Stanley Hauerwas is one of the most widely read and oft-cited theologians writing today. A prolific lecturer and author, he has been at the forefront of key developments in contemporary theology, ranging from narrative theology to the “recovery of virtue.” Yet despite his prominence and the esteem reserved for his thought, his work has never before been collected in a single volume that provides a sense of the totality of his vision.
The editors of The Hauerwas Reader, therefore, have compiled and edited a volume that represents all the different periods and phases of Hauerwas’s work. Highlighting both his constructive goals and penchant for polemic, the collection reflects the enormous variety of subjects he has engaged, the different genres in which he has written, and the diverse audiences he has addressed. It offers Hauerwas on ethics, virtue, medicine, and suffering; on euthanasia, abortion, and sexuality; and on war in relation to Catholic and Protestant thought. His essays on the role of religion in liberal democracies, the place of the family in capitalist societies, the inseparability of Christianity and Judaism, and on many other topics are included as well.
Perhaps more than any other author writing on religious topics today, Hauerwas speaks across lines of religious traditions, appealing to Methodists, Jews, Anabaptists or Mennonites, Catholics, Episcopalians, and others.

Six remarkable churches built by Nicholas Hawksmoor from 1712 to 1731 still stand in London. In this book, architectural historian Pierre de la Ruffinière du Prey examines these designs as a coherent whole—a single masterpiece reflecting both Hawksmoor's design principles and his desire to reconnect, architecturally, with the "purest days of Christianity."

The age of information, media, and virtuality is transforming every aspect of human experience. Questions that have long haunted the philosophical imagination are becoming urgent practical concerns: Where does the natural end and the artificial begin? Is there a difference between the material and the immaterial? In his new work, Mark C. Taylor extends his ongoing investigation of postmodern worlds by critically examining a wide range of contemporary cultural practices.

Nothing defines postmodernism so well as its refusal of depth, its emphasis on appearance and spectacle, its tendency to collapse a three-dimensional world in which image and reality are distinct into a two-dimensional world in which they merge. The postmodern world, Taylor argues, is a world of surfaces, and the postmodern condition is one of profound superficiality.

For many cultural commentators, postmodernism's inescapable play of surfaces is cause for despair. Taylor, on the other hand, shows that the disappearance of depth in postmodern culture is actually a liberation repleat with creative possibilities. Taylor introduces readers to a popular culture in which detectives—the postmodern heroes of Paul Auster and Dennis Potter—lift surfaces only to find more surfaces, and in which fashion advertising plays transparency against hiding. Taylor looks at the contemporary preoccupation with body piercing and tattooing, and asks whether these practices actually reveal or conceal. Phrenology and skin diseases, the "religious" architecture of Las Vegas, the limitless spread of computer networks—all are brought within the scope of Taylor's brilliant analysis. Postmodernism, he shows, has given us a new sense of the superficial, one in which the issue is not the absence of meaning but its uncontrollable, ecstatic proliferation.

Embodying the very tendencies it analyzes, Hiding is unique. Conceived and developed with well-known designers Michael Rock and Susan Sellars, this work transgresses the boundary that customarily separates graphic design from the story within a text. The product of nearly three decades of reflection and writing, Hiding opens a window on contemporary culture. To follow the remarkable course Taylor charts is to see both our present and past differently and to encounter a future as disorienting as it is alluring.

"The sixties' political agenda may have been ground down to ambiguity at best, but moral and spiritual America will never again be quite what it was before the coming of the hippies, and Miller has shown how and why."—Robert S. Ellwood, University of Southern California
The hippies of the late 1960s were cultural dissenters who, among other things, advocated drastic rethinking of certain traditional American values and standards.  In this lucid, lively survey, Timothy Miller traces the movement's ethical innovations and analyzes the impact of its ideas on subsequent American culture.

Dedicated to such tenets as the primacy of love, trust in intuition and direct experience, the rejection of meaningless work, and a disdain for money and materialism, the hippies advocated dropping out of the dominant culture, and proposed new and more permissive ethics in several areas.  They argued that, while some drugs were indeed harmful, others provided useful insights and experiences and therefore should be freely available and widely used.  They endorsed a liberal ethics of sex, in which no sexual act between or among consenting adults would be banned.  They developed an ethics of rock-and-roll music, arguing that rock was the language of a generation and that it helped promote new ways of thinking and living.  They also revived the venerable American tradition of communal living.
In contrast to most available literature on the 1960s, this book deals with the cultural revolutionaries and not the political radicals of the New Left.  And instead of relying on later interviews with persons who were active in the 1960s, Miller draws mainly on underground newspapers of the day, the most important literary creation of the hippies themselves.  The result is a historical encounter of rare immediacy.

Timothy Miller is assistant professor of religious studies at the University of Kansas.

Known as one of the most outstanding theologians of the twentieth century, Wolfhart Pannenberg is also considered a great interdisciplinary thinker. Now, essays and articles on science and theology that are central to understanding Pannenberg's theories have been collected into one volume.

Niels Henrik Gregersen, a former student of Pannenberg and now professor of systematic theology at Copenhagen University, has compiled the writings in four sections: Methodology, Creation and Nature's Historicity, Religion and Anthropology, and Meaning and Metaphysics. Included in this volume are:

•Translations of Pannenberg's principled argument for the consonance between science and religion, including contingency and laws of nature, field theories and space-time, and divine action
•Translations of Pannenberg's theory of theology as a rational hypothetical science, including his discussions with leading British and American scholars such as A. N. Whitehead, John Cobb, and Langdon Gilkey
•Previously unpublished articles on the problems between science and theology in the course of modern history, explaining why chance may be more important for theology than design
•Translations of seminal articles that articulate Pannenberg's understanding of the role of religion in human nature
•One of the few theological articles on aggression as a psychological and social phenomenon

With this collection, the essays of this important contemporary theologian and his illuminating views are presented in one convenient volume.