front cover of Migration, Transnationalization & Race
Migration, Transnationalization & Race
In A Changing New York
Hector Cordero-Guzman
Temple University Press, 2001
When you think of American immigration, what images come to mind? Ellis Island. East Side tenements. Pushcarts on Eighth Avenue. Little Italy. Chinatown. El Barrio. New York City has always been central to the immigrant experience in the United States. In the last three decades, the volume of immigration has increased as has the diversity of immigrant origins and experiences. Contemporary immigration conjures up old images but also some new ones: the sweatshops and ethnic neighborhoods are still there, but so are cell phones, faxes, e-mails, and the more intense and multilayered involvement ofimmigrants in the social, economic, and political life of both home and host societies.

In this ambitious book, nineteen scholars from a broad range of disciplines bring our understanding of New York's immigrant communities up to date by exploring the interaction between economic globalization and transnationalization, demographic change, and the evolving racial, ethnic, gender dynamics in the City. Urban and suburban, Asian, European, Latin American, and Caribbean, men and women and children—the essays here analyze the complex forces that shape the contemporary immigrant experience in New York City and the links between immigrant communities in New York and their countries of origin.
[more]

front cover of West African Screen Media
West African Screen Media
Comedy, TV Series, and Transnationalization
Boukary Sawadogo
Michigan State University Press, 2019
The culturally rooted comic traditions of koteba theater and joking kinship have shaped West African comedies through various forms of humor. Débrouillardise (hustle) has turned the urban scene into a comic scene, a site for individual realization. To highlight the ever-growing production and success of comedies and other popular genres, West African Screen Media: Comedy, TV Series, and Transnationalization explores the distribution and reception of selected productions by emphasizing the public’s strong resonance with local stories and a character-based comedy involving popular comedians. In contrast to art films or “auteur films” that tend to be confined to the festival circuit, comedies and popular genres reach a far wider audience through local distribution networks, satellite TV channels, pirated DVDs, and online distribution platforms. This book engages a discussion of contemporary African media productions as seen outside the usual frameworks of cinéma engagé, the art house, or auteur approaches. While examining production and distribution through the lenses of proximity, appropriation, and transnationalization, this volume invites readers to reconsider the way genre films, as well as other kinds of productions, have been previously evaluated and in doing so addresses the critical neglect of comedy and other popular genres in the scholarship on African cinema.
[more]


Send via email Share on Facebook Share on Twitter