electric guitar, multi-track recording, and many other musical inventions. Fascinated since boyhood with musical technology, the young Les moved from experimenting with his mother’s player piano and phonograph to developing his own amplifier and tinkering with crystal radios.

After leaving his hometown of Waukesha at age 17 to pursue a musical career—a decision his mother supported—the budding jazz guitarist lived in Chicago, New York, and Los Angeles, in each city finding a new audience and new musical partnerships. A regular on the radio, Les became a fixture in early television, appearing on the Ed Sullivan Show, and later, a show of his own with partner Mary Ford. Along the way, he overcame numerous physical challenges, including recovery from electric shock and rehabilitation after a horrific car accident—both of which threatened his musical career. And yet, Les Paul pushed musical technology forward more than any other musician of the twentieth century. This Grammy Hall of Fame inductee died in 2009, making Les Paul: Guitar Wizard a timely addition to the series. This lively story is rounded out with sidebars on radio call letters and how an electric guitar works, a full discography, and over 60 historic photographs.

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Listening in the Afterlife of Data
Aesthetics, Pragmatics, and Incommunication
David Cecchetto
Duke University Press, 2022
In Listening in the Afterlife of Data, David Cecchetto theorizes sound, communication, and data by analyzing them in the contexts of the practical workings of specific technologies, situations, and artworks. In a time he calls the afterlife of data—the cultural context in which data’s hegemony persists even in the absence of any belief in its validity—Cecchetto shows how data is repositioned as the latest in a long line of concepts that are at once constitutive of communication and suggestive of its limits. Cecchetto points to the failures and excesses of communication by focusing on the power of listening—whether through wearable technology, internet-based artwork, or the ways in which computers process sound—to pragmatically comprehend the representational excesses that data produces. Writing at a cultural moment in which data has never been more ubiquitous or less convincing, Cecchetto elucidates the paradoxes that are constitutive of computation and communication more broadly, demonstrating that data is never quite what it seems.
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The Lives of Machines
The Industrial Imaginary in Victorian Literature and Culture
Tamara Ketabgian
University of Michigan Press, 2011

"The Lives of Machines is intelligent, closely argued, and persuasive, and puts forth a contention that will unsettle the current consensus about Victorian attitudes toward the machine."
---Jay Clayton, Vanderbilt University

Today we commonly describe ourselves as machines that "let off steam" or feel "under pressure." The Lives of Machines investigates how Victorian technoculture came to shape this language of human emotion so pervasively and irrevocably and argues that nothing is more intensely human and affecting than the nonhuman. Tamara Ketabgian explores the emergence of a modern and more mechanical view of human nature in Victorian literature and culture.

Treating British literature from the 1830s to the 1870s, this study examines forms of feeling and community that combine the vital and the mechanical, the human and the nonhuman, in surprisingly hybrid and productive alliances. Challenging accounts of industrial alienation that still persist, the author defines mechanical character and feeling not as erasures or negations of self, but as robust and nuanced entities in their own right. The Lives of Machines thus offers an alternate cultural history that traces sympathies between humans, animals, and machines in novels and nonfiction about factory work as well as in other unexpected literary sites and genres, whether domestic, scientific, musical, or philosophical. Ketabgian historicizes a model of affect and community that continues to inform recent theories of technology, psychology, and the posthuman.

The Lives of Machines will be of interest to students of British literature and history, history of science and of technology, novel studies, psychoanalysis, and postmodern cultural studies.

Cover image: "Power Loom Factory of Thomas Robinson," from Andrew Ure, The Philosophy of Manufactures (London: Charles Knight, 1835), frontispiece.

DIGITALCULTUREBOOKS: a collaborative imprint of the University of Michigan Press and the University of Michigan Library

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Living with the Genie
Essays On Technology And The Quest For Human Mastery
Edited by Alan Lightman, Daniel Sarewitz, and Christina Desser
Island Press, 2003
At a time when scientific and technological breakthroughs keep our eyes focused on the latest software upgrades or the newest cell-phone wizardry, a group of today's most innovative thinkers are looking beyond the horizon to explore both the promise and the peril of our technological future.

Human ingenuity has granted us a world of unprecedented personal power -- enabling us to communicate instantaneously with anyone anywhere on the globe, to transport ourselves in both real and virtual worlds to distant places with ease, to fill our bellies with engineered commodities once available to only a privileged elite.

Through our technologies, we have sought to free ourselves from the shackles of nature and become its master. Yet science and technology continually transform our experience and society in ways that often seem to be beyond our control. Today, different areas of research and innovation are advancing synergistically, multiplying the rate and magnitude of technological and societal change, with consequences that no one can predict.

Living with the Genie explores the origins, nature, and meaning of such change, and our capacity to govern it. As the power of technology continues to accelerate, who, this book asks, will be the master of whom?

In Living with the Genie, leading writers and thinkers come together to confront this question from many perspectives, including: Richard Powers's whimsical investigation of the limits of artificial intelligence; Philip Kitcher's confrontation of the moral implications of science; Richard Rhodes's exploration of the role of technology in reducing violence; Shiv Visvanathan's analysis of technology's genocidal potential; Lori Andrews's insights into the quest for human genetic enhancement; Alan Lightman's reflections on how technology changes the experience of our humanness.

These and ten other provocative essays open the door to a new dialogue on how, in the quest for human mastery, technology may be changing what it means to be human, in ways we scarcely comprehend.

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