Kim Fortuny argues that Bishop's travel poetry reveals a political and social consciousness that, until fairly recently, has largely been seen as absent from her poetry and her life. Fortuny argues that questions of travel bring up questions of form in Bi

In this wide-ranging and sophisticated study, Rowland Sherrill explores the resurgence and transformation of an old literary form--the picaresque narrative--into a new form that he shows to be both responsive and instructive to late twentieth-century American life.
 
Road-Book America discloses how the old picaresque tradition, embodied in such novels as Henry Fielding's Tom Jones and Daniel Defoe's Moll Flanders, opens to include a number of new American texts, both fiction and nonfiction, that decisively share the characterizing form. Sherrill's discussion encompasses hundreds of American narratives published in the past four decades, including such examples of the genre as William Least Heat-Moon's Blue Highways, John Steinbeck's Travels with Charley, James Leo Herlihy's Midnight Cowboy, Bill Moyers's Listening to America, and E. L. Doctorow's Billy Bathgate.
 
Sketching the socially marginal, ingenuous, traveling characters common to both old and new versions, Sherrill shows how the "new American picaresque" transforms the satirical aims of the original into an effort to map and catalog the immensity and variety of America.
 
Open, resilient, perennially hopeful, and endowed with a protean adaptability, the protagonist of the new American picaresque follows a therapeutic path for the alienated modern self. Mining the relevance of the reformulated picaresque for American life, Road-Book America shows how this old form, adaptable as the picaro himself, lays the groundwork for spiritual renewal and a restoration of cultural confidence in some old ways of being American.
 
 

From the Archaic period to the Greco-Roman age, the figure of the wanderer held great significance in ancient Greece. In the first comprehensive study devoted to this theme, Wandering in Ancient Greek Culture unearths the many meanings attached to this practice over the centuries. Employing a broad range of literary and philosophical texts, Silvia Montiglio demonstrates how wandering has been conceptualized from Homer's Odysseus—the hero "who wandered much"—in the eighth century BCE to pagan sages of the early Roman Empire such as Saint John the Baptist in the first century AD.

Attitudes toward wandering have evolved in accordance with cultural perspectives, causing some characterizations to persist while others have faded. For instance, the status of wanderers in Greek societies varied from outcasts and madmen to sages, who were recognized as mystical, even divine. Examining the act of wandering through many lenses, Wandering in Ancient Greek Culture shows how the transformation of the wanderer coincided with new perceptions of the world and of travel and invites us to consider its definition and import today.