front cover of A Thousand and One Afternoons in Chicago
A Thousand and One Afternoons in Chicago
Ben Hecht
University of Chicago Press, 2009
In 1921, Ben Hecht wrote a column for the Chicago Daily News that his editor called “journalism extraordinary; journalism that invaded the realm of literature.” Hecht’s collection of sixty-four of these pieces, illustrated with striking pen drawings by Herman Rosse, is a timeless caricature of urban American life in the jazz age, updated with a new Introduction for the twenty-first century. From the glittering opulence of Michigan Avenue to the darkest ruminations of an escaped convict, from captains of industry to immigrant day laborers, Hecht captures 1920s Chicago in all its furor, intensity, and absurdity.

“The hardboiled audacity and wit that became Hecht’s signature as Hollywood’s most celebrated screen-writer are conspicuous in these vignettes. Most of them are comic and sardonic, some strike muted tragic or somber atmospheric notes. . . . The best are timeless character sketches that have taken on an added interest as shards of social history.”—L. S. Klepp, Voice Literary Supplement

 

 

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front cover of A Thousand and One Afternoons in Chicago
A Thousand and One Afternoons in Chicago
Ben Hecht
University of Chicago Press, 1992
In 1921, Ben Hecht wrote a column for the Chicago Daily News that his editor called “journalism extraordinary; journalism that invaded the realm of literature.” Hecht’s collection of sixty-four of these pieces, illustrated with striking pen drawings by Herman Rosse, is a timeless caricature of urban American life in the jazz age, updated with a new Introduction for the twenty-first century. From the glittering opulence of Michigan Avenue to the darkest ruminations of an escaped convict, from captains of industry to immigrant day laborers, Hecht captures 1920s Chicago in all its furor, intensity, and absurdity.

“The hardboiled audacity and wit that became Hecht’s signature as Hollywood’s most celebrated screen-writer are conspicuous in these vignettes. Most of them are comic and sardonic, some strike muted tragic or somber atmospheric notes. . . . The best are timeless character sketches that have taken on an added interest as shards of social history.”—L. S. Klepp, Voice Literary Supplement

 

 

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front cover of The Thousand and One Nights and Orientalism in the Dutch Republic, 1700-1800
The Thousand and One Nights and Orientalism in the Dutch Republic, 1700-1800
Antoine Galland, Ghisbert Cuper and Gilbert de Flines
Richard van Leeuwen
Amsterdam University Press, 2019
Antoine Galland’s French translation of the *Thousand and One Nights* appeared in 1704. One year later a pirate edition was printed in The Hague, followed by many others. Galland entertained a lively correspondence on the subject with the Dutch intellectual and statesman Gisbert Cuper (1644-1716). Dutch orientalists privately owned editions of the *Nights* and discreetly collected manuscripts of Arabic fairy tales. In 1719 the *Nights* were first retranslated into Dutch by the wealthy Amsterdam silk merchant and financier Gilbert de Flines (Amsterdam 1690-London 1739). *The* Thousand and One Nights *and Orientalism in the Dutch Republic, 1700-1800: Antoine Galland, Ghisbert Cuper and Gilbert de Flines* explores not only the trail of the French and Dutch editions from the eighteenth century Dutch Republic and the role of the printers and illustrators, but also the mixed sentiments of embarrassment and appreciation, and the overall literary impact of the *Nights* on a Protestant nation in a century when French cultural influence ruled supreme.
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Widows by the Thousand
The Civil War Correspondence of Theophilus and Harriet Perry, 1862–1864
M. Jane Johansson
University of Arkansas Press, 2000
This collection of letters written between Theophilus and Harriet Perry during the Civil War provides an intimate, firsthand account of the effect of the war on one young couple. Perry was an officer with the 28th Texas Cavalry, a unit that campaigned in Arkansas and Louisiana as part of the division known as “Walker’s Greyhounds.” His letters describe his service in a highly literate style that is unusual for Confederate accounts. He documents a number of important events, including his experiences as a detached officer in Arkansas in the winter of 1862–63, the attempt to relieve the siege of Vicksburg, mutiny in his regiment, and the Red River campaign, just before he was killed in the battle of Pleasant Hill. Harriet’s writings allow the reader to witness the everyday life of an upper-class woman enduring home front deprivations, facing the hardships and fears of childbearing and childrearing alone, and coping with other challenges resulting from her husband’s absence.
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