front cover of Parties Politics Sectional Conflict
Parties Politics Sectional Conflict
Tennessee 1832-1861
Jonathan M. Atkins
University of Tennessee Press, 1997

In this thought-provoking study, Jonathan M. Atkins provides a fresh look at the partisan ideological battles that marked the political culture of antebellum Tennessee. He argues that the legacy of party politics was a key factor in shaping Tennessee's hesitant course during the crisis of Union in 1860–61.

Between the Jacksonian era and the outbreak of the Civil War, Atkins demonstrates, the competition between Democrats and Whigs in Tennessee was as heated as any in the country. The conflict centered largely on differing conceptions of republican liberty and each party's contention that the other posed a serious threat to that liberty. As the slavery question pushed to the forefront of national politics, Tennessee's parties absorbed the issue into the partisan tumult that already existed. Both parties pledged to defend southern interests while preserving the integrity of the Union. Appeals for the defense of liberty and Union interests proved effective with voters and profoundly influenced the state's actions during the secession crisis. The belief that a new national Union party could preserve the Union while checking the Lincoln administration encouraged voters initially to reject secession. With the outbreak of war, however, West and Middle Tennesseans chose to accept disunion to avoid what they saw as coercion and military despotism by the North. East Tennesseans, meanwhile, preferred loyalty to the Union over membership in a Southern confederacy dominated by a slaveholding aristocracy.

No previous book has so clearly detailed the role of party politics and ideology in Tennessee's early history. As Atkins shows, the ideological debate helps to explain not only the character and survival of Tennessee's party system but also the peristent strength of unionism in a state that ultimately joined the Southern cause.

The Author: Jonathan M. Atkins is assistant professor of history at Berry College in Mt. Berry, Georgia.
 

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front cover of Paths Of Past
Paths Of Past
Tennessee 1770-1970
Paul H. Bergeron
University of Tennessee Press, 1979

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Pilgrimage to Dollywood
A Country Music Road Trip through Tennessee
Helen Morales
University of Chicago Press, 2014
A star par excellence, Dolly Parton is one of country music’s most likable personalities. Even a hard-rocking punk or orchestral aesthete can’t help cracking a smile or singing along with songs like “Jolene” and “9 to 5.” More than a mere singer or actress, Parton is a true cultural phenomenon, immediately recognizable and beloved for her talent, tinkling laugh, and steel magnolia spirit. She is also the only female star to have her own themed amusement park: Dollywood in Pigeon Forge, Tennessee. Every year thousands of fans flock to Dollywood to celebrate the icon, and Helen Morales is one of those fans.

In Pilgrimage to Dollywood, Morales sets out to discover Parton’s Tennessee. Her travels begin at the top celebrity pilgrimage site of Elvis Presley’s Graceland, then take her to Loretta Lynn’s ranch in Hurricane Mills; the Country Music Hall of Fame and the Grand Ole Opry in Nashville; to Sevierville, Gatlinburg, and the Great Smoky Mountains National Park; and finally to Pigeon Forge, home of the “Dolly Homecoming Parade,” featuring the star herself as grand marshall. Morales’s adventure allows her to compare the imaginary Tennessee of Parton’s lyrics with the real Tennessee where the singer grew up, looking at essential connections between country music, the land, and a way of life. It’s also a personal pilgrimage for Morales. Accompanied by her partner, Tony, and their nine-year-old daughter, Athena (who respectively prefer Mozart and Miley Cyrus), Morales, a recent transplant from England, seeks to understand America and American values through the celebrity sites and attractions of Tennessee.

This celebration of Dolly and Americana is for anyone with an old country soul who relies on music to help understand the world, and it is guaranteed to make a Dolly Parton fan of anyone who has not yet fallen for her music or charisma.
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Pinson Mounds
Middle Woodland Ceremonialism in the Midsouth
Robert C. Mainfort Jr.
University of Arkansas Press, 2013
Pinson Mounds: Middle Woodland Ceremonialism in the Midsouth is a comprehensive overview and reinterpretation of the largest Middle Woodland mound complex in the Southeast. Located in west Tennessee about ten miles south of Jackson, the Pinson Mounds complex includes at least thirteen mounds, a geometric earthen embankment, and contemporary short-term occupation areas within an area of about four hundred acres. A unique feature of Pinson Mounds is the presence of five large, rectangular platform mounds from eight to seventy-two feet in height. Around A.D. 100, Pinson Mounds was a pilgrimage center that drew visitors from well beyond the local population and accommodated many distinct cultural groups and people of varied social stations. Stylistically nonlocal ceramics have been found in virtually every excavated locality, all together representing a large portion of the Southeast. Along with an overview of this important and unique mound complex, Pinson Mounds also provides a reassessment of roughly contemporary centers in the greater Midsouth and Lower Mississippi Valley and challenges past interpretations of the Hopewell phenomenon in the region.
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Portraits of Conflict
Tennessee: A Photographic History of Tennessee in the Civil War
Richard B. McCaslin
University of Arkansas Press, 2007
It’s one thing to understand that over twenty-thousand Confederate and Union soldiers died at the Battle of Murfreesboro. It’s quite another to study an ambrotype portrait of twenty-year-old private Frank B. Crosthwait, dressed in his Sunday best, looking somberly at the camera. In a tragically short time, he’ll be found on the battlefield, mortally wounded, still clutching the knotted pieces of handkerchief he used in a hopeless attempt to stop the bleeding from his injuries. Private Crosthwait’s image is one of more than 250 portraits—many never before published—to be found in the much anticipated Portraits of Conflict: A Photographic History of Tennessee in the Civil War. The eighth in the distinguished Portraits of Conflict series, this volume joins the personal and the public to provide a uniquely rich portrayal of Tennesseans—in uniforms both blue and gray—who fought and lost their lives in the Civil War. Here is the story of a widow working as a Union spy to support herself and her children. Of a father emerging from his house to find his Confederate soldier son dying at his feet. Of a nine-year-old boy who attached himself to a Union regiment after his mother died. Their stories and faces, joined with personal remembrances from recovered letters and diaries and ample historical information on secession, famous battles, surrender, and Reconstruction, make this new Portraits of Conflict a Civil War treasure.
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front cover of Pox, Empire, Shackles, and Hides
Pox, Empire, Shackles, and Hides
The Townsend Site, 1670-1715
Jon Bernard Marcoux
University of Alabama Press, 2010
Examines issues of culture contact and social identity by exploring how the late-seventeenth and early-eighteenth centuries played out in the daily lives of Cherokee households, especially those excavated at the Townsend site in eastern Tennessee
 
The late-seventeenth and early-eighteenth centuries were an extremely turbulent time for southeastern American Indian groups. Indeed, between the founding of the Charles Town colony along the south Atlantic coast in 1670 and the outbreak of the Yamasee War in 1715, disease, warfare, and massive population displacements dramatically altered the social, political, and economic landscape of the entire region. This volume examines issues of culture contact and social identity by exploring how this chaotic period played out in the daily lives of Cherokee households, especially those excavated at the Townsend site in eastern Tennessee.
 
Marcoux studies the material remains of daily life in order to identify the strategies that households enacted while adapting to the social, political, and economic disruptions associated with European contact. The author focuses on households as the basic units of analysis because these represent the most fundamental and pervasive unit of economic and social production in the archaeological record. His investigations show how the daily lives of Cherokee households changed dramatically as they coped with the shifting social, political, and economic currents of the times. He demonstrates that the community excavated at the Townsend site was formed by immigrant households who came together from geographically disparate and ethnically distinct Cherokee settlements as a way to ameliorate population losses. He also explores changes in community and household patterning, showing how the spatial organization of the Townsend community became less formal and how households became more transient compared to communities predating contact with Europeans. From this evidence, Marcoux concludes that these changes reflect a broader strategic shift to a more flexible lifestyle that would have aided Cherokee households in negotiating the social, political, and economic uncertainty of the period.
 
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front cover of The Prehistoric Native American Art of Mud Glyph Cave
The Prehistoric Native American Art of Mud Glyph Cave
Charles H. Faulkner
University of Tennessee Press, 1986
This is the only book on the historic art to be found in Mud Glyph Cave.
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