A SCHOLARLY BOOK REPOSITORY74 start with M start with M
A BookRiot Most Anticipated Travel Book of 2023
Italian beef and hot dogs get the headlines. Cutting-edge cuisine and big-name chefs get the Michelin stars. But Chicago food shows its true depth in classic dishes conceived in the kitchens of immigrant innovators, neighborhood entrepreneurs, and mom-and-pop visionaries.
Monica Eng and David Hammond draw on decades of exploring the city’s food landscape to serve up thirty can’t-miss eats found in all corners of Chicago. From Mild Sauce to the Jibarito and from Taffy Grapes to Steak and Lemonade, Eng and Hammond present stories of the people and places behind each dish while illuminating how these local favorites reflect the multifaceted history of the city and the people who live there. Each entry provides all the information you need to track down whatever sounds good and selected recipes even let you prepare your own Flaming Saganaki or Akutagawa.
Generously illustrated with full-color photos, Made in Chicago provides locals and visitors alike with loving profiles of a great food city’s defining dishes.
Brent Nicastro showcases the dynamic power, energy, and sheer beauty of Madison in this book of photography. Since the 1970s, Nicastro has been photographing the splendor of Madison, and his feel for his home is never more evident than in these images of the Dane County Farmers’ Market, the State Capitol building, the University of Wisconsin campus in all seasons, football at Camp Randall Stadium and basketball at the Kohl Center, the Monona Terrace Convention and Community Center designed by Frank Lloyd Wright, the Memorial Union Terrace, Picnic Point, and many more landmarks that evoke Madison’s charm.
Accompanying each image are captions in four languages—English, German, Spanish, and Chinese—making this book a perfect gift volume for all who love Madison. Visitors, students, and lifelong residents will savor this photographic portrait of beautiful Madison, Wisconsin.
Farm-to-table is a cliché, but its roots among the farmers and chefs of south-central Wisconsin are deep, vibrant, and resilient. From brats and burgers to bibimbap, Madison’s food scene looks substantially different than it did just a decade ago. Though the city has always been ahead of the locavore movement, a restaurant boom in the 2010s radically changed the dining landscape. Even when individual eateries close or chefs move on, their ideas, connections, and creativity have lasting power. Much larger cities have been unable to match the culinary variety, innovation, and depth of talent found in Wisconsin’s state capital.
Lindsay Christians’s in-depth look at nine creative, intense, and dedicated chefs captures the reason why Madison’s food culture remains a gem in America’s Upper Midwest. This beautifully illustrated book will leave you salivating—or making reservations.
"This book should be welcomed by all students of mapping, for it will take them in uncomplicated stages through the complexities of compiling a map. . . . Mr. Greenwood is to be congratulated on an excellent book."—C.J. Angus, Canadian Geographical Journal
"For the baggy and middle-aged who cannot afford skiing in Austria or sailing off Bimini, Greenhood invites his readers to a sort of intellectual excitement which neither skiing nor sailing could equal. . . . Unless you work professionally with maps to the degree that a navigator does, for instance, this book will fascinate and enthrall you."—Monroe Bush, American Forests
"A teacher who wishes to go into the classroom with a storehouse of knowledge and ideas will find this a remarkable book. It is easy to read, and each page contains information which can be fed into the work in progress no matter which area of the world is being studied."—Instructor
"There is much to be praised in this book. It is an excellent history of how India came to be painted red in the nineteenth century. But more importantly, Mapping an Empire sets a new standard for books that examine a fundamental problem in the history of European imperialism."—D. Graham Burnett, Times Literary Supplement
"Mapping an Empire is undoubtedly a major contribution to the rapidly growing literature on science and empire, and a work which deserves to stimulate a great deal of fresh thinking and informed research."—David Arnold, Journal of Imperial and Commonwealth History
"This case study offers broadly applicable insights into the relationship between ideology, technology and politics. . . . Carefully read, this is a tale of irony about wishful thinking and the limits of knowledge."—Publishers Weekly
Reaching past the city limits, Mapping Historical Las Vegas also examines the development of public lands, military bases, and the canyons and valleys of the Colorado River before the Hoover Dam was built and Lake Mead was created. Weber also includes information on dams, highways, railroads, and other projects that were planned but never constructed— showing what might have been in one of the nation’s largest cities.
With 137 color maps generated using Geographic Information Systems, along with extensive mapping by Weber that draws on his decades of experience in the region, Mapping Historical Las Vegas offers a unique perspective on one of the world’s most famous desert cities.
In his acclaimed How to Lie with Maps, Mark Monmonier showed how maps can distort facts. In Mapping it Out: Expository Cartography for the Humanities and Social Sciences, he shows authors and scholars how they can use expository cartography—the visual, two-dimensional organization of information—to heighten the impact of their books and articles.
This concise, practical book is an introduction to the fundamental principles of graphic logic and design, from the basics of scale to the complex mapping of movement or change. Monmonier helps writers and researchers decide when maps are most useful and what formats work best in a wide range of subject areas, from literary criticism to sociology. He demonstrates, for example, various techniques for representing changes and patterns; different typefaces and how they can either clarify or confuse information; and the effectiveness of less traditional map forms, such as visibility base maps, frame-rectangle symbols, and complementary scatterplot designs for conveying complex spatial relationships.
There is also a wealth of practical information on map compilation, cartobibliographies, copyright and permissions, facsimile reproduction, and the evaluation of source materials. Appendixes discuss the benefits and limitations of electronic graphics and pen-and-ink drafting, and how to work with a cartographic illustrator.
Clearly written, and filled with real-world examples, Mapping it Out demystifies mapmaking for anyone writing in the humanities and social sciences.
"A useful guide to a subject most people probably take too much for granted. It shows how map makers translate abstract data into eye-catching cartograms, as they are called. It combats cartographic illiteracy. It fights cartophobia. It may even teach you to find your way."—Christopher Lehmann-Haupt, The New York Times
Tracing the changes in environment, land use patterns, demography, transportation, economy, and politics over the course of many centuries, Mapping New Jerseyilluminates the state's transformation from a simple agricultural society to a post-industrial and culturally diverse place inhabited by more people per acre than anywhere else in the country.
An innovator in transportation, from railroads to traffic circles to aviation, New Jersey from its beginnings was a "corridor" state, with a dense Native American trail system once crisscrossed on foot, country roads traveled by armies of the American Revolution, and, lately, the rolling wheels of many sedans, SUVs, hybrids, public and commercial vehicles, and freight. Early to industrialize, it also served as the headquarters for Thomas Edison and the development of the modern American economy. Small in territory and crowded with people, the state works to recycle garbage and, at the same time, best utilize and preserve its land.
New Jersey has been depicted in useful and quite stunning historical maps, many of the best included in Mapping New Jerseyùcrude maps drawn by sixteenth-century navigators; complex and beautifully decorated pieces created by early Dutch cartographers; land maps plotted by seventeenth-century English settlement surveyors; examples of the nineteenth century's scientific revolution in map making that helped locate topography and important mineral resources; detailed insurance maps that correct London map maker William Faden's 1777-78 classic rendering of the state; and aerial photos, remote sensing, and global positioning system maps generated through twenty-first-century technology breakthroughs in cartography.
Integrating new maps, graphs, and diagrams unavailable through ordinary research or Internet searches, Mapping New Jersey is divided into six topical chapters, each accompanied by an introduction and overview telling the story of the state's past and detailing its diversity. Mapping New Jersey, dramatically bold and in full color, travels where New Jersey has gone and the rest of the nation is likely to follow.
"Its contribution to its specific field is both significant and original. . . . It is a pure pleasure to read." —Sabine MacCormack, Isis
"Mundy has done a fine job of balancing the artistic interpretation of the maps with the larger historical context within which they were drawn. . . . This is an important work." —John F. Schwaller, Sixteenth Century Journal
"This beautiful book opens a Pandora's box in the most positive sense, for it provokes the reconsideration of several long-held opinions about Spanish colonialism and its effects on Native American culture." —Susan Schroeder, American Historical Review
The book begins by examining the use of maps for wayfinding, revealing that even maps as common and widely used as these are the product of historical circumstances and cultural differences. The second chapter considers maps whose makers employed the smallest of scales to envision the broadest of human stages—the world, the heavens, even the act of creation itself. The next chapter looks at maps that are, literally, at the opposite end of the scale from cosmological and world maps—maps that represent specific parts of the world and provide a close-up view of areas in which their makers lived, worked, and moved.
Having shown how maps help us get around and make sense of our greater and lesser worlds, Maps then turns to the ways in which certain maps can be linked to particular events in history, exploring how they have helped Americans, for instance, to understand their past, cope with current events, and plan their national future. The fifth chapter considers maps that represent data from scientific instruments, population censuses, and historical records. These maps illustrate, for example, how diseases spread, what the ocean floor looks like, and how the weather is tracked and predicted. Next comes a turn to the imaginary, featuring maps that depict entire fictional worlds, from Hell to Utopia and from Middle Earth to the fantasy game World of Warcraft. The final chapter traces the origins of map consumption throughout history and ponders the impact of cartography on modern society.
A companion volume to the most ambitious exhibition on the history of maps ever mounted in North America, Maps will challenge readers to stretch conventional thought about what constitutes a map and how many different ways we can understand graphically the environment in which we live. Collectors, historians, mapmakers and users, and anyone who has ever “gotten lost” in the lines and symbols of a map will find much to love and learn from in this book.
While critics have generally dismissed Mark Twain’s relationship with France as hostile, Harrington and Jenn see Twain’s use of the French as a foil to help construct his identity as “the representative American.” Examining new materials that detail his Montmatre study, the carte de visite album, and a chronology of his visits to France, the book offers close readings of writings that have been largely ignored, such as The Innocents Adrift manuscript and the unpublished chapters of A Tramp Abroad, combining literary analysis, socio-historical context and biographical research.
This book is the first comprehensive study of Clemens’s love affair with Bermuda, a vivid depiction of a celebrated author on recurring vacations. Donald Hoffmann has culled and clarified passages from Mark Twain’s travel pieces, letters, and unpublished autobiographical dictation—with cross-references to his fiction and infrequently cited short pieces—to create a little-known view of the author at leisure on his fantasy island.
Mark Twain in Paradise sheds light on both Clemens’s complex character and the topography and history of the islands. Hoffmann has plumbed the voluminous Mark Twain scholarship and Bermudian archives to faithfully re-create turn-of-the-century Bermuda, supplying historical and biographical background to give his narrative texture and depth. He offers insight into Bermuda’s natural environment, traditional stone houses, and romantic past, and he presents dozens of illustrations, both vintage and new, showing that much of what Mark Twain described can still be seen today.
Hoffmann also provides insight into the social circles Clemens moved in—and sometimes collected around himself. When visiting the islands, he rubbed shoulders with the likes of socialist Upton Sinclair and multimillionaire Henry H. Rogers; with Woodrow Wilson and his lover, socialite Mary Peck; as well as with the young girls to whom he enjoyed playing grandfather.
“You go to heaven if you want to,” Mark Twain wrote from Bermuda in 1910 during his long last visit. “I’d druther stay here.” And because much of what Clemens enjoyed in the islands is still available to experience today, visitors to Bermuda can now have America’s favorite author as their guide. Mark Twain in Paradise is an unexpected addition to the vast literature by and about Mark Twain and a work of travel literature unlike any other.
Gathers the very best passages from all five of Mark Twain’s travel narratives
Mark Twain on the Move gathers the very best passages from all five of Mark Twain’s travel narratives: The Innocents Abroad (1869), Roughing It (1872), A Tramp Abroad (1880), Life on the Mississippi (1883), and Following the Equator (1897). Although Twain’s travel narratives were his best sellers throughout his career, modern readers are largely unfamiliar with them. Thus, readers are not only missing some of Twain’s most hilarious and insightful material, they are also missing a complete understanding of a beloved literary and cultural icon.
Mark Twain on the Move presents the best of these works--sometimes respectful, often irreverent and outlandish--at their most lively and captures his renowned experiences as an American tourist. And they demonstrate why Twain’s greatest popularity in his lifetime derived from his travel writings rather than from his novels. Twain was always entertaining and provocative while on the move and this collection captures that fabled energy for modern readers.
A scholar accompanies Twain on his journey around the world
In Mark Twain, the World, and Me: “Following the Equator,” Then and Now, Susan K. Harris follows Twain’s last lecture tour as he wound his way through the British Empire in 1895–1896. Deftly blending history, biography, literary criticism, reportage, and travel memoir, Harris gives readers a unique take on one of America’s most widely studied writers.
Structured as a series of interlocking essays written in the first person, this engaging volume draws on Twain’s insights into the histories and cultures of Australia, India, and South Africa and weaves them into timely reflections on the legacies of those countries today. Harris offers meditations on what Twain’s travels mean for her as a scholar, a white woman, a Jewish American, a wife, and a mother. By treating topics as varied as colonial rule, the clash between indigenous and settler communities, racial and sexual “inbetweenness,” and species decimation, Harris reveals how the world we know grew out of the colonial world Twain encountered. Her essays explore issues of identity that still trouble us today: respecting race and gender, preserving nature, honoring indigenous peoples, and respecting religious differences.
With the publication of The Innocents Abroad (1869), Mark Twain embarked on a long and successful career as the 19th century's best-selling travel writer. Jeffrey Melton treats Twain's travel narratives in depth, and in the context of his contemporary travel writers and a burgeoning tourism culture. As Melton shows, Twain's five major travel narratives--The Innocents Abroad, Roughing It, Life on the Mississippi, A Tramp Abroad, and Following the Equator--demonstrate Twain's mastery and reinvention of the genre.
Before Mark Twain became a national celebrity with his best-selling The Innocents Abroad, he was just another struggling writer perfecting his craft—but already “playin’ hell” with the world. In the first book in more than fifty years to examine the initial phase of Samuel Clemens’s writing career, James Caron draws on contemporary scholarship and his own careful readings to offer a fresh and comprehensive perspective on those early years—and to challenge many long-standing views of Mark Twain’s place in the tradition of American humor.
Tracing the arc of Clemens’s career from self-described “unsanctified newspaper reporter” to national author between 1862 and 1867, Caron reexamines the early and largely neglected writings—especially the travel letters from Hawaii and the letters chronicling Clemens’s trip from California to New York City. Caron connects those sets of letters with comic materials Clemens had already published, drawing on all known items from this first phase of his career—even the virtually forgotten pieces from the San Francisco Morning Call in 1864—to reveal how Mark Twain’s humor was shaped by the sociocultural context and how it catered to his audience’s sensibilities while unpredictably transgressing its standards.
Caron reveals how Sam Clemens’s contemporaries, notably Charles Webb, provided important comic models, and he shows how Clemens not only adjusted to but also challenged the guidelines of the newspapers and magazines for which he wrote, evolving as a comic writer who transmuted personal circumstances into literary art. Plumbing Mark Twain’s cultural significance, Caron draws on anthropological insights from Victor Turner and others to compare the performative aspects of Clemens’s early work to the role of ritual clowns in traditional societies
Brimming with fresh insights into such benchmarks as “Our Fellow Savages of the Sandwich Islands” and “Jim Smiley and His Jumping Frog,” this book is a gracefully written work that reflects both patient research and considered judgment to chart the development of an iconic American talent. Mark Twain, Unsanctified Newspaper Reporter should be required reading for all serious scholars of his work, as well as for anyone interested in the interplay between artistic creativity and the literary marketplace.
The renewal and celebration of the outdoor market culture in recent years, argues de La Pradelle, artfully masks a fierce commitment to modern-day free-market economics. Responding to consumer desire for an experience that recalls a time before impersonal supermarket chains and mass-produced products, buyers and sellers alike create an atmosphere built on various fictions. Vendors at the market at Carpentras, for example, oblige patrons by acting like lifelong acquaintances of those whom they’ve only just met as they dispense free samples and lively, witty banter. Likewise, going to the market to look for “freshness” becomes a way for the consumer to signify the product’s relation to nature—a denial of the workaday reality of growing melons under plastic sheets, then machine-sorting, crating, and transporting them.
Offering captivating descriptions of goods and the friendly and occasionally piquant exchanges between buyers and sellers, Market Day in Provence will be devoured by any reader with an interest in areas as diverse as food, ethnography, globalization, modernity, and French culture.
In this groundbreaking history, Tammy S. Gordon tells the story of the camera's emerging centrality in leisure travel across the late nineteenth and early twentieth centuries and its role in "the mass production of memory," a process in which users crafted a visual archive attesting to their experiences, values, and circumstances, setting the stage for the customizable visual culture of the digital age.
In answering these questions, D. Graham Burnett brings to light the work of several such explorers, particularly Sir Robert H. Schomburgk, the man who claimed to be the first to reach the site of Ralegh's El Dorado. Commissioned by the Royal Geographical Society and later by the British Crown, Schomburgk explored and mapped regions in modern Brazil, Venezuela, and Guyana, always in close contact with Amerindian communities. Drawing heavily on the maps, reports, and letters that Schomburgk sent back to England, and especially on the luxuriant images of survey landmarks in his Twelve Views in the Interior of Guiana (reproduced in color in this book), Burnett shows how a vast network of traverse surveys, illustrations, and travel narratives not only laid out the official boundaries of British Guiana but also marked out a symbolic landscape that fired the British imperial imagination.
Engagingly written and beautifully illustrated, Masters of All They Surveyed will interest anyone who wants to understand the histories of colonialism and science.
Kumar's ruminations on one of the world's oldest cities, the capital of India's poorest province, are also a meditation on how to write about place. His memory is partial. All he has going for him is his attentiveness. He carefully observes everything that surrounds him in Patna: rats and poets, artists and politicians, a girl's picture in a historian's study, and a sheet of paper on his mother's desk. The result is this unique book, as cutting as it is honest.
In 2005 Kate Jackson ventured into the remote swamp forests of the northern Congo to collect reptiles and amphibians. Her camping equipment was rudimentary, her knowledge of Congolese customs even more so. She knew how to string a net and set a pitfall trap, but she never imagined the physical and cultural difficulties that awaited her.
Culled from the mud-spattered pages of her journals, Mean and Lowly Things reads like a fast-paced adventure story. It is Jackson’s unvarnished account of her research on the front lines of the global biodiversity crisis—coping with interminable delays in obtaining permits, learning to outrun advancing army ants, subsisting on a diet of Spam and manioc, and ultimately falling in love with the strangely beautiful flooded forest.
The reptile fauna of the Republic of Congo was all but undescribed, and Jackson’s mission was to carry out the most basic study of the amphibians and reptiles of the swamp forest: to create a simple list of the species that exist there—a crucial first step toward efforts to protect them. When the snakes evaded her carefully set traps, Jackson enlisted people from the villages to bring her specimens. She trained her guide to tag frogs and skinks and to fix them in formalin. As her expensive camera rusted and her Western soap melted, Jackson learned what it took to swim with the snakes—and that there’s a right way and a wrong way to get a baby cobra out of a bottle.
Yet, through canoe trips and intimate explorations of the river, Metzger discovers glints of resiliency: a beaver trolling through a slough, native fish in quiet backwaters, and strong currents that carry undertones of the wild Willamette. Together with tales from farmers and scientists alike, these experiences lead Metzger to ask whether something scarred can fully heal, and whether a disjointed river can be whole again.
A story of re-discovery as told by a learner, Meander Scars will appeal to readers of literary nonfiction, river advocates, naturalists, and outdoor enthusiasts interested in sustaining healthy river systems for themselves, their children, and beyond.
Exploring this phenomenon, The Medieval Invention of Travel draws on an impressive array of sources to develop original readings of canonical figures such as Marco Polo, John Mandeville, and Petrarch, as well as a host of lesser-known travel writers. As Shayne Aaron Legassie demonstrates, the Middle Ages inherited a Greco-Roman model of heroic travel, which viewed the ideal journey as a triumph over temptation and bodily travail. Medieval travel writers revolutionized this ancient paradigm by incorporating practices of reading and writing into the ascetic regime of the heroic voyager, fashioning a bold new conception of travel that would endure into modern times. Engaging methods and insights from a range of disciplines, The Medieval Invention of Travel offers a comprehensive account of how medieval travel writers and their audiences reshaped the intellectual and material culture of Europe for centuries to come.
The Men in My Country is the story of an American woman living and loving in Japan. Satisfied at first to observe her exotic surroundings, the woman falls in love with the place, with the light, with the curve of a river, with the smell of bonfires during obon, with blue and white porcelain dishes, with pencil boxes, and with small origami birds. Later, struggling for a deeper connection—“I wanted the country under my skin”—Abildskov meets the three men who will be part of her transformation and the one man with whom she will fall deeply in love.
A travel memoir offering an artful depiction of a very real place, The Men in My Country also covers the terrain of a complex emotional journey, tracing a geography of the heart, showing how we move to be moved, how in losing ourselves in a foreign place we can become dangerously—and gloriously—undone.
Written at the request of young associates who felt Judd’s lifetime of experiences in the field could be both instructive and amusing, Men Met Along the Trail provides a glimpse of archaeology when it was an emerging field of study, evolving from simple curio collecting to technologically advanced radiocarbon dating and pollen analysis. Featuring more than thirty original photographs and a new foreword by Don D. Fowler, this book is entertaining and informative, offering readers a vibrant and colorful picture of the adventures to be found in early Southwestern archaeology.
“In the World But Not of It”
Offering a glimpse into a world largely misunderstood by mainstream society, this book documents the period of eight years that Jane Flynn practiced with Mennonites in two different Southern Illinois communities: Stonefort, and Mount Pleasant in Anna. Despite her status as an outsider, Flynn was welcomed and allowed to photograph the Mennonites in their homes, making applesauce, farming, and beekeeping.
Escaping persecution from the Catholic Church in Europe, the Mennonites arrived in America in 1683, settling in what is now Pennsylvania. Today, they live in almost all 50 states, Canada, and South America. To reflect the Mennonites’ manual-labor lifestyle, Flynn processed her black-and-white photographs by hand and hand-printed them in a dark room. The imagery explores the Mennonites’ labors, leisure, and faith by documenting their homes, places of work and worship, and the Illinois Ozark landscape they inhabit.
Similar to the Amish and the Quakers, Mennonites consider the Bible the supreme authority and insist on a separation between church and state. To enact that separation, they distinguish themselves from society in speech, dress, business, recreation, education, pacifism, and by refusing to participate in politics. They believe in nonconformity to the world, discipleship, and being born again through adult baptism. With Mennonites of Southern Illinois, Jane Flynn provides representation for these closed communities and illustrates the Mennonites’ struggle to find and maintain balance between rustic and modern life while remaining faithful to their religious beliefs.
This book explores how the city has grown and evolved from the Tenochtitlan city-state of the Aztecs to the capital of the Spanish empire’s “New Spain,” French intervention, revolution, and the newly branded CDMX. Nick Caistor leads us through centuries of history and into the material city of today: from recently constructed museums and shopping malls, to neighborhoods where age-old traditions still appear to be the norm. Whether sampling ice cream at Xochimilco, watching freestyle wrestling at the Arena Mexico, or savoring long Mexican breakfasts, Nick Caistor reveals why Mexico City continues to fascinate and beguile us.
Mexico City is one of Latin America’s cultural capitals, and one of the most vibrant urban spaces in the world. The Mexico City Reader is an anthology of "Cronicas"—short, hybrid texts that are part literary essay, part urban reportage—about life in the capital. This is not the "City of Palaces" of yesteryear, but the vibrant, chaotic, anarchic urban space of the1980s and 1990s—the city of garbage mafias, necrophiliac artists, and kitschy millionaires.
Like the visitor wandering through the city streets, the reader will be constantly surprised by the visions encountered in this mosaic of writings—a textual space brimming with life and crowded with flâneurs, flirtatious students, Indian dancers,
food vendors, fortune tellers, political activists, and peasant protesters.
The essays included in this anthology were written by a panoply of writers, from well-known authors like Carlos Monsiváis and Jorge Ibagüengoitia to younger figures like Fabrizio Mejía Madrid and Juieta García González, all of whom are experienced practitioners of the city. The texts collected in this anthology are among the most striking examples of this concomitant "theory and practice" of Mexico City, that most delirious of megalopolises.
“[An] exciting literary journey . . .”—Carolyn Malloy, Multicultural Review
A diverse collection of more than eighty selections, The Mexico Reader brings together poetry, folklore, fiction, polemics, photoessays, songs, political cartoons, memoirs, satire, and scholarly writing. Many pieces are by Mexicans, and a substantial number appear for the first time in English. Works by Octavio Paz and Carlos Fuentes are included along with pieces about such well-known figures as the larger-than-life revolutionary leaders Pancho Villa and Emiliano Zapata; there is also a comminiqué from a more recent rebel, Subcomandante Marcos. At the same time, the book highlights the perspectives of many others—indigenous peoples, women, politicians, patriots, artists, soldiers, rebels, priests, workers, peasants, foreign diplomats, and travelers.
The Mexico Reader explores what it means to be Mexican, tracing the history of Mexico from pre-Columbian times through the country’s epic revolution (1910–17) to the present day. The materials relating to the latter half of the twentieth century focus on the contradictions and costs of postrevolutionary modernization, the rise of civil society, and the dynamic cross-cultural zone marked by the two thousand-mile Mexico-U.S. border. The editors have divided the book into several sections organized roughly in chronological order and have provided brief historical contexts for each section. They have also furnished a lengthy list of resources about Mexico, including websites and suggestions for further reading.
Through firsthand experience and engaging prose, the authors provide a synthesis of the geology, ecology, history, and cultures of the valleys, showing their importance and influence as Mesoamerican arteries for environmental and cultural interchange through Mexico. It also reveals the extraordinary plant life that draws from habitats ranging from deserts to tropical forests.
The authors, both experts in their respective fields, begin with a general description of the geography of the valleys, followed by an introduction to climate and hydrology, a look at the valleys’ often bewildering geology. The book delves into cultural and linguistic backgrounds of the valleys and discusses archaeological sites that that encapsulate the valleys’ fascinating history prior to the arrival of Europeans. The book concludes by describing the flora that makes the region so singular.
Michigan offers some of the most wonderfully diverse recreation opportunities in the country. The Michigan Eco-Traveler is for a new and growing breed of leisure traveler and adventurer—the individual seeking to experience the pleasant peninsulas responsibly by minimizing his or her eco-footprint. The book introduces readers to the importance of eco-friendly travel and highlights some of the best eco-conscience venues across the state that offer activities from golfing to skiing to sailing and much more. The book also examines environmental pressures on the state’s recreational resources, revealing the critical need for joining together in conservation practices, and offers travelers helpful tips for evaluating the sustainability of their own favorite recreational spots.
Whether you’re a weekend traveler, extreme adventurer, or family on vacation, The Michigan Eco-Traveler lights the way to a greener getaway. Naturalists, conservationists, and hospitality experts will find the book equally helpful in responding to the ever rising demand for sustainable recreation.
Nostalgic reminders of a time now past, one-room schoolhouses are deeply embedded in our heritage. Decades after their original purpose and inhabitants have vanished, they dot the rural landscape in all conditions, from neglected and near collapse to handsomely renovated places repurposed into a new existence as living quarters. Today no matter their state they stand as miniature gems of nineteenth-century American history as well as charming examples of rural architecture---above all, things to be treasured and preserved. Mary Keithan's Michigan One-Room Schoolhouses is a beautifully illustrated chronicle that details nearly a hundred of the state's early schoolhouses. Together with information about each schoolhouse's architecture and history, including interviews with former students and teachers, Keithan's photographs bring these structures back to life and assure their place in history.
Mary Keithan is a professional photographer living in Ray, Michigan. Her previous books include Michigan's Heritage Barns and A Time in Michigan: A Photographic Series. New York Times critic Vicki Goldberg selected Keithan's 1995 image "Desert Storm Barn" for the Light Impression Biennial.
Did you know . . . ?
- Michigan is seventeenth in oil production in the United States.
- The Great Lakes are said to be the only glacially produced structures that can be seen from the moon.
- Michigan was once part of a coral reef.
- The wood frog is one of the commonest true frogs of moist woodland floors in Michigan today and is able to freeze solid during the winter without harmful effects.
These and many more amazing facts await the curious traveler in The Michigan Roadside Naturalist, J. Alan and Margaret B. Holman's captivating guide to the natural treasures of Michigan. A perfect accompaniment to the classic Michigan Trees and The Forests of Michigan, this user-friendly guide offers a Who's Who of the geology, biology, and archaeology of the Great Lakes State, as well as highway adventures along the state's major routes.
The book begins with an educational yet accessible tour of important points in Michigan's natural and archaeological history, followed by seven road trips based on commonly traveled state routes, moving from south to north in the Lower Peninsula and east to west in the Upper Peninsula. Readers can proceed directly to the road trips or familiarize themselves with the state's treasure trove of fascinating features before embarking. Either way, an informative and fun odyssey awaits the passionate naturalist, amateur or otherwise.
J. Alan Holman is Curator Emeritus of Vertebrate Paleontology at the Michigan State University Museum and Emeritus Professor of Geology and Zoology at Michigan State University. Margaret B. Holman is Research Associate at Michigan State University Museum and Department of Anthropology, Michigan State University.
“Whether you are an attorney, a Michigan history buff, or a lover of architecture, you will find this book is a valuable resource.”
---Michigan Bar Journal
Fedynsky tells the story of each building. For Michigan, the typical evolution begins in the cabin, tavern, or hotel of a prominent local settler and progresses through incarnations of simple log or wooden clapboard, and then opulent stone or brick, before the structure arrives in modern and utilitarian form. But there are myriad exceptions to this rule, and they add to the diversity of Michigan's county courthouses.
In Fedynsky's descriptions, verifiable facts and local lore weave together in dramatic tales of outrageous crime, courtroom intrigue, backroom dealing, jury determination, and judicial prerogative. Released jail inmates assist with evacuating and extinguishing a courthouse fire, residents during a natural disaster seek and find physical refuge behind the sure walls of the courthouse, and vigilant legions of homebound defenders are stationed in wartime throughout the courthouse towers scanning the skies for signs of foreign aircraft.
Then there are the homey touches that emphasize the "house" half of Michigan's courthouses: local folks dropping off plants in the courthouse atrium to use it as a winter greenhouse, cows grazing on the public square, county fairs in or near the courthouse, and locally made artwork hanging in public hallways. The courthouses bear within their walls a richness of soul endowed by the good people who make each one special.
John Fedynsky is a former research attorney for the Michigan Court of Appeals in Detroit and Grand Rapids, Michigan. He also served as a law clerk to the Honorable Robert H. Cleland, U.S. District Court for the Eastern District of Michigan. Fedynsky currently practices civil law as an Assistant Attorney General for the State of Michigan.
Cover design by Heidi Dailey
Cover photos: John Fedynsky
The fifth edition of Michigan’s Town & Country Inns is a guide to more than 50 inns, bed-and-breakfast homes, and historic lodgings in the Upper and Lower Peninsulas of Michigan.
Choose from lighthouses anchored to the rugged shores of Lake Superior, Victorian mansions built by lumber and mining barons, rustic log lodges, and romantic small town hideaways. Meet the innkeepers themselves, who range from retired military officers and corporate heads to artists and poets. You’ll find detailed descriptions of the accommodations along with information about rates, suitability for children, and policies on smoking and pets. Get a sense of the flavor and mood of each and learn about fun things to do in the surrounding areas. Numerous photos enhance the descriptions and provide a visitor’s-eye view of some of the most unusual and delightful places to stay in Michigan.
Based on four years of travel and research, Minnesota’s Best Breweries and Brewpubs is a welcome addition to Robin Shepard’s series of guides to the best of the Midwest’s beer industries. From large-scale breweries such as Cold Spring, to chains like Granite City, to individual brewpubs like Fitger’s Brewhouse, Shepard provides commentary for more than thirty beer makers and three-hundred Minnesota beers. Accessible enough for people at all stages in their journeys to discover great-tasting beer, the information-packed guidebook also features a list of helpful books and websites, as well as information on Minnesota’s beer tastings and festivals.
For each brewery and brewpub site you’ll find:
• a description and brief history, plus many “don’t miss” features
• a description of beers on tap and a list of seasonal and specialty beers
• a space for the brewmaster’s autograph
• notes on the pub food, with recommendations
• suggestions of nearby sights and activities
• general directions to the location
• Shepard’s personal ratings of the experience, plus room to add your own.
Picture the adrenalin-pumping excitement of hoop action on Norm Stewart Court. Now envision the tranquillity of a late summer day, with a half moon rising in a blue sky over the Columns. These photos tell the same story: it’s not two different worlds—it’s Mizzou!
The University of Missouri’s rich record of accomplishment and service to Missouri, the nation, and the world has been captured in this pictorial history—more than 140 full-color photos that provide a visual record of living and learning at the University of Missouri–Columbia. From the beauty of the historic Columns on Francis Quadrangle to the academic prowess of the faculty to gridiron thrills at Memorial Stadium, the book faithfully reflects a place where discovery happens every day.
Rob Hill has been photographing Mizzou’s people, landmarks, and events for nearly twenty years, and his images bring the campus to life. Chancellor Emeritus Richard Wallace, whose service to the University spans four decades, recounts MU’s growth since World War II in his accompanying text. Assembled by MIZZOU magazine editor Karen Worley, Mizzou Today reflects everything that is the University of Missouri.
Wallace provides timelines of key events that span the entire history of the University, tracing major events from its establishment in 1839 to the cancer research of the twenty-first century. Noted along the way are such events as the opening of University Hospital, the creation of new campuses, even the installation of the nation’s first automated library circulation system in Ellis Library, and some of the generous gifts that have made the University’s growth possible. The book also recalls all of the major milestones in sports, from the first intercollegiate football game in 1890 to Ben Askren’s national wrestling championships in 2006 and 2007.
These magnificent photos will bring back memories for alumni as surely as they will preserve them for today’s students—from the dance steps of Truman the Tiger to the avid consumption of Tiger Stripe ice cream, from the solemnity of Tap Day ceremonies to fraternity brothers raising money for Hurricane Katrina relief. You’ll get a glimpse of dorm life in Hatch Hall and a peek into the law library’s rare-book room, a look over the shoulders of a trauma team saving a patient at University Hospital and of a fisheries student studying salamanders in the wild. And of course there are images of some of the heart-stopping action that Mizzou sports fans have come to expect.
People, landmarks, events—it’s all here in a superb volume that, like Jesse Hall, will stand the test of time. Mizzou Today is a keepsake for anyone who loves MU and a lasting record of a great university’s accomplishments.
Spellman examines the intellectual assumptions behind different models of monarchy, tracing the ways in which each of these assumptions shifted in response to historical factors. While no human institution has retreated as rapidly in the modern period, monarchy's remarkable longevity invites us to weigh the significance of hierarchy, subordination and dependence as constants of the human experience.
In Monsoon Postcards, journalist David H. Mould, notebook in hand, traverses the Indian Ocean—from Madagascar through India and Bangladesh to Indonesia. It’s an unpredictable journey on battered buses, bush taxis, auto-rickshaws, and crowded ferries. Mould travels from the traffic snarls of Delhi, Dhaka, and Jakarta to the rice paddies and ancestral tombs of Madagascar’s Central Highlands; from the ancient kingdom of Hyderabad to India’s so-called chicken neck—the ethnically diverse and underdeveloped northeast; and from the textile factories and rivers of Bangladesh to the beaches of Bali and the province of Aceh—ground zero for the 2004 tsunami.
Along the way, in markets, shops, roadside cafes, and classrooms, he meets journalists, professors, students, aid workers, cab drivers, and other everyday residents to learn how they view their past and future. Much like its predecessor, Mould’s Postcards from Stanland,Monsoon Postcards offers witty and insightful glimpses into countries linked by history, trade, migration, religion, and a colonial legacy. It explores how they confront the challenges of climate change, urban growth, economic development, land, water and natural resources, and national and ethnic identity.
How and why you should take your children backpackingDespite America’s enthusiasm for outdoors activities like hiking and backpacking, most books on these subjects focus on adults. Backpacking, however, is an ideal activity for the entire family. Tim Hauserman, who is both an experienced outdoors guide and the father of two daughters, now offers a handbook for parents who would like to introduce their children to backpacking and camping. Hauserman provides practical, humorous advice for families new to the outdoors and for trail-savvy parents planning to take their children along for the first time: how to prepare, what to bring, who carries what, how far to walk, what to do in camp, safety precautions, dealing with mishaps, and proper trail and campground etiquette. He includes guidance about appropriate distances and pack weights for every age level of child, as well as tips about backpacking with an infant and bringing the family dog along on the adventure. He even suggests appealing destinations in the Sierra Nevada appropriate for various age groups and recounts some of his (and his daughters’) favorite hikes. Hauserman’s down-to-earth encouragement is based on decades of backpacking and camping with his own children, their friends, and other groups of youngsters. He is candid about his experiences and the lessons he learned from his own mistakes and how he dealt with them. Ultimately, the reward of sharing a special adventure and the peace and beauty of the outdoors makes all the effort worthwhile.
A dispatch from a foreign land, when crafted by an attentive and skilled writer, can be magical, transmitting pleasure, drama, and seductive strangeness.
In The Moon, Come to Earth, Philip Graham offers an expanded edition of a popular series of dispatches originally published on McSweeney’s, an exuberant yet introspective account of a year’s sojourn in Lisbon with his wife and daughter. Casting his attentive gaze on scenes as broad as a citywide arts festival and as small as a single paving stone in a cobbled walk, Graham renders Lisbon from a perspective that varies between wide-eyed and knowing; though he’s unquestionably not a tourist, at the same time he knows he will never be a local. So his lyrical accounts reveal his struggles with (and love of) the Portuguese language, an awkward meeting with Nobel laureate José Saramago, being trapped in a budding soccer riot, and his daughter’s challenging transition to adolescence while attending a Portuguese school—but he also waxes loving about Portugal’s saudade-drenched music, its inventive cuisine, and its vibrant literary culture. And through his humorous, self-deprecating, and wistful explorations, we come to know Graham himself, and his wife and daughter, so that when an unexpected crisis hits his family, we can’t help but ache alongside them.
A thoughtful, finely wrought celebration of the moment-to-moment excitement of diving deep into another culture and confronting one’s secret selves, The Moon, Come to Earth is literary travel writing of a rare intimacy and immediacy.
In Morocco, Walter M. Weiss brings extensive knowledge of the region to bear as he travels the breadth and depth of the country’s social and geographical contrasts. Berber villagers of the mountains are for the most part still illiterate and consider their king to be divinely chosen, while businessmen in Casablanca’s towering offices dream of closer ties to the European Union. Weiss visits the settings of modern legends, such as Tangier, as well as the two medieval centres Fès and Meknès, and sees earthen kasbahs and Marrakech’s bazaar. On the way, he meets acrobats, Sufi musicians, pilgrims, craftsmen, beatniks, rabbis, and Berber farmers—a kaleidoscope of variety and cultural influence.
The life of the German-Jewish literary critic and philosopher Walter Benjamin (1892–1940) is a veritable allegory of the life of letters in the twentieth century. Benjamin’s intellectual odyssey culminated in his death by suicide on the Franco–Spanish border, pursued by the Nazis, but long before he had traveled to the Soviet Union. His stunning account of that journey is unique among Benjamin’s writings for the frank, merciless way he struggles with his motives and conscience.
Perhaps the primary reason for his trip was his affection for Asja Lācis, a Latvian Bolshevik whom he had first met in Capri in 1924 and who would remain an important intellectual and erotic influence on him throughout the twenties and thirties. Asja Lācis resided in Moscow, eking out a living as a journalist, and Benjamin’s diary is, on one level, the account of his masochistic love affair with this elusive—and rather unsympathetic—object of desire. On another level, it is the story of a failed romance with the Russian Revolution; for Benjamin had journeyed to Russia not only to inform himself firsthand about Soviet society, but also to arrive at an eventual decision about joining the Communist Party. Benjamin’s diary paints the dilemma of a writer seduced by the promises of the Revolution yet unwilling to blinker himself to its human and institutional failings.
Moscow Diary is more than a record of ideological ambivalence; its literary value is considerable. Benjamin is one of the great twentieth-century physiognomists of the city, and his portrait of hibernal Moscow stands beside his brilliant evocations of Berlin, Naples, Marseilles, and Paris. Students of this particularly interesting period will find Benjamin’s eyewitness account of Moscow extraordinarily illuminating.
Published in cooperation with the Barber Vintage Motorsports Museum, Birmingham.
The two works reprinted in this volume represent the pinnacle of the career of one of the most remarkable American archaeologists of the early 20th century, Clarence Bloomfield Moore.
Moore's Certain Aboriginal Remains of the Black Warrior River (1905) and Moundville Revisited (1907) brought the Moundville site in Alabama to the attention of the scholarly world in dramatic fashion by offering a splendid photographic display and expert commentary on its artifactual richness. Moore was the leading southeastern specialist of his day and the most prolific excavator of southern sites during the early part of the 20th century. Today Moore gives the impression of having been everywhere, having excavated everything, and having published on all of it. Moundville Expeditions contains facsimile reprints of these two classic works, along with a new scholarly introduction by one of the leading authorities on the Moundville archaeological site. Once again these rare materials on Moundville are available both for scholars and for a general audience.
As an important site for multiple religions, Mount Sinai has become a major destination for hundreds of visitors per day. In this multifaceted book, George Manginis delves into the natural environment of Mount Sinai, its importance in the Muslim tradition, the cult of Saint Catherine, the medieval pilgrimage phenomenon, modern-day tourism, and much more. Featuring notes, a bibliography, and illustrations from nineteenth-century travelers’ books, this deft blend of historical analysis, art history, and archaeological interpretation will appeal to tourists and scholars alike.
In Mountains of Fire, Clive Oppenheimer invites readers to stand with him in the shadow of an active volcano. Whether he is scaling majestic summits, listening to hissing lava at the crater’s edge, or hunting for the far-flung ashes from Earth’s greatest eruptions, Oppenheimer is an ideal guide, offering readers the chance to tag along on the daring, seemingly-impossible journeys of a volcanologist.
In his eventful career as a volcanologist and filmmaker, Oppenheimer has studied volcanoes around the world. He has worked with scientists in North Korea to study Mount Paektu, a volcano name sung in national anthems on both sides of the Demilitarized Zone. He has crossed the Sahara to reach the fabled Tiéroko volcano in the Tibesti Mountains of Chad. He spent months camped atop Antarctica’s most active volcano, Mount Erebus, to record the pulse of its lava lake.
Mountains of Fire reveals how volcanic activity is entangled with our climate and environment, as well as our economy, politics, culture, and beliefs. These adventures and investigations make clear the dual purpose of volcanology—both to understand volcanoes for science’s sake and to serve the communities endangered and entranced by these mountains of fire.
In long years of mountaineering Oates fought the self-loathing that had infused him as the gay kid in the Baptist pew. And in The Mountains of Paris, he ascends to a place of wonder. In luminous prose, Oates invites readers to share a sense of awe—whether awakened by a Vermeer painting or a wilderness sojourn, by the night sky, a loved one, or echoing strains of music—lifting the curtain on a cosmos filled with a terrifying yet beautiful rightness.
Some folks think Brian the mouse is too small. He may be a tough little fella, but they are not sure Brian has what it takes. The Mouse Who Played Football, by former Philadelphia Eagles running back Brian Westbrook Sr. and sports reporter Lesley Van Arsdall, shows how Brian the mouse proves everyone wrong with unyielding confidence that his small size can be his strength.
This charming children’s book, featuring appealing and dynamic illustrations by Mr. Tom, demonstrates how Brian the mouse overcomes what others see as a “big problem.” His determination—as well as speed and toughness on the gridiron—helps him become a star player in high school, college, and eventually, the MFL, the Mouse Football League.
The Mouse Who Played Football, based on Westbrook’s own experiences,is an inspiring story that encourages young readers to believe in themselves and make their unique differences their strengths.
Today, when a single person can turn an airplane into a guided missile, no one objects to rigorous security before flying. But can the state simply declare some people too dangerous to travel, ever and anywhere? Does the Constitution protect a fundamental right to travel? Should the mode of travel (car, plane, or boat) or itinerary (domestic or international) make a constitutional difference? This book explores the legal and policy questions raised by government travel restrictions, from passports and rubber stamps to computerized terrorist watchlists.
In tracing the history and scope of U.S. travel regulations, Jeffrey Kahn begins with the fascinating story of Mrs. Ruth Shipley, a federal employee who almost single-handedly controlled access to passports during the Cold War. Kahn questions how far national security policies should go and whether the government should be able to declare some individuals simply too dangerous to travel. An expert on constitutional law, Kahn argues that U.S. citizens’ freedom to leave the country and return is a fundamental right, protected by the Constitution.
This book presents Ilija Trojanow’s journey from Mumbai to Mecca in the tradition of the rihla, one of the oldest genres of classical Arabic literature, describing the Hajj, the pilgrimage to the holy sites of Islam. Every Muslim, regardless of geographical location, is implored by tradition to undertake the Hajj at least once in their life if they are able. Trojanow, with the help of his friends, donned the ihram, the traditional garb of the pilgrim, and joined the hundreds of thousands of Muslims who each year go on the Hajj. Over the course of a mere three weeks he experienced a tradition dating back over a thousand years. This personal and enlightening account will provide insights not only for Muslims who have yet to embark on the Hajj, but for those who have already made the journey and want to see a different perspective on it. Mumbai to Mecca also presents a unique glimpse into this pivotal tradition for those non-Muslims who remain barred from the most holy Muslim sites.
the pilgrimage to the holy sites of Islam, through the eyes of a Westener, but with the heart of a Muslim.
Museum Matters traces the emergence, consolidation, and dispersal of this national museum complex by telling the stories of its objects. Objects that have been separated over time are brought back together in this book in order to shed light on the interactions and processes that have forged things into symbols of science, aesthetics, and politics. The contributors to this volume illuminate how collections came into being or ceased to exist over time, or how objects moved in and out of collections and museum spaces. They explore what it means to move things physically and spatially, as well as conceptually and symbolically.
Museum Matters unravels the concept of the national museum. By unmaking the spaces, frameworks, and structures that form the complicated landscape of national museums, this volume brings a new way to understand the storage, displays, and claims about the Mexican nation’s collections today.
Contributors
Miruna Achim, Christina Bueno, Laura Cházaro, Susan Deans-Smith, Frida Gorbach, Haydeé López Hernández, Carlos Mondragón, Bertina Olmedo Vera, Sandra Rozental, Mario Rufer
My African Horse Problem recounts the intricacies of this unusual father-son expedition, a sometimes harrowing two-week trip that Samuel joined as "true heir" to the disputed stallion. It relates the circumstances leading up to the dispute and describes the intimacy of a relationship spanning a quarter century between William Miles and the custodians of his family horse—Islamic village friends eking out a precarious existence along the remote sub-Saharan borderline between Nigeria and Niger.
My African Horse Problem is a multi-layered narrative—part memoir, part ethnography—reaching back to Miles's days as a Peace Corps volunteer in Niger in the 1970s and a Fulbright scholar in the 1980s. At a deeper level, the story juxtaposes the idealistic and sometimes irresponsible tendencies of a young university graduate with the parental concerns of a middle-aged, tenured professor. Miles wonders if he was justified in exposing Sam to some of the worst health risks on earth, mainly to restore tenuous ties with long-ago friends in the African bush. Was it reckless to make his son illegally cross international boundaries, in a quixotic quest for justice and family honor? My African Horse Problem is more than an adventurer's tale with a unique story line: it is a father-son travel rumination, leavened by Sam's journal entries that help his father see Africa anew through a child's fresh eyes. In this era of religious and racial tensions, it is also a reaffirmation—within a black Muslim context—of the basic human imperative of trust.
Histories of revolutions often focus on military, political, or economic upheavals but sometimes neglect to connect these larger events to the daily lives of "ordinary" people. Yet the peoples' perception that "things are worse than before" can topple revolutionary governments, as shown by the recent defeat of the Sandinista regime in Nicaragua and the governments of Eastern Europe. Providing the kind of prosaic, revealing details that more formal histories have excluded, My Car in Managua offers an objective, often humorous description of the great difficulties and occasional pleasures of life in Nicaragua during the Sandinista revolution.
During a year's work (1985-1986) at the Instituto Centroamericano de Administración de Empresas (INCAE), Forrest Colburn purchased a dilapidated car—and with it an introduction to everyday life in Nicaragua. His discoveries of the length of time required to register the car (approximately six weeks), the impossibility of finding spare parts (except when U.S. dollars were applied to the search), and the fact that "anyone getting into a car in Managua can be charged a small fee [for car watching] by anyone else" all suggest the difficulties most Nicaraguans faced living in a devastated economy.
Drawing on experiences from visits throughout the revolutionary period (1979-1989), Colburn also sheds light on how the Revolution affected social customs and language, gender roles and family relationships, equality and authority, the availability of goods and services, the status of ethnic minorities, and governmental and other institutions. Illustrations by Nicaragua's celebrated political cartoonist Róger Sánchez Flores enliven the lucid text.
The island of Cyprus has been a site of global history and conquest, and its strategic position means it has been coveted by one foreign power after another. The Phoenicians, Greeks, Romans, Byzantines, Venetians, Genoese, Ottomans, and British have all left their mark. Along with the Roman and Byzantine ruins of Salamis, the island holds impressive monuments dating from the Frankish and Venetian times: the Abbey of Bellapais, the fortified harbor of Kyrenia, and the magnificent cathedrals of Nicosia and Famagusta, the setting for Shakespeare’s Othello.
Having lived in Cyprus for three years, Joachim Sartorius returns to the island’s cultures and legends and brings to life the colors and lights of the Levant area of the Middle East. He sifts through the sediments of the island’s history, including its division after the Turkish invasion of 1974 and the difficulties that followed. Rather than focusing solely on historical or political factors, this book is the work of a poet, who, with the help of both Greek and Turkish Cypriot friends, tries to understand this unique place.
Haunted by his parents’ horrific suffering and traumatic losses under Nazi rule, Lev Raphael grew up loathing everything German. Those feelings shaped his Jewish identity, his life, and his career. While researching his mother’s war years after her death, he discovers a distant relative living in the very city where she had worked in a slave labor camp, found freedom, and met his father. Soon after, Raphael is launched on book tours in Germany and, in the process, redefines himself as someone unafraid to face the past and let it go.
Bookmarks, “Top Ten Nonfiction Titles of 2009”
This edition brings the entirety of this personal and idiosyncratic memoir to English for the first time.
In Myself and Strangers, John Graves, the highly regarded author of Goodbye to a River and other classic works, recalls the decade-long apprenticeship in which he found his voice as a writer. He recounts his wanderings from Texas to Mexico, New York, and Spain, where, like Hemingway, he hoped to find the material with which to write books that mattered. With characteristic honesty, Graves admits the false starts and dead ends that dogged much of his writing, along with the exhilaration he felt when the words finally flowed. He frankly describes both the pleasures and the restlessness of expatriate life in Europe after World War II—as well as his surprising discovery, when family obligations eventually called him home to Texas, that the years away had prepared him to embrace his native land as the fit subject matter for his writing. For anyone seeking the springs that fed John Graves' best-loved books, this memoir of apprenticeship will be genuinely rewarding.
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