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Cold as Thunder
Jerry Apps
University of Wisconsin Press, 2018
Since the Eagle Party took power in the United States, all schools and public utilities have been privatized, churches and libraries closed, and independent news media shut down. Drones buzz overhead in constant surveillance of the populace, and the open internet has been replaced by the network of the New Society Corporation. Environmental degradation and unchecked climate change have brought raging wildfires to the Western states and disastrous flooding to Eastern coastal regions.

In the Midwest, a massive storm sends Lake Michigan surging over the Door County peninsula, and thousands of refugees flee inland. In the midst of this apocalypse, a resourceful band of Wisconsin sixty-somethings calling themselves the Oldsters lays secret plans to fight the ruling regime's propaganda and show people how to think for themselves.
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Thunder from the Right
Ezra Taft Benson in Mormonism and Politics
Edited by Matthew L. Harris
University of Illinois Press, 2019
Ezra Taft Benson's ultra-conservative vision made him one of the most polarizing leaders in the history of the Church of Jesus Christ of Latter-day Saints. His willingness to mix religion with extreme right-wing politics troubled many. Yet his fierce defense of the traditional family, unabashed love of country, and deep knowledge of the faith endeared him to millions. In Thunder from the Right, a group of veteran Mormon scholars probe aspects of Benson's extraordinary life. Topics include: how Benson's views influenced his actions as Secretary of Agriculture in the Eisenhower Administration; his dedication to the conservative movement, from alliances with Barry Goldwater and the John Birch Society to his condemnation of the civil rights movement as a communist front; how his concept of the principal of free agency became central to Mormon theology; his advocacy of traditional gender roles as a counterbalance to liberalism; and the events and implications of Benson's term as Church president. Contributors: Gary James Bergera, Matthew Bowman, Newell G. Bringhurst, Brian Q. Cannon, Robert A. Goldberg, Matthew L. Harris, J. B. Haws, and Andrea G. Radke-Moss
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Thunder In the Mountains
The West Virginia Mine War, 1920–21
Lon Savage
University of Pittsburgh Press, 1990

The West Virginia mine war of 1920–21, a major civil insurrection of unusual brutality on both sides, even by the standards of the coal fields, involved thousands of union and nonunion miners, state and private police, militia, and federal troops. Before it was over, three West Virginia counties were in open rebellion, much of the state was under military rule, and bombers of the US Army Air Corps had been dispatched against striking miners.

The civil war began in the small railroad town of Matewan when Mayor C. C. Testerman and Police Chief Sid Hatfield sided with striking miners against agents of the Baldwin-Felts Detective Agency, who attempted to evict the miners from company-owned housing. Thunder in the Mountains was the first book-length account of this crisis in American industrial relations and governance, much neglected in historical accounts.

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Thunder on the Mountain
Death at Massey and the Dirty Secrets behind Big Coal
Peter A. Galuszka
West Virginia University Press, 2014

With a foreword by Denise Giardina

On April 5, 2010, an explosion ripped through Massey Energy’s Upper Big Branch Mine, killing twenty-nine coal miners. This tragedy was the deadliest mine disaster in the United States in forty years—a disaster that never should have happened. These deaths were rooted in the cynical corporate culture of Massey and its notorious former CEO Don Blankenship, and were part of an endless cycle of poverty, exploitation, and environmental abuse that has dominated the Appalachian coalfields since coal was first discovered there. And the cycle continues unabated as coal companies bury the most insidious dangers deep underground, all in search of higher profits, and hide the true costs from regulators, unions, and investors alike. But the disaster at Upper Big Branch goes beyond the coalfields of West Virginia. It casts a global shadow, calling into bitter question why coal miners in the United States are sacrificed to erect cities on the other side of the world, why the coal wars have been allowed to rage, polarizing the country, and how the world’s voracious appetite for energy is satisfied at such horrendous cost.

With Thunder on the Mountain, Peter A. Galuszka pieces together the true story of greed and negligence behind the tragedy at the Upper Big Branch Mine, and in doing so he has created a devastating portrait of an entire industry that exposes the coal-black motivations that led to the death of twenty-nine miners and fuel the ongoing war for the world’s energy future.

This paperback edition contains a foreword by Denise Giardinia that provides an update on Massey Energy and Donald Blankenship, Chairman and CEO of Massey Energy Company during the UBB disaster, and recounts her own experiences with Massey Energy and the United Mine Workers Association in the 1980s. This edition also includes a notes section and a bibliography.

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Thunder on the Stage
The Dramatic Vision of Richard Wright
Bruce Allen Dick
University of Illinois Press, 2024
Richard Wright’s dramatic imagination guided the creation of his masterpieces Native Son and Black Boy and helped shape Wright’s long-overlooked writing for theater and other performative mediums.

Drawing on decades of research and interviews with Wright’s family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wright’s oeuvre--from his 1930s boxing journalism to his unpublished one-acts on returning Black GIs in WWII to his unproduced pageant honoring Vladimir Lenin. Wright maintained rewarding associations with playwrights, writers, and actors such as Langston Hughes, Theodore Ward, Paul Robeson, and Lillian Hellman, and took particular inspiration from French literary figures like Jean-Paul Sartre. Dick’s analysis also illuminates Wright’s direct involvement with theater and film, including the performative aspects of his travel writings; the Orson Welles-directed Native Son on Broadway; his acting debut in Native Son’s first film version; and his play “Daddy Goodness,” a satire of religious charlatans like Father Divine, in the 1930s.

Bold and original, Thunder on the Stage offers a groundbreaking reinterpretation of a major American writer.

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A Voice of Thunder
A BLACK SOLDIER'S CIVIL WAR
Edited by Donald Yacovone
University of Illinois Press, 1997
      George E. Stephens, the most
        important African-American war correspondent of his era, served in the
        famed black Fifty-fourth Massachusetts Regiment, subject of the film Glory.
        His letters from the front, published in the New York Weekly Anglo-African,
        brilliantly detail two wars: one against the Confederacy and one against
        the brutal, debilitating racism within his own Union Army. Together with
        Donald Yacovone's biographical introduction detailing Stephens's life
        and times, they provide a singular perspective on the greatest crisis
        in the history of the United States.
      Stephens chronicled the African-American
        quest for freedom in reports from southern Maryland and eastern Virginia
        in 1861 and 1862 that detailed, among other issues of the day, the Army
        of the Potomac's initial encounter with slavery, the heroism of fugitive
        slaves, and the brutality both Southerners and Union troops inflicted
        on them.
      From the inception of the
        Fifty-fourth early in 1863 Stephens was the unit's voice, telling of its
        struggle against slavery and its quest to win the pay it had been promised.
        His description of the July 18, 1863, assault on Battery Wagner near Charleston,
        South Carolina, and his writings on the unit's eighteen-month campaign
        to be paid as much as white troops are gripping accounts of continued
        heroism in the face of persistent insult.
      The Weekly Anglo-African
        was the preeminent African-American newspaper of its time. Stephens's
        correspondence, intimate and authoritative, takes in an expansive array
        of issues and anticipates nearly all modern assessments of the black role
        in the Civil War. His commentary on the Lincoln administration's wartime
        policy and his conviction that the issues of race and slavery were central
        to nineteenth-century American life mark him as a major American social
        critic.
 
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