O’Connor’s endeavor to write engaging narratives,at the same time open up to the divine in the everyday world
 
“The ‘narrative secret’ of Johansen’s title refers to the strategies that she sees O’Connor using in her effort to communicate a spiritual message to a doubting audience. O’Connor knew from the beginning of her career that writing about the thing that mattered most to her—a person’s relationship in faith with Jesus—and being taken seriously as a writer meant [choosing] a dramatic and difficult way to get her vision across: to write stories that work first and foremost as engaging narratives and at the same time open up to the divine in the everyday world.
 

Tezcatlipoca: Trickster and Supreme Deity brings archaeological evidence into the body of scholarship on “the lord of the smoking mirror,” one of the most important Aztec deities. While iconographic and textual resources from sixteenth-century chroniclers and codices have contributed greatly to the understanding of Aztec religious beliefs and practices, contributors to this volume demonstrate the diverse ways material evidence expands on these traditional sources.

The interlocking complexities of Tezcatlipoca’s nature, multiple roles, and metaphorical attributes illustrate the extent to which his influence penetrated Aztec belief and social action across all levels of late Postclassic central Mexican culture. Tezcatlipoca examines the results of archaeological investigations—objects like obsidian mirrors, gold, bells, public stone monuments, and even a mosaic skull—and reveals new insights into the supreme deity of the Aztec pantheon and his role in Aztec culture.

Trickster opens with a crank call to the reader: “How was I to know / You were thin, your garden / Was covered in smoke / That you sat in your house / Coughing?” Over the course of these beautiful and eerily accomplished poems, Potts's reader is taken on a journey that is at once time-scarred and resolutely contemporary, earthy and haunted, moving from estrangement to reconciliation. Amidst a deepening sense of crisis, the Trickster of Potts’s imagination emerges as aggressor, prankster, victim, and healer, forging resilient music from the afflictions of the mind's “infested nest.”

Trickster veers quickly from meditation and narrative to song, plunging the reader into a liminal world of dreams, archaic lyrics, and fables, populated with figures ranging from the Hawk and Worm, the Cat and Dove, to Cold and Death. It is a wilderness in which all things are alive: “a blade of grass / equal to the suffering / of a lifetime.” Yet it is also a place of menace, “where a fly with one wing, keeps / tipping over in the grass, where / the ants will have him.” Whether or not the Trickster reaches utopia, he reckons with the world that is achievable on earth and in words, “those dreams of woods / relayed to you.”

The trickster and the hero, found in so many of the world’s oral traditions, are seemingly opposed but often united in one character. Trickster and Hero provides a comparative look at a rich array of world oral traditions, folktales, mythologies, and literatures—from The Odyssey, The Epic of Gilgamesh, and Beowulf to Native American and African tales. Award-winning folklorist Harold Scheub explores the “Trickster moment,” the moment in the story when the tale, the teller, and the listener are transformed: we are both man and woman, god and human, hero and villain.
    Scheub delves into the importance of trickster mythologies and the shifting relationships between tricksters and heroes. He examines protagonists that figure centrally in a wide range of oral narrative traditions, showing that the true hero is always to some extent a trickster as well. The trickster and hero, Scheub contends, are at the core of storytelling, and all the possibilities of life are there: we are taken apart and rebuilt, dismembered and reborn, defeated and renewed.