Wei Chuang was a prolific Tang dynasty poet. He not only wrote in the shih form (poems in the old and new styles, the latter having strict rules of meter, rhyme, and euphony), but also was one of two literati founders of the tz'u (lyric) tradition, based on a popular song form. This tripartite study provides a thoroughgoing picture of his life and work.

The book begins with the first detailed biography of Wei Chuang in a Western language, drawn both from historical sources and Wei's poetry. The shih poems are intensely autobiographical and provide insight into Wei's own experience and into the situation in China at the end of the ninth century. A second section analyzes the poetry, demonstrating that Wei's tz'u cannot be understood without reference to his shih compositions, a new approach to the totality of Wei's work. Finally, this volume presents translations, briefly annotated, of 110 shih poems, including his major narrative poem, The Lament of the Lady of Chin, and almost all the tz'u attributed to him, constituting more than a third of Wei Chuang's extant poetry. The translations, while hewing close in meaning to their Chinese originals, have considerable value as poems in English.

This work offers information that is useful to those interested in the literature, history, and general culture of medieval China. The translations bring to modern readers of English poetry the pleasures of becoming acquainted with a complex and innovative voice from the Chinese past.

The Well-Laden Ship (Fecunda ratis) is an early eleventh-century Latin poem composed of ancient and medieval proverbs, fables, and folktales. Compiled by Egbert of Liège, it was planned as a first reader for beginning students. This makes it one of the few surviving works from the Middle Ages written explicitly for schoolroom use. Most of the content derives from the Bible, especially the wisdom books, from the Church Fathers, and from the ancient poets, notably Vergil, Juvenal, and Horace; but, remarkably, Egbert also included Latin versions of much folklore from the spoken languages. It features early forms of nursery rhymes (for example, "Jack Sprat"), folktales (for instance, various tales connected with Reynard the Fox), and even fairytales (notably "Little Red Riding Hood"). The poem also contains medieval versions of many still popular sayings, such as "Don't look a gift horse in the mouth," "When the cat's away, the mice will play," and "The apple doesn't fall far from the tree." The Well-Laden Ship, which survives in a single medieval manuscript, has been edited previously only once (in 1889) and has never been translated. It will fascinate anyone interested in proverbial wisdom, folklore, medieval education, or medieval poetry.

This selection of Western Icelandic writings, the first of its kind in English, represents a wide collection of first and second generation Icelandic-Canadian authors.The stories, first published between 1895 and 1930, are set mainly in North America (especially Manitoba). They reflect a weath of literary activity, from the numerous Western Icelandic newspapers and journals, to the reading circles and cultural and literary societies that supported them. The stories show a wide range of experiences and influences, including Old Norse Icelandic literature and romantic nationalism, but they also reveal the emergence of a literature that bears a unique cultural imprint.Western Icelandic Short Stories includes some of the best wirting from the period--- narrative, descriptive, comical, satirical, and serious. The stories may be read as much for enjoyment as for what they reveal about the Western Icelandic literary tradition.

This volume presents the original texts and annotated translations of a collection of Mesopotamian wisdom compositions and related texts of the Late Bronze Age (ca. 1500–1200 B.C.E.) found at the ancient Near Eastern sites of Hattuša, Emar, and Ugarit. These wisdom compositions constitute the missing link between the great Sumerian wisdom corpus and early Akkadian wisdom literature of the Old Babylonian period, on the one hand, and the wisdom compositions of the first millennium B.C.E., on the other. Included here are works such as the Ballad of Early Rulers, Hear the Advice, and The Date-Palm and the Tamarisk, as well as proverb collections from Ugarit and Hattuša. A detailed introduction provides an assessment of the place of wisdom literature in the ancient curriculum and library collections.

A new reconstruction and translation of the Maqlû text

The Akkadian series Maqlû, “Burning,” is one of the most significant and interesting magical texts from the Ancient Near East. The incantations and accompanying rituals are directed against witches and witchcraft and ctually represent a single complex ceremony. The ceremony was performed during a single night and into the following morning at the end of the month Abu (July/August), a time when spirits were thought to move back and forth between the netherworld and the world of the living.

Features:

• English translation of approximately 100 incantations and rituals
• Annotated transcription
• Introduction places the series in historical context and shows how it is a product of a complex literary and ceremonial development.

When she arrived in Palestine in 1935 at the age of twenty-four, Leah Goldberg was already known as a significant emerging poet in contemporary Hebrew literature. Today, mention of her name is apt to evoke a nostalgic sigh among Israelis who have grown up hearing her poems read, quoted, recollected, and—having been set to some four hundred melodies—sung on the radio. In the wake of overwhelming new attention on Goldberg's work in Israel, With This Night makes available for the first time in English the final collection of poetry that Goldberg published during her lifetime.

The Roman comic playwright “whose every word delights.”

Terence brought to the Roman stage a bright comic voice and a refined sense of style. His six comedies—first produced in the half dozen years before his premature death in 159 BC—imaginatively reformulated in Latin plays that were originally written by Greek playwrights, especially Menander. For this new Loeb Classical Library edition of Terence, John Barsby gives us a faithful and lively translation with full explanatory notes, facing a freshly edited Latin text.

Volume I contains a substantial introduction and three plays: The Woman of Andros, a romantic comedy; The Self-Tormentor, which looks at contrasting father-son relationships; and The Eunuch, whose characters include the most sympathetically drawn courtesan in Roman comedy. The other three plays are in Volume II: Phormio, a comedy of intrigue with an engaging trickster; The Mother-in-Law, unique among Terence’s plays in that the female characters are the admirable ones; and The Brothers, which explores contrasting approaches to parental education of sons.

The Romans highly praised Terence—“whose speech can charm, whose every word delights,” in Cicero’s words. This new edition of his plays, which replaces the now outdated Loeb translation by John Sargeaunt (first published in 1912), succeeds in capturing his polished style and appeal.

Walter Benjamin’s famous “Work of Art” essay sets out his boldest thoughts—on media and on culture in general—in their most realized form, while retaining an edge that gets under the skin of everyone who reads it. In this essay the visual arts of the machine age morph into literature and theory and then back again to images, gestures, and thought.

This essay, however, is only the beginning of a vast collection of writings that the editors have assembled to demonstrate what was revolutionary about Benjamin’s explorations on media. Long before Marshall McLuhan, Benjamin saw that the way a bullet rips into its victim is exactly the way a movie or pop song lodges in the soul.

This book contains the second, and most daring, of the four versions of the “Work of Art” essay—the one that addresses the utopian developments of the modern media. The collection tracks Benjamin’s observations on the media as they are revealed in essays on the production and reception of art; on film, radio, and photography; and on the modern transformations of literature and painting. The volume contains some of Benjamin’s best-known work alongside fascinating, little-known essays—some appearing for the first time in English. In the context of his passionate engagement with questions of aesthetics, the scope of Benjamin’s media theory can be fully appreciated.

Publishers Weekly Best Book of 1991, 1991 Kate Roberts (1891-1985) was the foremost twentieth-century prose writer in the Welsh language. She produced a considerable body of fiction, seven novels and novellas and nine collections of short stories, and was active in the Welsh Nationalist Party as a publisher and a literary and political journalist. A contemporary of D. H. Lawrence, Katherine Mansfield, and Sherwood Anderson, she created the modern form of the short story in Welsh, and through six decades of writing earned a place with this century's masters of the genre. The World of Kate Roberts offers in English a large selection of stories, many previously, untranslated, that span her long writing career. Joseph P. Clancy's translations convey the intensity, the insight, and the distinctive prose style with which this Welsh-language writer illuminates her characters' often heroic ordinary lives. This book contains twenty-seven short stories, two short novels, and "Tea in the Heather," eight linked stories of childhood in North Wales at the turn of the century. Excerpts from her autobiography provide background for the non-Welsh reader and an Introduction presents Kate Roberts' life and work largely through her own words. The experience of poverty is the vital center of Kate Roberts' fiction: material poverty in the slate-quarrying villages of North Wales and the coal-mining communities in the south at the turn of the century and during the Depression; and the cultural, moral, and spiritual poverty of contemporary life in a small town. This poverty defines the experiences and tests the resources of her characters. Her concern was to record, to examine, and to celebrate without sentimentality the life of the close-knit society in which she had grown up. What is most characteristically Welsh in Roberts' vision is that fellowship, membership in a community, is essential to the realization of the human self. "We never saw riches," observed Kate Roberts, "but we had riches that no one can take away from us, the riches of a language and a culture."

There are two Icelands. One is the island in the North Sea, occupied since before the arrival of the Vikings. The other is "Western Iceland," the communities throughout North America, settled by Icelandic immigrants in the 19th and 20th centuries, and still maintaining strong ties to their mother country. While the prominent role of women in the development of Western Iceland has long been acknowledged, there is little recognition of their contribution to its literary life.This collection of short stories and poems spans 75 years of writings. It includes translated work by little-known authors such as Undina - "a modest poet," as well as works in English by prominent writers such as Laura Goodman Salverson, twice a winner of the Governor-General's Award. From the hopefulness of the early immigration in the 1870s to the conflict of assimilation in the 1950s, the pieces reflect a range of experiences common to immigrant women from many cultures.Writings by Western Icelandic Women includes many works translated for the first time from their original Icelandic, and rescues from obscurity the voices and experiences of women as they struggled in a new country. It offers insight into the many obstacles, both personal and professional, that faced these pioneering writers. An introduction by Kirsten Wolf provides a literary and historical context, and is complemented by photographs and brief author biographies.