In recent years scholars from a variety of branches of mathematics have made several significant developments in the theory of group actions. Groups of Circle Diffeomorphisms systematically explores group actions on the simplest closed manifold, the circle. As the group of circle diffeomorphisms is an important subject in modern mathematics, this book will be of interest to those doing research in group theory, dynamical systems, low dimensional geometry and topology, and foliation theory. The book is mostly self-contained and also includes numerous complementary exercises, making it an excellent textbook for undergraduate and graduate students.
Locating the diffusion of mathematical concepts into modern literature, experimental music, and critical theory in twentieth-century Japan
In Indecomposable Continuum, Steven C. Ridgely explores where theoretical mathematics meets culture in twentieth-century Japan, tracing how concepts from relativity theory and topology migrated into Japanese art and literature. Through readings of avant-garde fiction, experimental sound practices, and postmodern theory, Ridgely demonstrates how topology became a language for rethinking space and perception.
Ridgely focuses on abstract models such as the Klein bottle, non-Euclidean geometry, and the Lakes of Wada to reveal how Japanese artists and intellectuals like Yuasa Jōji, Inagaki Taruho, and Asada Akira transformed difficult mathematical ideas into powerful aesthetic and social imaginaries in surprising and clever ways. Rather than treating mathematics as separate from cultural studies, Ridgely positions topology itself as a cultural form whose abstractions generated new possibilities for artistic creation and theoretical inquiry in music, novels, and popular media.
Indecomposable Continuum demonstrates how Japanese artists made seemingly impossible abstractions accessible and compelling, revealing the unexpected creativity that emerged when modern mathematics entered the cultural sphere. In doing so, the book offers a fresh perspective on the relationship between scientific thought and artistic modernism in Japan.
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The concept of “flesh” in philosophical terms derives from the writings of Maurice Merleau-Ponty. This was the word he used to name the concrete realm of sentient bodies and life processes that has been eclipsed by the abstractions of science, technology, and modern culture. Topology, to conventional understanding, is the branch of mathematics that concerns itself with the properties of geometric figures that stay the same when the figures are stretched or deformed.
Topologies of the Flesh is an original blend of continental thought and mathematical imagination. Steven M. Rosen opens up a new area of philosophical inquiry: topological phenomenology. Through his unique application of qualitative mathematics, he extends the approaches of Merleau-Ponty and Heidegger so as to offer a detailed exploration of previously uncharted dimensions of human experience and the natural world.
Rosen’s unprecedented marriage of topology and phenomenology is motivated by the desire to help overcome the pervasive dualism of contemporary philosophy and Western culture at large. To carry this to completion, he must address his own dualistic stance as author. Challenging the author’s traditional posture of detachment and anonymity, Rosen makes his presence vividly felt in his final chapter, and his philosophical analysis is transformed into a living reality.
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