front cover of Narrative Paths
Narrative Paths
African Travel in Modern Fiction and Nonfiction
Kai Mikkonen
The Ohio State University Press, 2015
In Narrative Paths: African Travel in Modern Fiction and Nonfiction, Kai Mikkonen argues that early twentieth-century European travel writing, journal keeping, and fiction converged and mutually influenced each other in ways that inform current debates about the fiction–nonfiction distinction. Turning to narratives set in sub-Saharan Africa, Mikkonen identifies five main dimensions of interplay between fiction and nonfiction: the experiential frame of the journey, the redefinition of the language and objective of description, the shared cultural givens and colonial notions concerning sub-Saharan Africa, the theme of narrativisation, and the issue of virtual genres. Narrative Paths reveals the important role that travel played as a frame in these modernist fictions as well as the crucial ways that nonfiction travel narratives appropriated fictional strategies.
 
Narrative Paths contributes to debates in narratology and rhetorical narrative theory about the fiction–nonfiction distinction. With chapters on a wide range of modernist authors—from Pierre Loti, André Gide, Michel Leiris, and Georges Simenon to Blaise Cendrars, Louis-Ferdinand Céline, Joseph Conrad, Graham Greene, Evelyn Waugh, and Isak Dinesen (Karen Blixen)—Mikkonen’s study also contributes to postcolonial approaches to these authors, examining issues of representation, narrative voice, and authority in narratives about colonial Africa.
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front cover of The Travelers' World
The Travelers' World
Europe to the Pacific
Harry Liebersohn
Harvard University Press, 2006

In a beautifully crafted narrative that transports the reader from the salons of Europe to the shores of Tahiti, Harry Liebersohn examines the transformation of global knowledge during the great age of scientific exploration. He moves beyond the traditional focus on British and French travelers to include Germans, Russians, and some Americans, as well as the Tahitian, Hawaiian, and other Pacific islanders they encountered. Germany gets special attention because its travelers epitomized the era’s cosmopolitanism and its philosophers engaged most fully in a multicultural understanding of humanity.

Famous adventurers like Captain Cook make appearances, but it’s the observations of such naturalists as Philibert Commerson, George Forster, and Adelbert von Chamisso that helped most to generate a new understanding of these far-flung societies. These European travelers saw non-Europeans neither as “savages” nor as projections of colonial fantasies. Instead the explorers accumulated a rich storehouse of perceptions through negotiations with patrons at home, collaborators abroad, salon philosophers, and missionary rivals.

Liebersohn illuminates the transformative nature of human connections. He examines the expectations these servants of empire brought to the peoples they encountered, and acknowledges the effects of Oceanian behaviors, including unexpected notions of sexuality, on the Europeans. Equally important, he details the reception of these travelers upon their return home.

An unforgettable voyage filled with delightful characters, dramatic encounters, and rich cultural details, The Travelers’ World heralds a moment of intellectual preparation for the modern global era. We now travel effortlessly to distant places, but the questions about perception, truth, and knowledge that these intercontinental mediators faced still resonate.

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front cover of Tropical Visions in an Age of Empire
Tropical Visions in an Age of Empire
Edited by Felix Driver and Luciana Martins
University of Chicago Press, 2005
The contrast between the temperate and the tropical is one of the most enduring themes in the history of the Western geographical imagination. Caught between the demands of experience and representation, documentation and fantasy, travelers in the tropics have often treated tropical nature as a foil to the temperate, to all that is civilized, modest, and enlightened. Tropical Visions in an Age of Empire explores images of the tropical world—maps, paintings, botanical drawings, photographs, diagrams, and texts—produced by European and American travelers over the past three centuries.

Bringing together a group of distinguished contributors from disciplines across the arts and humanities, this volume contains eleven beautifully illustrated essays—arranged in three sections devoted to voyages, mappings, and sites—that consider the ways that tropical places were encountered, experienced, and represented in visual form. Covering a wide range of tropical sites in the Pacific, South Asia, West Africa, the Caribbean, and Latin America, the book will appeal to a broad readership: scholars of postcolonial studies, art history, literature, imperial history, history of science, geography, and anthropology.
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