front cover of The Annotated Wuthering Heights
The Annotated Wuthering Heights
Emily Brontë
Harvard University Press, 2014

Emily Brontë’s Wuthering Heights has been called the most beautiful, most profoundly violent love story of all time. At its center are Catherine and Heathcliff, and the self-contained world of Wuthering Heights, Thrushcross Grange, and the wild Yorkshire moors that the characters inhabit. “I am Heathcliff,” Catherine declares. In her introduction Janet Gezari examines Catherine’s assertion and in her notes maps it to questions that flicker like stars in the novel’s dark dreamscape. How do we determine who and what we are? What do the people closest to us contribute to our sense of identity?

The Annotated Wuthering Heights provides those encountering the novel for the first time—as well as those returning to it—with a wide array of contexts in which to read Brontë’s romantic masterpiece. Gezari explores the philosophical, historical, economic, political, and religious contexts of the novel and its connections with Brontë’s other writing, particularly her poems. The annotations unpack Brontë’s allusions to the Bible, Shakespeare, and her other reading; elucidate her references to topics including folklore, educational theory, and slavery; translate the thick Yorkshire dialect of Joseph, the surly, bigoted manservant at the Heights; and help with other difficult or unfamiliar words and phrases.

Handsomely illustrated with many color images that vividly recreate both Brontë’s world and the earlier Yorkshire setting of her novel, this newly edited and annotated text will delight and instruct the scholar and general reader alike.

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Cold
John Smolens
Michigan State University Press, 2017
Internationally acclaimed, Cold takes us deep into a harsh, frozen world, where love, greed, and the promise of a second chance compel six people toward a chilling and inevitable reckoning.
 
In the frozen reaches of Michigan’s Upper Peninsula, fierce winter storms hit without warning. The white opacity of one such blizzard allows Norman Haas to walk away from his prison work detail. Dangerously close to freezing to death, Norman is given shelter by Liesl Tiomenen, a middle-aged woman who lives in a house she and her late husband built in the woods. Armed with a rifle, she tries to turn him in, but when they set out on snowshoes, she suffers a fall, allowing him to flee again. Thus begins Norman’s journey back to his past, back to the woman he loved who betrayed him, back to the brother who helped put him away, back to a dangerous web of family allegiances, deceptions, and intrigue.
 
After finding Liesl injured and abandoned in the woods, Yellow Dog Township’s sole full-time law enforcement officer Del Maki pursues Norman through a storm of mythic proportions.
 
 
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The Ghost of Monsieur Scarron
Janet Lewis
Ohio University Press, 2013

This historical novel is the third and final book in American poet and fiction writer Janet Lewis’s Cases of Circumstantial Evidence series, based on legal case studies compiled in the nineteenth century. In The Ghost of Monsieur Scarron, Lewis returns to her beloved France, the setting of The Wife of Martin Guerre, her best-known novel and the first in the series. As Swallow Press executive editor Kevin Haworth relates in a new introduction, Monsieur Scarron shifts the reader into the center of Paris in 1694, during the turbulent reign of the Sun King, Louis XIV. The junction of this time and place gives Monsieur Scarron an intriguing political element not apparent in either The Wife of Martin Guerre or The Trial of Sören Qvist.

The Ghost of Monsieur Scarron begins in a small bookbinder’s shop on a modest Paris street, but inexorably expands to encompass a tumultuous affair, growing social unrest, and the conflicts between a legal system based on oppressive order and a society about to undergo harsh changes. With its domestic drama set against a larger political and historical backdrop, Monsieur Scarron is considered by some critics and readers to be the most intricately layered and fully realized book of Lewis’s long career. Originally published in 1959, Monsieur Scarron has remained in print almost continuously ever since.

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Mildred Pierce
Edited by Albert J. La Valley; Tino T. Balio, Series Editor
University of Wisconsin Press, 1980

Joan Crawford forged a new and successful screen image in this powerful women's noir film; winning her an Academy Award for best actress.

Albert J. LaValley's through and insightful guide to Mildred Pierce at once tells us much about the making of this complex film, the problems and process of transferring the story to the screen, the specific and important roles of the producer, director, and set designer, and how the film relates to broad trends within the industry. It is without a doubt the most thorough treatment of this important American motion picture.

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The Scarlet Letter
Nathaniel Hawthorne
Harvard University Press, 2009

Hawthorne’s greatest romance, The Scarlet Letter, is often simplistically seen as a timeless tale of desire, sin, and redemption. In his introduction, Michael J. Colacurcio argues that The Scarlet Letter is a serious historical novel. If Hawthorne’s fiction rigorously and faithfully subjects Hester and Dimmesdale to the limits of seventeenth-century possibility, it nonetheless looks forward to the better, brighter world of Margaret Fuller and Fanny Fern, of Charles Fourier and John Humphrey Noyes.

The John Harvard Library edition reproduces the authoritative text of The Scarlet Letter in the Centenary Edition of the Works of Nathaniel Hawthorne.

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Vengeance Is Mine
The Scandalous Love Triangle That Triggered the Boyce-Sneed Feud
Bill Neal
University of North Texas Press, 2011


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