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American Cinema 1890-1909
Themes and Variations
Gaudreault, Andre
Rutgers University Press, 2009
At the turn of the twentieth century, cinema was quickly establishing itself as a legitimate form of popular entertainment.

The essays in American Cinema 1890-1909 explore and define how the making of motion pictures flowered into an industry that would finally become the central entertainment institution of the world. Beginning with all the early types of pictures that moved, this volume tells the story of the invention and consolidation of the various processes that gave rise to what we now call "cinema." By examining the battles over patents, production, exhibition, and the reception of film, readers learn how going to the movies became a social tradition in American society.

In the course of these two decades, cinema succeeded both in establishing itself among other entertainment and instructional media and in updating various forms of spectacle.

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American Cinema of the 1910s
Themes and Variations
Keil, Charlie
Rutgers University Press, 2009
It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood.

The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.

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American Cinema of the 1920s
Themes and Variations
Fischer, Lucy
Rutgers University Press, 2009
During the 1920s, sound revolutionized the motion picture industry and cinema continued as one of the most significant and popular forms of mass entertainment in the world. Film studios were transformed into major corporations, hiring a host of craftsmen and technicians including cinematographers, editors, screenwriters, and set designers. The birth of the star system supported the meteoric rise and celebrity status of actors including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino while black performers (relegated to "race films") appeared infrequently in mainstream movies. The classic Hollywood film style was perfected and significant film genres were established: the melodrama, western, historical epic, and romantic comedy, along with slapstick, science fiction, and fantasy.

In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era.

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American Cinema of the 1930s
Themes and Variations
Hark, Ina Rae
Rutgers University Press, 2007
Probably no decade saw as many changes in the Hollywood film industry and its product as the 1930s did. At the beginning of the decade, the industry was still struggling with the transition to talking pictures. Gangster films and naughty comedies starring Mae West were popular in urban areas, but aroused threats of censorship in the heartland. Whether the film business could survive the economic effects of the Crash was up in the air. By 1939, popularly called "Hollywood's Greatest Year," films like Gone With the Wind and The Wizard of Oz used both color and sound to spectacular effect, and remain American icons today. The "mature oligopoly" that was the studio system had not only weathered the Depression and become part of mainstream culture through the establishment and enforcement of the Production Code, it was a well-oiled, vertically integrated industrial powerhouse.

The ten original essays in American Cinema of the 1930s focus on sixty diverse films of the decade, including Dracula, The Public Enemy, Trouble in Paradise, 42nd Street, King Kong, Imitation of Life, The Adventures of Robin Hood, Swing Time, Angels with Dirty Faces, Nothing Sacred, Jezebel, Mr. Smith Goes toWashington, and Stagecoach .
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American Cinema of the 1940s
Themes and Variations
Dixon, Wheeler Winston
Rutgers University Press, 2005

The 1940s was a watershed decade for American cinema and the nation. Shaking off the grim legacy of the Depression, Hollywood launched an unprecedented wave of production, generating some of its most memorable classics, including Citizen Kane, Rebecca, The Lady Eve, Sergeant York, and How Green Was My Valley. In 1942, Hollywood joined the national war effort with a vengeance, creating a series of patriotic and escapist films, such as Casablanca, Mrs. Miniver, The Road to Morocco, and Yankee Doodle Dandy.

With the end of the war, returning GIs faced a new America, in which the country had been transformed overnight. Film noir reflected a new public mood of pessimism and paranoia, in such classic films of betrayal and conflict as Kiss of Death, Force of Evil, Caught, and Apology for Murder, depicting a poisonous universe of femme fatales, crooked lawyers, and corrupt politicians.

With the threat of the atom bomb lurking in the background and the beginnings of the Hollywood Blacklist, the 1940s was a decade of crisis and change. Featuring essays by a group of respected film scholars and historians, American Cinema of the 1940s brings this dynamic and turbulent decade to life. Illustrated with many rare stills and filled with provocative insights, the volume will appeal to students, teachers, and to all those interested in cultural history and American film of the twentieth century.

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American Cinema of the 1950s
Themes and Variations
Pomerance, Murray
Rutgers University Press, 2005

From cold war hysteria and rampant anticommunist witch hunts to the lure of suburbia, television, and the new consumerism, the 1950s was a decade of sensational commercial possibility coupled with dark nuclear fears and conformist politics. Amid this amalgamation of social, political, and cultural conditions, Hollywood was under siege: from the Justice Department, which pressed for big film companies to divest themselves of their theater holdings; from the middleclass, whose retreat to family entertainment inside the home drastically decreased the filmgoing audience; and from the House Un-American Activities Committee, which was attempting to purge the country of dissenting political views. In this difficult context, however, some of the most talented filmmakers of all time, including John Ford, Alfred Hitchcock, Vincente Minnelli, Nicholas Ray, and Billy Wilder produced some of their most remarkable work.

Bringing together original essays by ten respected scholars in the field, American Cinema of the 1950s explores the impact of the cultural environment of this decade on film, and the impact of film on the American cultural milieu. Contributors examine the signature films of the decade, including From Here to Eternity, Sunset Blvd., Singin' in the Rain, Shane, Rear Window, and Rebel Without a Cause, as well as lesser-known but equally compelling films, such as Dial 1119, Mystery Street, Suddenly, Summer Stock, The Last Hunt, and many others.

Provocative, engaging, and accessible to general readers as well as scholars, this volume provides a unique lens through which to view the links between film and the prevailing social and historical events of the decade.

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American Cinema of the 1960s
Themes and Variations
Grant, Barry Keith
Rutgers University Press, 2008
The profound cultural and political changes of the 1960s brought the United States closer to social revolution than at any other time in the twentieth century. The country fragmented as various challenges to state power were met with increasing and violent resistance. The Cold War heated up and the Vietnam War divided Americans. Civil rights, women's liberation, and gay rights further emerged as significant social issues. Free love was celebrated even as the decade was marked by assassinations, mass murders, and social unrest.

At the same time, American cinema underwent radical change as well. The studio system crumbled, and the Production Code was replaced by a new ratings system. Among the challenges faced by the film industry was the dawning shift in theatrical exhibition from urban centers to surburban multiplexes, an increase in runaway productions, the rise of independent producers, and competition from both television and foreign art films. Hollywood movies became more cynical, violent, and sexually explicit, reflecting the changing values of the time.

In ten original essays, American Cinema of the 1960s examines a range of films that characterized the decade, including Hollywood movies, documentaries, and independent and experimental films. Among the films discussed are Elmer Gantry, The Apartment, West Side Story, The Manchurian Candidate, To Kill a Mockingbird, Cape Fear, Bonnie and Clyde, 2001: A Space Odyssey, Midnight Cowboy, and Easy Rider.
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American Cinema of the 1970s
Themes and Variations
Friedman, Lester D
Rutgers University Press, 2007
A smug glance at the seventies—he so-called "Me Decade"—unveils a kaleidoscope of big hair, blaring music, and broken politics—all easy targets for satire, cynicism, and ultimately even nostalgia. American Cinema of the 1970s, however, looks beyond the strobe lights to reveal how profoundly the seventies have influenced American life and how the films of that decade represent a peak moment in cinema history.

Far from a placid era, the seventies was a decade of social upheavals. Events such as the killing of students at Kent State and Jackson State universities, the Watergate investigations, the legalization of abortion, and the end of the American involvement in Vietnam are only a few among the many landmark occurrences that challenged the foundations of American culture. The director-driven movies of this era reflect this turmoil, experimenting with narrative structures, offering a gallery of scruffy antiheroes, and revising traditional genre conventions.

Bringing together ten original essays, American Cinema of the 1970s examines the range of films that marked the decade, including Jaws, Rocky, Love Story, Shaft, Dirty Harry, The Godfather, Deliverance, The Exorcist, Shampoo, Taxi Driver, Star Wars, Saturday Night Fever, Kramer vs. Kramer,and Apocalypse Now .
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American Cinema of the 1980s
Themes and Variations
Prince, Stephen
Rutgers University Press, 2007
During the 1980s, American cinema underwent enormous transformations. Blockbusters like Raiders of the Lost Ark, E.T., and The Empire Strikes Back grabbed huge revenues for the studios. At the same time, the growth of home video led to new and creative opportunities for independent film production, resulting in many of the decade's best films. Both large- and small-scale filmmakers responded to the social, political, and cultural conditions of the time. The two-term presidency of Ronald Reagan spawned a new Cold War with the Soviet Union, which Hollywood film both embraced and critiqued. Also during this time, Hollywood launched a long-awaited cycle of films about the Vietnam War, exploring its impact both at home and abroad. But science fiction remained the era's most popular genre, ranging from upbeat fantasies to dark, dystopic visions.

Bringing together original essays by ten respected scholars in the field, American Cinema of the 1980s examines the films that marked the decade, including Ordinary People, Body Heat, Blade Runner, Zelig, Platoon, Top Gun, Aliens, Blue Velvet, Robocop, Fatal Attraction, Die Hard, Batman, and sex, lies & videotape.
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American Cinema of the 1990s
Themes and Variations
Holmlund, Chris
Rutgers University Press, 2008
With the U.S. economy booming under President Bill Clinton and the cold war finally over, many Americans experienced peace and prosperity in the nineties. Digital technologies gained popularity, with nearly one billion people online by the end of the decade. The film industry wondered what the effect on cinema would be.

The essays in American Cinema of the 1990s examine the big-budget blockbusters and critically acclaimed independent films that defined the decade. The 1990s' most popular genre, action, channeled anxieties about global threats such as AIDS and foreign terrorist attacks into escapist entertainment movies. Horror films and thrillers were on the rise, but family-friendly pictures and feel-good romances netted big audiences too. Meanwhile, independent films captured hearts, engaged minds, and invaded Hollywood: by decade's end every studio boasted its own "art film" affiliate.

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American Cinema of the 2000s
Themes and Variations
Corrigan, Timothy
Rutgers University Press, 2012

The decade from 2000 to 2009 is framed, at one end, by the traumatic catastrophe of the 9/11 attacks on the World Trade Center and, at the other, by the election of the first African American president of the United States. In between, the United States and the world witnessed the rapid expansion of new media and the Internet, such natural disasters as Hurricane Katrina, political uprisings around the world, and a massive meltdown of world economies.

Amid these crises and revolutions, American films responded in multiple ways, sometimes directly reflecting these turbulent times, and sometimes indirectly couching history in traditional genres and stories. In American Cinema of the 2000s, essays from ten top film scholars examine such popular series as the groundbreaking Matrix films and the gripping adventures of former CIA covert operative Jason Bourne; new, offbeat films like Juno; and the resurgence of documentaries like Michael Moore’s Fahrenheit 9/11.  Each essay demonstrates the complex ways in which American culture and American cinema are bound together in subtle and challenging ways.

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American Cinema of the 2010s
Themes and Variations
Dennis Bingham
Rutgers University Press, 2022
The 2010s might be remembered as a time of increased polarization in American life. The decade contained both the Obama era and the Trump era, and as the nation’s political fissures widened, so did the gap between the haves and have-nots. Hollywood reflected these divisions, choosing to concentrate on big franchise blockbusters at the expense of mid-budget films, while new players like Netflix and Amazon offered fresh opportunities for low-budget and independent filmmakers. As the movie business changed, films ranging from American Sniper to Get Out found ways to speak to the concerns of a divided nation.
 
The newest installment in the Screen Decades series, American Cinema in the 2010s takes a close look at the memorable movies, visionary filmmakers, and behind-the-scenes drama that made this decade such an exciting time to be a moviegoer. Each chapter offers an in-depth examination of a specific year, covering a wide variety of films, from blockbuster superhero movies like Black Panther and animated films like Frozen to smaller-budget biopics like I, Tonya and horror films like Hereditary. This volume introduces readers to a decade in which established auteurs like Quentin Tarantino were joined by an exceptionally diverse set of new talents, taking American cinema in new directions. 
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American Ethnic History
Themes and Perspectives
McDonald, Jason J
Rutgers University Press, 2007
The United States, it is often said, is one of the most ethnically diverse countries in the world. But what, precisely, do we mean when we speak of “ethnic” groups or “ethnicity”?  What is the distinction, for example, between “race” and “ethnicity”? How do various groups meld with the rest of American society? Should we think in terms of assimilation, integration, pluralism, or some other relationship between ethnic groups and the mainstream? It is these and many other questions that Jason J. McDonald tackles in this timely and insightful book.

Chapters explore a range of topics, including how different ethnic groups arrived in the United States—whether through violence and coercion or willing immigration; the peculiar identification of Native Americans as “ethnic,” despite the fact that they are indigenous to the land; whether the American public’s attitudes toward and treatment of difference has been consistent with the nation’s professed egalitarian ideals; and how factors such as language, religion, class, gender, and intermarriage play in either strengthening or weakening ethnic identity and group solidarity.

An engaging and critical look at a term that remains stubbornly ambiguous in both scholarly discussion and the vernacular, this book makes an important contribution to the ongoing debates about “difference” in American society.
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Beyond the Stars 5
Themes and Ideologies in American Popular Film
Smith
University of Wisconsin Press, 1990

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Celebration of Continuity
Themes in Classic East Asian Poetry
Peter H. Lee
Harvard University Press, 1979

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Geography, Resources and Environment, Volume 2
Themes from the Work of Gilbert F. White
Edited by Robert W. Kates and Ian Burton
University of Chicago Press, 1986
Over the course of half a century, Gilbert F. White's work has served to shape and, in several instances, establish many of the fields that have come to be known as the environmental sciences. In this collection of original essays, a companion volume to White's selected writings (volume I), leading scholars in areas such as water supply, environmental hazards, and natural resource management interpret changes in these fields since White's work and assess present and future problems. With volume 1, this collection presents a complete and cogent picture of Gilbert White's contribution and the work he inspired.
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Images and Themes in Five Poems by Milton
Rosemond Tuve
Harvard University Press

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In Praise of Antiheroes
Figures and Themes in Modern European Literature, 1830-1980
Victor Brombert
University of Chicago Press, 1999
In an age of upheaval and challenged faith, traditional heroes are hard to come by, and harder still to love, with their bloodstained hands and backs unbowed by the consequences of their actions. Through penetrating readings of key works of modern European literature, Victor Brombert shows how a new kind of hero—the antihero—has arisen to replace the toppled heroic model.

Though they fail, by design, to live up to conventional expectations of mythic heroes, antiheroes are not necessarily "failures." They display different kinds of courage more in tune with our time and our needs: deficiency translated into strength, failure experienced as honesty, dignity achieved through humiliation. Brombert explores these paradoxes in the works of Büchner, Gogol, Dostoevsky, Flaubert, Svevo, Hašek, Frisch, Camus, and Levi. Coming from diverse cultural and linguistic traditions, these writers all use the figure of the antihero to question handed-down assumptions, to reexamine moral categories, and to raise issues of survival and renewal embodying the spirit of an uneasy age.

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Meaning, Decision, and Norms
Themes from the Work of Allan Gibbard
Eds. Billy Dunaway and David Plunkett
Michigan Publishing Services, 2021
It is not an exaggeration to say that Allan Gibbard is one of the most significant contributors to philosophy over the last five decades. Gibbard’s work covers an impressive number of subfields within philosophy, including ethics, philosophy of language, decision theory, epistemology, and metaphysics. It also engages with, and makes significant contributions to, work from the natural and social sciences.

This volume is not a collection of artifacts from past decades of philosophy. Instead, it is a collection of essays that each make a significant contribution to contemporary work in philosophy. This reflects the fact that Gibbard’s work has not only had a massive influence on past discussion in philosophy but also continues to influence new directions of philosophical research.

With contributions from:
Sara Aronowitz, Simon Blackburn, Paul Boghossian, David Braddon-Mitchell, Nate Charlow, Stephen Darwall, Jamie Dreier, Billy Dunaway, Melissa Fusco, Sona Ghosh, Allan Gibbard, Bill Harper, Paul Horwich, Zoë Johnson King, Tristram McPherson, Howard Nye, Lauren Olin, Caleb Perl, David Plunkett, Peter Railton, Connie Rosati, Mark Schroeder, Alex Silk, Daniel J. Singer, Brian Skyrms, and Seth Yalcin.

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The North American Arctic
Themes in Regional Security
Edited by Dwayne Menezes and Heather Nicol
University College London, 2019
The North American Arctic focuses on current and emerging security issues confronting the Arctic that are shaping relationships between Alaska; the Canadian territories of Yukon, Nunavut, and the Northwest Territories; Greenland; and Russia. Raising important and timely questions about normative security arrangements, contributors identify the degree to which “domain awareness” has redefined traditional military focuses, while new human rights discourses have undercut traditional ways of managing sovereignty and territory. While security itself is not an outdated concept, our understanding of what constitutes human-centered security has shifted dramatically. Contributors explore this shift, looking at new regionally specific threats through the subjectivities and spaces under discussion. Providing a much-needed framework, The North American Arctic helps readers understand the impact of new developments in security in this region at both the level of community and the broader scale.
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Osip Mandel'stam and His Age
A Commentary on the Themes of War and Revolution in the Poetry, 1913-1923
Steven Broyde
Harvard University Press, 1975

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Popular Music Perspectives
Ideas, Themes, and Patterns in Contemporary Lyrics
B. Lee Cooper
University of Wisconsin Press, 1991
In thirteen essays, this book probes ideas and themes that are prominent in contemporary song lyrics. The essays take social change, human interaction, technology, and intellectual development as points of departure for specific examinations of public education, railroads, death, automobiles, and rebels. The essays also examine humor, traditions, and historical events found in answer songs, cover recordings, nursery rhyme adaptations, and novelty tunes.
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Rails to Infinity
Essays on Themes from Wittgenstein’s Philosophical Investigations
Crispin Wright
Harvard University Press, 2001

This volume, published on the fiftieth anniversary of Wittgenstein's death, brings together thirteen of Crispin Wright's most influential essays on Wittgenstein's later philosophies of language and mind, many hard to obtain, including the first publication of his Whitehead Lectures given at Harvard in 1996.

Organized into four groups, the essays focus on issues about following a rule and the objectivity of meaning; on Saul Kripke's contribution to the interpretation of Wittgenstein; on privacy and self-knowledge; and on aspects of Wittgenstein's philosophy of mathematics. Wright uses the cutting edge of Wittgenstein's thought to expose and undermine the common assumptions in platonistic views of mathematical and logical objectivity and Cartesian ideas about self-knowledge. The great question remains: How to react to the demise of these assumptions? In response, the essays develop a concerted, evolving approach to the possibilities--and limitations--of constructive philosophies of mathematics and mind. Their collection constitutes a major statement by one of Britain's most important philosophers--and will provide an indispensable tool both for students of Wittgenstein and for scholars working more generally in the metaphysics of mind and language.

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Saving the Differences
Essays on Themes from Truth and Objectivity
Crispin Wright
Harvard University Press, 2003

Crispin Wright's Truth and Objectivity brought about a far-reaching reorientation of the metaphysical debates concerning realism and truth. The essays in this companion volume prefigure, elaborate, or defend the proposals put forward in that landmark work.

The collection includes the Gareth Evans memorial lecture in which the program of Truth and Objectivity was first announced, as well as all of Wright's published reactions to the extensive commentary his study provoked; it presents substantial new developments and applications of the pluralistic outlook on the realism debates proposed in Truth and Objectivity, and further pursues its distinctive minimalist conceptions of truth and of truth-aptitude. Among the papers are important discussions of coherence conceptions of truth, of Hilary Putnam's most recent views on truth, and of the classical debate between correspondence, coherence, pragmatism, and deflationary conceptions of the notion. Others are concerned with Kripke's famous argument against physicalist conceptions of sensation; the distinction between minimal truth-aptitude and cognitive command; a novel prospectus for a philosophy of vagueness; and a new proposal about the most resilient interpretation of relativism.

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The Sound of Memory
Themes from a Violinist’s Life
Rebecca Fischer
The Ohio State University Press, 2022
In The Sound of Memory, concert violinist Rebecca Fischer wrestles with the life of a performing artist in the twenty-first century, the physical and material components of memory, the nature of musical inheritance, and the gifts and pressures of a calling that runs generations deep. From memories of breastfeeding on concert tours, to the surprising ways her body remembers music she heard in the womb, to witnessing her children’s own evolving musicianship, Fischer shares her perspective as the first violinist of the renowned Chiara String Quartet and parent to young people exploring their gender identities amidst social upheaval and a pandemic. As she revisits geographies that have left marks on her life and creative practice over the years, she examines what we owe to our families, our communities, our art, and ourselves—ultimately exhorting us to consider both the individual and communal resonances of artistic expression and the meaning it brings to our shared lives.
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Stendhal
Fiction and the Themes of Freedom
Victor Brombert
University of Chicago Press, 2017
Victor Brombert is a lion in the study of French literature, and in this classic of literary criticism, he turns his clear and perspicacious gaze on the works of one of its greatest authors—Stendhal. Best remembered for his novels The Red and the Black and The Charterhouse of Parma, Stendhal is a writer of extraordinary insight into psychology and the many shades of individual and political liberty. Brombert has spent a lifetime reading and teaching Stendhal and here, by focusing on the seemingly contradictory themes of inner freedom and outer constraint within Stendhal’s writings, he offers a revealing analysis of both his work and his life.

For Brombert, Stendhal’s work is deeply personal; elsewhere, he has written about the myriad connections between Stendhal’s ironic inquiries into identity and his own boyhood in France on the brink of World War II. Proceeding via careful and nuanced readings of passages from Stendhal’s fiction and autobiography, Brombert pays particular attention to style, tone, and meaning. Paradoxically, Stendhal’s heroes often feel most free when in prison, and in a statement of stunning relevance for our contemporary world, Brombert contends that Stendhal is far clearer than any writer before him on the “crisis and contradictions of modern humanism that . . . render political freedom illusory.” Featuring a new introduction in which Brombert explores his earliest encounters with Stendhal—the beginnings of his “affair” during a year spent as a Fulbright scholar in Rome—Stendhal remains a spirited, elegant, and resonant account.
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Themes and Issues in Asian Cartooning
John A. Lent
University of Wisconsin Press, 1999
    Today, comic art is the favorite reading fare for millions of Asians, and is a government-sanctioned, value-added product, as in the case of Korean and Japanese animation. Yet not much is known about Asian cartooning. 
    Themes and Issues in Asian Cartooning uses overviews and case studies by scholars to discuss Asian animation, humor magazines, gag cartoons, comic strips, and comic books. The first half of the book looks at contents and audiences of Malay humor magazines, cultural labor in Korean animation, the reception of Aladdin in Islamic Southeast Asia, and a Singaporean comic book as a reflection of that society’s personality. Four other chapters treat gender and Asian comics, concentrating on Japanese anime and manga and Indian comic books.
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Themes and Variations
Writings on Music in Honor of Rulan Chao Pian
Bell Yung
Harvard University Press

The thirteen essays in this volume underscore the unity and diversity of music research today. Ranging in topic from Gregorian chant to Russian lament, Chinese opera to American spirituals, the essays span the early ninth to the late twentieth centuries and move geographically from East Asia to Europe, North America, and the Pacific. The essays focus on some of the central issues in current musicological and ethnomusicological research: the change and continuity in musical traditions, tune identity and metamorphosis, and the nature and function of musical notation.

Owing to the musical material, the diverse cultural contexts, and the different approaches and methodologies employed, the same theoretical issues are formulated and addressed in various ways. It is through variations that themes grow in significance and beauty. The unity in and coherence of modern musicological discourse, though still elusive, are within reach in this volume.

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Themes in Kant's Metaphysics and Ethics
Arthur Melnick
Catholic University of America Press, 2004
Intended for those interested in Kant's contribution to philosophy, this volume provides an overview of Kant's arguments concerning central issues in metaphysics and ethics.
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Themes in Plato, Aristotle, and Hellenistic Philosophy
Keeling Lectures 2011-18
Edited by Fiona Leigh
University of London Press, 2020

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Themes in the Economics of Aging
Edited by David A. Wise
University of Chicago Press, 2001
In the past few years, the economic ramifications of aging have garnered close attention from a group of NBER researchers led by David A. Wise. In this volume, Wise and his collaborators continue to analyze a nexus of age-related issues.

This volume begins by looking at the implications of private and public personal retirement plans, focusing in particular on the impact of 401(k) programs on retirement strategies in light of potential social security reform and factors such as annuitization and on asset accumulation. Next, the often-observed relationship between health and wealth is dissected from two different perspectives and correlated with striking increases in health-care spending over the past two decades, despite the improved health of older populations. The volume concludes with an investigation of the retirement effects of various social security provisions in both U.S. and German systems.

This carefully developed collection expands the current investigative focus and broadens the dialogue on a rapidly growing area of social and economic concern.

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Themes in West Africa’s History
Emmanuel Kwaku Akyeampong
Ohio University Press, 2006

There has long been a need for a new textbook on West Africa’s history. In Themes in West Africa’s History, editor Emmanuel Kwaku Akyeampong and his contributors meet this need, examining key themes in West Africa’s prehistory to the present through the lenses of their different disciplines.

The contents of the book comprise an introduction and thirteen chapters divided into three parts. Each chapter provides an overview of existing literature on major topics, as well as a short list of recommended reading, and breaks new ground through the incorporation of original research. The first part of the book examines paths to a West African past, including perspectives from archaeology, ecology and culture, linguistics, and oral traditions. Part two probes environment, society, and agency and historical change through essays on the slave trade, social inequality, religious interaction, poverty, disease, and urbanization. Part three sheds light on contemporary West Africa in exploring how economic and political developments have shaped religious expression and identity in significant ways.

Themes in West Africa’s History represents a range of intellectual views and interpretations from leading scholars on West Africa’s history. It will appeal to college undergraduates, graduate students, and scholars in the way it draws on different disciplines and expertise to bring together key themes in West Africa’s history, from prehistory to the present.

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Themes of Indigenous Acculturation in Northwest Mexico
Edited by Thomas B. Hinton and Phil C. Weigand
University of Arizona Press, 1981
The Anthropological Papers of the University of Arizona is a peer-reviewed monograph series sponsored by the School of Anthropology. Established in 1959, the series publishes archaeological and ethnographic papers that use contemporary method and theory to investigate problems of anthropological importance in the southwestern United States, Mexico, and related areas.
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Themes of Work and Love in Adulthood
Neil J. Smelser
Harvard University Press

To love and to work, Freud's famous definition of psychological maturity, here becomes the focussing principle for a renewed examination of the dominant themes that play themselves out in adult life. Erik Erikson, Neil Smelser, and nine leading experts in adult development consider the stages that adults pass through and the crises that adults confront as they attempt to create a meaningful life.

Themes of Work and Love in Adulthood is a book that raises many fascinating questions about adult experience. How, for example, does work affect personality? Are love and work in competition; must one be pursued at the expense of the other? Is there a point in life past which men lay less stress on mastery and turn more toward emotional fulfillment? And do women experience a shift in the opposite direction? More generally, why do adult crises fall into predictable patterns and how do adults grow as they respond to these crises? Is the recent broadening of standards for adult conduct an opportunity for personal liberation or a source of personal debilitation?

Much more than a summary of current work on adulthood, Themes of Work and Love in Adulthood is a book full of unusual rewards: Erik Erikson's sensitive reconstruction of the entanglements of love and work revealed in the correspondence between Freud and Jung; Ann Swidler's fascinating discussion of the historical transformation of the love ideal from medieval times to its contemporary form; Robert LeVine's analysis of the adult life course in an African culture. When these unique essays are added to the important position papers by major theorists of adult development—Daniel Levinson, Roger Gould, and Marjorie Fiske—the result is a book that is both useful and exciting.

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Traditions, Transitions, and Technologies
Themes in Southwestern Archaeology
Sarah H. Schlanger
University Press of Colorado, 2016
Traditions, Transitions, and Technologies offers diverse perspectives on the state of Southwestern archaeology at the end of the twentieth century, linking the legacies of the past to present trends by placing current research into historical context. Organized around classic themes central to the history of the discipline, this volume explores important new research avenues for understanding the connections between historic Pueblo communities and their distant ancestors, the origins of farming traditions, and the development of the Southwest's distinctive tools and technologies. Providing a unique overview of past and present work in this important region, Traditions, Transitions, and Technologies will be of interest to all doing archaeological research in the Southwestern United States.
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front cover of Victorian People
Victorian People
A Reassessment of Persons and Themes, 1851-67
Asa Briggs
University of Chicago Press, 1975
This text looks at the people, ideas and events between the Great Exhibition of 1851 and the Second Reform Act of 1867. From "John Arthur Roebuck and the Crimean War", and "Samuel Smiles and the Gospel of Work" to "Thomas Hughes and the Public Schools" and "Benjanmin Disraeli and the Leap in the Dark", Asa Briggs provides an assessment of Victorian achievements; and in doing so conjures up an enviable picture of the progress and independence of the last century.

"For expounding this theme, this interaction of event and personality, Mr. Briggs is abundantly and happily endowed. He is always readable, often amusing, never facetious. He is widely read and widely interested. He has a sound historic judgment, and an unfailing sense for what is significant in the historic sequence and what is merely topical. . . . Above all, he is in sympathy with the age of which he is writing."—Times Literary Supplement
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A World of Grace
An Introduction to the Themes and Foundations of Karl Rahner's Theology
Leo O'Donovan, SJ, Editor
Georgetown University Press, 1995

Organized as a companion volume to Karl Rahner's master work, Foundations of Christian Faith, this book, now again available, also provides the most useful introduction to his theology as a whole. Each chapter presents a broad commentary on the corresponding chapter of Foundations, beginning with Rahner's method and anthropology and concluding with his theology of the church and eschatology. It includes a separate chapter on Rahner's moral thought. Valuable for classroom or individual use, this volume provides questions for discussion, suggestions for further reading, and an extensive glossary of specialized terminology.

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