BiblioVault - Books about Temptation

Everyone Is NOT Doing It

Abstinence and Personal Identity

Jamie L. Mullaney

University of Chicago Press, 2005

Labels like vegan, virgin, or nonsmoker get thrown around to identify forms of abstinence, but for many abstainers such labels are also proud declarations of who they are. Setting aside the moral debates and psychological assessments surrounding abstinence, Jamie L. Mullaney here asks why it is that the act of not doing something plays such a crucial role in the formation of our personal identities.

Based on interviews with individuals who abstain from habits as diverse as sex, cigarettes, sugar, and technology, Everyone Is NOT Doing It identifies four different types of abstainers: quitters; those who have never done something and never will; those who haven't done something yet, but might in the future; and those who are not doing something temporarily. Mullaney assesses the commonalities that bind abstainers, as well as how perceptions of abstinence change according to social context, age, and historical era. In contrast to such earlier forms of abstinence as social protest, entertainment, or an instrument of social stratification, not doing something now gives people a more secure sense of self by offering a more affordable and manageable identity in a world of ever-expanding options.

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Salvation through Temptation

Maximus the Confessor and Thomas Aquinas on Christ's Victory over the Devil

Benjamin E. Heidgerken

Catholic University of America Press, 2021

Salvation through Temptation describes the development of predominant Greek and Latin Christian conceptions of temptation and of the work of Christ to heal and restore humankind in the context of that temptation, focusing on Maximus the Confessor and Thomas Aquinas as well-developed examples of Greek and Latin thought on these matters. Maximus and Thomas represent two trajectories concerning the woundedness of human emotionality in the wake of the primordial human sin. Heidgerken argues that Maximus stands in essential continuity with earlier Greek ascetic theology, which conceives of the weakness of fallen humankind in demonological categories, so that the Pauline law of sin is bound to external demonic agents that act upon the human mind through thoughts, desires, and sensory impressions. For Thomas, on the other hand, this wound consists primarily of an internal disordering of the faculties that results from the withdrawal of original grace: concupiscence or the fomes peccati. Yet even in this framework, the devil plays a significant role in Thomas’s account of postlapsarian temptation. On the basis of these differing frameworks for human temptation, Heidgerken demonstrates the centrality of Christ’s exemplarity in the Greek account and the centrality of Christ’s moral perfections in the Latin account. As a consequence of these emphases, the Greek tradition of Maximus places distinct limits on the ability of human emotionality (even that of Christ) to be perfected in this life, whereas Thomas’s approach allows Christ to completely embody a perfected form of human emotionality in his earthly life. Reciprocally, Thomas’s account of Christ’s moral perfections and virtue places distinct limits on his affirmation of Christ’s experience of postlapsarian temptation, whereas Maximus’s account allows for Christ to experience interior forms of temptation that more closely mirror the concrete moral experiences and circumstances of fallen human beings. Salvation through Temptation recommends a retrieval of early ascetic theology and demonology as the best contemporary systematic and ecumenically-viable approach to Christ’s temptation and victory over the devil.

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Temptation in the Archives

Essays in Golden Age Dutch Culture

Lisa Jardine

University College London, 2015

Temptation in the Archives is a collection of essays by Lisa Jardine, that takes readers on a journey through the Dutch Golden Age. Through the study of such key figures as Sir Constantjin Huygens, a Dutch polymath and diplomat, we begin to see the Anglo-Dutch cultural connections that formed during this period against the backdrop of unfolding political events in England.Temptation in the Archives paints a picture of a unique relationship between the Netherlands and England in the 17th century forged through a shared experience – and reveals the lessons we can learn from it today.

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The Temptation of Innocence in the Dramas of Arthur Miller

Terry Otten

University of Missouri Press, 2002

For a half century Arthur Miller has been more than a dramatist. He has been a chronicler of American culture, which he has both celebrated and criticized. The Temptation of Innocence in the Dramas of Arthur Miller examines all of Miller’s plays, from his unpublished undergraduate dramas written at the University of Michigan to Mr. Peters’ Connections, his last performed play. Terry Otten offers a broad critical review and assessment of Miller’s plays in light of the major revival of Miller’s work in the past decade and a growing critical reassessment of his work by the scholarly community.

Focusing on the temptation of innocence, a recurrent theme in Miller’s work, Otten explores the conflict between innocence and personal responsibility, from such widely acclaimed early plays as Death of a Salesman, which forges a “tragedy of the common man,” to his later, near postmodern texts, which treat memory in very different ways. Still locating the presentness of the past as a center of meaning in characters who follow Willy Loman, Miller continues to investigate the role innocence plays in the lives of his more modern characters.

Otten contends that, for over a half century, Miller examined the relationship between self and society in remarkably consistent terms while adapting his art to contemporary changes in concepts of reality. Fully documented and thoroughly researched, this book will prove a valuable source for later studies of Miller and a standard reference for examining the entire range of the plays. Otten avoids critical jargon, making this book an appealing choice for a general audience interested in literature and American culture.

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The Temptation of Saint Redon

Biography, Ideology, and Style in the Noirs of Odilon Redon

Stephen F. Eisenman

University of Chicago Press, 1992

Bristling with demons, grotesques, and bizarre apparitions, the graphic work of Odilon Redon has often seemed to be the product of a mind unhinged. In The Temptation of Saint Redon, Stephen F. Eisenman argues instead that these works are Redon's conscious and considered response to changing social realities—an attempt to find refuge from the forces of modernization in an imaginative world of the macabre and the fantastic. Eisenman's careful attention to the circumstances of Redon's life (1840-1916) allows him to bring into focus the interconnections between Redon's complex style and the culture and society of his time. Born and raised on a sixteenth-century estate near Bordeaux, Redon was immersed as a child in traditional rural culture. "I spent my entire childhood in the Médoc completely free, among peasant children," he recalled in his memoirs. "I heard them tell supernatural tales—witches still exist there."

Indeed, local tales and legends of witches, ghosts, one-eyed monsters, evil eyes, and wood fairies figure prominently in Redon's graphic works, which he called his noirs, or "blacks." After formal training at Bordeaux and Paris in the 1850s and 1860s, Redon began to chart his independent artistic course. Eisenman shows how, rejecting both naturalism and classicism, Redon, a prototypical Symbolist, found in grotesque and epic genres the expression of organic communities and precapitalist societies. He places Redon's desire for this imagined world of superstitious simplicity a desire manifest in his entire mature artistic practice in the context of contemporary avant-garde movements.

Redon's great noirs of the 1870s and 1880s, dreamlike configurations of seemingly irreconcilable elements from portraits, still lifes, and landscapes, show an increasingly subtle control of connotation and a complex indebtedness to caricature, allegory, and puns. Many of the noirs also visually interpret works by like-minded authors, including Baudelaire, Flaubert, Poe, and Mallarmé, one of Redon's close friends. Eisenman's analysis of the noirs underscores Redon's interest in creating an imaginative, even fantastic art, that could act directly on the human spirit. In addition to deepening our understanding of Redon and his art, The Temptation of Saint Redon exposes a link between place, politics, personal history, and the artistic imagination.

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Temptation of the Word

The Novels of Mario Vargas Llosa

Efrain Kristal

Vanderbilt University Press, 1998

Choice Outstanding Academic Book 1998

Temptation of the Word offers an ambitious and careful reading of the creative process--the origin of themes and the development of literary techniques--that Mario Vargas Llosa has brought to each of his novels, published through 1996. To understand the novelist's intellectual environment, Efrain Kristal analyzes the entire corpus of Vargas Llosa's writings, his literary influences in several languages, his intellectual biography, and his political activism, all in the light of the evolving political turbulence of his times and his own changing concept of literature.

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The Temptation to Exist

E. M. Cioran

University of Chicago Press, 1998

This collection of eleven essays originally appeared in France thirty years ago and created a literary whirlwind on the Left Bank. Cioran writes incisively about Western civilizations, the writer, the novel, mystics, apostles, and philosophers.

"A sort of final philosopher of the Western world. His statements have the compression of poetry and the audacity of cosmic clowning."—Washington Post

"An intellectual bombshell that blasts away at all kinds of cant, sham and conventionality. . . . [Cioran's] language is so erotic, his handling of words so seductive, that the act of reading becomes an encounter in the erogenous zone."—Jonah Raskin, L.A. Weekly

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