front cover of I Talk about It All the Time
I Talk about It All the Time
Camara Lundestad Joof
University of Wisconsin Press, 2024
In this biting, lyrical memoir, Camara Lundestad Joof, born in Bodø to Norwegian and Gambian parents, shares her experiences as a queer Black Norwegian woman. Joof’s daily encounters belie the myth of a colorblind contemporary Scandinavia. She wrestles with the fickle palimpsest of memory, demanding communion with her readers even as she recognizes her own exhaustion in the face of constantly being asked to educate others. 

“I regularly decide to quit talking to white people about racism,” writes Joof. Such discussions often feel unproductive, the occasional spark of hope coming at enormous personal cost. But not talking about it is impossible, a betrayal of self. The book is a self-examination as well as societal indictment. It is an open challenge to readers, to hear her as she talks about it, all the time.
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In 1926
Living on the Edge of Time
Hans Ulrich Gumbrecht
Harvard University Press, 1997

Travel back to the year 1926 and into the rush of experiences that made people feel they were living on the edge of time. Touch a world where speed seemed the very essence of life. It is a year for which we have no expectations. It was not 1066 or 1588 or 1945, yet it was the year A. A. Milne published Winnie-the-Pooh and Alfred Hitchcock released his first successful film, The Lodger. A set of modern masters was at work--Jorge Luis Borges, Babe Ruth, Leni Riefenstahl, Ernest Hemingway, Josephine Baker, Greta Garbo, Franz Kafka, Gertrude Stein, Martin Heidegger--while factory workers, secretaries, engineers, architects, and Argentine cattle-ranchers were performing their daily tasks.

Hans Ulrich Gumbrecht opens up the space-time continuum by exploring the realities of the day such as bars, boxing, movie palaces, elevators, automobiles, airplanes, hair gel, bullfighting, film stardom, dance crazes, and the surprise reappearance of King Tut after a three-thousand-year absence. From the vantage points of Berlin, Buenos Aires, and New York, Gumbrecht ranges widely through the worlds of Spain, Italy, France, and Latin America. The reader is allowed multiple itineraries, following various routes from one topic to another and ultimately becoming immersed in the activities, entertainments, and thought patterns of the citizens of 1926.

We learn what it is to be an "ugly American" in Paris by experiencing the first mass influx of American tourists into Europe. We visit assembly lines which turned men into machines. We relive a celebrated boxing match and see how Jack Dempsey was beaten yet walked away with the hearts of the fans. We hear the voice of Adolf Hitler condemning tight pants on young men. Gumbrecht conveys these fragments of history as a living network of new sensibilities, evoking in us the excitement of another era.

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front cover of In Plenty and in Time of Need
In Plenty and in Time of Need
Popular Culture and the Remapping of Barbadian Identity
Lia T. Bascomb
Rutgers University Press, 2020
In Plenty and in Time of Need demonstrates how the unique history of Barbados has contributed to complex relations of national, gendered, and sexual identities, and how these identities are represented and interpreted on a global stage. As the most widespread manifestation of social commentary, the book uses music and performance to analyze the competing ideals and realities of the national culture. It details the histories of prominent musical artists, including the prolific Pan-Africanist calypsonian the Mighty Gabby, the world-renowned Merrymen, Soca Queen Alison Hinds, artist/activist Rupee, and international superstar Rihanna. Using these artists, the project analyzes how femininity, masculinity, and sexuality are put in service of Barbadian nationalism. By examining websites, blogs, and digital products of these artists in conversation with Barbadian tourism, the book re-examines the ways in which commodity, sexuality, gender performance, and diasporic consciousness undergird individual careers and national representations.
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In the Meantime
Temporality and Cultural Politics
Sarah Sharma
Duke University Press, 2014
The world is getting faster. This sentiment is proclaimed so often that it is taken for granted, rarely questioned or examined by those who celebrate the notion of an accelerated culture or by those who decry it. Sarah Sharma engages with that assumption in this sophisticated critical inquiry into the temporalities of everyday life. Sharma conducted ethnographic research among individuals whose jobs or avocations involve a persistent focus on time: taxi drivers, frequent-flyer business travelers, corporate yoga instructors, devotees of the slow-food and slow-living movements. Based on that research, she develops the concept of "power-chronography" to make visible the entangled and uneven politics of temporality. Focusing on how people's different relationships to labor configures their experience of time, she argues that both "speed-up" and "slow-down" often function as a form of biopolitical social control necessary to contemporary global capitalism.
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front cover of In the Time of Cannibals
In the Time of Cannibals
The Word Music of South Africa's Basotho Migrants
David B. Coplan
University of Chicago Press, 1994
The workers who migrate from Lesotho to the mines and cities of neighboring South Africa have developed a rich genre of sung oral poetry—word music—that focuses on the experiences of migrant life. This music provides a culturally reflexive and consciously artistic account of what it is to be a migrant or part of a migrant's life. It reveals the relationship between these Basotho workers and the local and South African powers that be, the "cannibals" who live off of the workers' labor. David Coplan presents a moving collection of material that for the first time reveals the expressive genius of these tenacious but disenfranchised people.

Coplan discusses every aspect of the Basotho musical literature, taking into account historical conditions, political dynamics, and social forces as well as the styles, artistry, and occasions of performance. He engages the postmodern challenge to decolonize our representation of the ethnographic subject and demonstrates how performance formulates local knowledge and communicates its shared understandings.

Complete with transcriptions of full male and female performances, this book develops a theoretical and methodological framework crucial to anyone seeking to understand the relationship between orality and literacy in the context of performance. This work is an important contribution to South African studies, to ethnomusicology and anthropology, and to performance studies in general.
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front cover of In the Time of Trees and Sorrows
In the Time of Trees and Sorrows
Nature, Power, and Memory in Rajasthan
Ann Grodzins Gold and Bhoju Ram Gujar
Duke University Press, 2002
In the Time of Trees and Sorrows showcases peasants’ memories of everyday life in North India under royal rule and their musings on the contrast between the old days and the unprecedented shifts that a half century of Indian Independence has wrought. It is an oral history of the former Kingdom of Sawar in the modern state of Rajasthan as it was from the 1930s to the 1950s.
Based on testimonies from the 1990s, this book stands as a polyvocal account of the radical political and environmental changes the region and its people have faced in the twentieth century. Not just the story of modernity from the perspective of a rural village, these interviews and author commentaries narrate this small rural community’s relatively sudden transformation from subjection to a local despot and to a remote colonial power to citizenship in a modern postcolonial democracy. Unlike other recent studies of Rajasthan, the current study gives voice exclusively to former subjects who endured the double oppression of colonial and regional rulers. Gold and Gujar thus place subjective subaltern experiences of daily routines, manifestations of power relations, and sweeping changes to the environment (after the fall of kings) that turned lush forests into a barren landscape on equal footing with historical “fact” and archival sources. Ambiguous, complex, and culturally laden as it is in Western thought, the concept of nature is queried in this ethnographic text. For persons in Sawar the environment is not only a means of sustenance, its deterioration is linked to human morality and to power, both royal and divine. The framing questions of this South Asian history revealed through memories are: what was it like in the time of kings and what happened to the trees?
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In Time of War
Understanding American Public Opinion from World War II to Iraq
Adam J. Berinsky
University of Chicago Press, 2009

From World War II to the war in Iraq, periods of international conflict seem like unique moments in U.S. political history—but when it comes to public opinion, they are not. To make this groundbreaking revelation, In Time of War explodes conventional wisdom about American reactions to World War II, as well as the more recent conflicts in Korea, Vietnam, the Gulf, Afghanistan, and Iraq. Adam Berinsky argues that public response to these crises has been shaped less by their defining characteristics—such as what they cost in lives and resources—than by the same political interests and group affiliations that influence our ideas about domestic issues.

With the help of World War II–era survey data that had gone virtually untouched for the past sixty years, Berinsky begins by disproving the myth of “the good war” that Americans all fell in line to support after the Japanese bombed Pearl Harbor. The attack, he reveals, did not significantly alter public opinion but merely punctuated interventionist sentiment that had already risen in response to the ways that political leaders at home had framed the fighting abroad. Weaving his findings into the first general theory of the factors that shape American wartime opinion, Berinsky also sheds new light on our reactions to other crises. He shows, for example, that our attitudes toward restricted civil liberties during Vietnam and after 9/11 stemmed from the same kinds of judgments we make during times of peace.

With Iraq and Afghanistan now competing for attention with urgent issues within the United States, In Time of War offers a timely reminder of the full extent to which foreign and domestic politics profoundly influence—and ultimately illuminate—each other.

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In Time
Poets, Poems, and the Rest
C. K. Williams
University of Chicago Press, 2012
Winner of the National Book Award, the Pulitzer Prize for Poetry, and numerous other awards, C. K. Williams is one of the most distinguished poets of his generation. Known for the variety of his subject matter and the expressive intensity of his verse, he has written on topics as resonant as war, social injustice, love, family, sex, death, depression, and intellectual despair and delight. He is also a gifted essayist, and In Time collects his best recent prose along with an illuminating series of interview excerpts in which he discusses a wide range of subjects, from his own work as a poet and translator to the current state of American poetry as a whole.
 
In Time begins with six essays that meditate on poetic subjects, from reflections on such forebears as Philip Larkin and Robert Lowell to “A Letter to a Workshop,” in which he considers the work of composing a poem. In the book’s innovative middle section, Williams extracts short essays from interviews into an alphabetized series of reflections on subjects ranging from poetry and politics to personal accounts of his own struggles as an artist. The seven essays of the final section branch into more public concerns, including an essay on Paris as a place of inspiration, “Letter to a German Friend,” which addresses the issue of national guilt, and a concluding essay on aging, into which Williams incorporates three moving new poems. Written in his lucid, powerful, and accessible prose, Williams’s essays are characterized by reasoned and complex judgments and a willingness to confront hard moral questions in both art and politics.
 
Wide-ranging and deeply thoughtful, In Time is the culmination of a lifetime of reading and writing by a man whose work has made a substantial contribution to contemporary American poetry.
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Infrastructures
Time to Invest
Netherlands Scientific Council for Government Policy
Amsterdam University Press, 2009
All sectors of the Dutch infrastructures have undergone a degree of commercialisation, liberalisation or privatisation over the last ten to twenty years.  Where in the past the infrastructure landscape was dominated by public monopolies, the ownership and management of infrastructures is today shared by several public and private sector players.  The original goals of this 'regime change' have in many cases been achieved: greater efficiency, a greater focus on the customer and more choice for consumers.

The question is whether this emphasis on current consumer interests allows enough scope to achieve long-term objectives which affect the whole of our society: innovation, long-term availability and sustainability of infrastructures.  This is of crucial importance for economic and social development, which is coming under increasing pressure due to the combined impact of the exhaustion of natural resources and climate change.

The transition to a sustainable future demands substantial investment in infrastructures, which cannot be taken for granted in the present situation.  The WRR has investigated how these investments could be safeguarded in the long term, whilst retaining the efficiency of the infrastructures.
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front cover of The Inordinance of Time
The Inordinance of Time
Shaun Gallagher
Northwestern University Press, 1998
The Inordinance of Time develops an account of the experience of time at the intersection of three approaches: phenomenology, cognitive science, and post-structuralism. Using insights developed in both the phenomenological and cognitive traditions Gallagher explores the inadequacies of the existing models, the limitations imposed by introspective reflection, concepts of intentionality and embodied existence, and the extra-intentional processes that govern the operations of consciousness and memory.
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front cover of Islands at the Edge of Time
Islands at the Edge of Time
A Journey To America's Barrier Islands
Gunnar Hansen
Island Press, 1993

Islands at the Edge of Time is the story of one man's captivating journey along America's barrier islands from Boca Chica, Texas, to the Outer Banks of North Carolina. Weaving in and out along the coastlines of Texas, Louisiana, Mississippi, Alabama, South Carolina, and North Carolina, poet and naturalist Gunnar Hansen perceives barrier islands not as sand but as expressions in time of the processes that make them. Along the way he treats the reader to absorbing accounts of those who call these islands home -- their lives often lived in isolation and at the extreme edges of existence -- and examines how the culture and history of these people are shaped by the physical character of their surroundings.

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front cover of Ivory and Paper
Ivory and Paper
Adventures In and Out of Time
Ray Hudson
University of Alaska Press, 2018
“You might be in danger.”

Thirteen-year-old Booker leads a sheltered life in Vermont—until a spellbinding relic throws him skidding into a world of magic and myths come to life. Anna is an Unangax̂ teenager looking for answers after her long-absent mother reappears in her life. When a mysterious bookmark brings them together on the Aleutian Islands, they’re sent on a dangerous quest to return a magical amulet to Anna’s Unangan ancestors. As they adventure across islands that glow like moonstones, they cross paths with nineteenth-century chiefs, the mysterious Woman of the Volcano, and the sinister Real Raven. While their journey is tinged with the fantastic, it’s based in real depictions of Unangan culture and history—the first historical novel set in Unangan folklore. It’s a coming-of-age-story that will resonate with young adult readers on their own journeys to discover their personal and cultural identities.
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