front cover of Afloat on the Ohio
Afloat on the Ohio
An Historical Pilgrimage of a Thousand Miles in a Skiff, from Redstone to Cairo
Reuben Gold Thwaites
Southern Illinois University Press, 1999
Nineteenth-century American travel literature provides fascinating glimpses into the lives of ordinary people and into the history of the nation's settlement. Reuben Gold Thwaites's Afloat on the Ohio is a fine example of the genre, rich in Ohio River personalities, legends, and history as seen through Thwaites's eyes. His six-week journey by skiff covered a thousand miles from Redstone, Pennsylvania, to Cairo, Illinois, where the Ohio River meets the Mississippi. Thwaites's voyage echoes those taken by early explorers, pioneers, and settlers who opened up the West through river travel from the East.



This edition is a reprinting of the original 1897 edition.



 

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front cover of Dwight Yoakam
Dwight Yoakam
A Thousand Miles from Nowhere
By Don McLeese
University of Texas Press, 2012

From his formative years playing pure, hardcore honky-tonk for mid-’80s Los Angeles punk rockers through his subsequent surge to the top of the country charts, Dwight Yoakam has enjoyed a singular career. An electrifying live performer, superb writer, and virtuosic vocalist, he has successfully bridged two musical worlds that usually have little use for each other—commercial country and its alternative/Americana/roots-rocking counterpart. Defying the label “too country for rock, too rock for country,” Yoakam has triumphed while many of his peers have had to settle for cult acceptance. Four decades into his career, he has sold more than 25 million records and continues to tour regularly, with an extremely loyal fan base.

In Dwight Yoakam, award-winning music journalist Don McLeese offers the first musical biography of this acclaimed artist. Tracing the seemingly disparate influences in Yoakam’s music, McLeese shows how he has combined rock and roll, rockabilly, country, blues, and gospel into a seamless whole. In particular, McLeese explores the essential issue of “authenticity” and how it applies to Yoakam, as well as to country music and popular culture in general. Drawing on wide-ranging interviews with Yoakam and his management, while also benefitting from the perspectives of others closely associated with his musical success (including producer-guitarist Pete Anderson, Yoakam’s partner throughout his most popular and creative decades), Dwight Yoakam pays tribute to the musician who has established himself as a visionary beyond time, an artist who could title an album Tomorrow’s Sounds Today and deliver it.

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front cover of A Thousand Miles of Prairie
A Thousand Miles of Prairie
The Manitoba Historical Society and the History of Western Canada
Jim Blanchard
University of Manitoba Press, 2002
A Thousand Miles of Prairie is a fascinating look at Manitoba's early boom years (1880-1910) through the eyes and words of some of the most interesting personalities of early Winnipeg. This collection brings together 14 pieces from the first decades of the Manitoba Historical Society, when its lectures were attended by the provinceís political and cultural elite. Jim Blanchard has chosen selections that give us a vivid taste of the diversity of intellectual life in turn of the century Manitoba. Besides writings by early historians such as George Bryce and Charles Bell, he includes a paper by the young Ernest Thompson Seton, who writes about his attempts to raise prairie chickens. There is also a description of the last passenger pigeons found in Manitoba. The collection includes lively personal reminscences, such as Gilbert McMicken, Canada's first spymaster, talking about foiling a Fenian raid on Winnipeg, and Archbishop Samuel Matheson, who tells about his boyhood adventures in the great Red River floods of the 1860s.
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