front cover of A Clubbable Man
A Clubbable Man
Essays on Eighteenth-Century Literature and Culture in Honor of Greg Clingham
Anthony W. Lee
Bucknell University Press, 2022
Samuel Johnson famously referred to his future biographer, the unsociable magistrate Sir John Hawkins, as “a most unclubbable man." Conversely, this celebratory volume gathers distinguished eighteenth-century studies scholars to honor the achievements, professional generosity, and sociability of Greg Clingham, taking as its theme textual and social group formations. Here, Philip Smallwood examines the “mirrored minds” of Johnson and Shakespeare, while David Hopkins parses intersections of the general and particular in three key eighteenth-century figures. Aaron Hanlon draws parallels between instances of physical rambling and rhetorical strategies in Johnson’s Rambler, while Cedric D. Reverand dissects the intertextual strands uniting Dryden and Pope. Contributors take up other topics significant to the field, including post-feminism, travel, and seismology. Whether discussing cultural exchange or textual reciprocities, each piece extends the theme, building on the trope of relationship to organize and express its findings. Rounding out this collection are tributes from Clingham’s former students and colleagues, including original poetry.
 
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front cover of Selected Poems
Selected Poems
Lee Gerlach
Ohio University Press, 2005

Lee Gerlach’s Selected Poems is a rigorous culling from the life’s work of a remarkable and prolific poet. Written over a period of fifty years, the poetry of Lee Gerlach is a full spectrum of human expression, vision, and experience. It reflects a wisdom and maturity of character that has been constant during the entire span of Gerlach’s writing career. This selection, chosen by the poet, is the retrospective of a true twentieth-century American original.

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front cover of Sissy!
Sissy!
The Effeminate Paradox in Postwar US Literature and Culture
Harry Thomas Jr.
University of Alabama Press, 2017
Winner of the Elizabeth Agee Prize in American Literature

Sissy!: The Effeminate Paradox in Postwar US Literature and Culture is a fascinating work of cultural criticism that focuses on the ways men and boys deemed to be feminine have been—and continue to be—condemned for their personalities and behavior. Critic Harry Thomas Jr. does not dismiss this approach, but rather identifies it as merely one side of a coin. On the other side, he asserts, the opposite exists: an American artistic tradition that celebrates and affirms effeminate masculinity.
 
The author argues that effeminate men and boys are generally portrayed using the grotesque, an artistic mode concerned with the depictions of hybrid bodies. Thomas argues that the often grotesque imagery used to depict effeminate men evokes a complicated array of emotions, a mix of revulsion and fascination that cannot be completely separated from one another.
 
Thomas looks to the sissies in the 1940s novels of Truman Capote and Carson McCullers; the truth-telling flaming princesses of James Baldwin’s Giovanni’s Room; the superstardom of pop culture icon Liberace; the prophetic queens of Tony Kushner’s Angels in America; and many others to demonstrate how effeminate men have often been adored because they are seen as the promise of a different world, one free from the bounds of heteronormativity.

Sissy! offers an unprecedented and counterintuitive overview of cultural and artistic attitudes toward male effeminacy in post–World War II America and provides a unique and contemporary reinterpretation of the “sissy” figure in modern art and literature. 
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