J. Lesley Fitton traces this exciting tale of scholarly discovery and weaves it into an engaging, in-depth portrait of Greek Bronze Age civilizations, from their dawning on the Cycladic Isles in the third millennium B.C. to their later flowering in Minoan Crete and then in the Mycenaean centers and finally to their mysterious disappearance in the twelfth century B.C. The result is an elegant assimilation of vast historical detail and a well-illustrated tour of the art and artifacts, the grand palaces and tombs, the mythical heroes and Trojan treasures that form at least one cradle of our own civilization.

Fitton begins with the early finds of travelers, advances in geology, and research into Homer's identity. She vividly recreates the heroic age of the first archaeological excavations, particularly Heinrich Schliemann's fascinating work at Troy and Mycenae, and Arthur Evans's pioneering excavation and restoration of the Palace of Minos on Crete. The persistent search for signs of writing among Bronze Age Greeks culminates in Fitton's description of the 1952 deciphering of the earliest script used to write Greek. And as her account extends into the present, it encompasses the important contributions of the archaeologists Alan Wace and Carl Blegen, the War's impact on research, and a concise summation of current scholarly trends.

Examines the political and literary uses of the Trojan legend in the medieval period. England in the late fourteenth century witnessed a large-scale social revolt, a lingering and seemingly hopeless war with France, and fierce factional conflicts in royal politics and London civic government--struggles in which all parties sought to justify their actions by claiming historical precedent. How the Trojan legend figured in these claims--and in competing assertions of authorial legitimacy, nationhood, and rule in the later Middle Ages--is the complex nexus of history, myth, literature, and identity that Sylvia Federico explores in this ambitious book. During the late medieval period, many European political and social groups took great pains to associate themselves with the ancient city; the claim on Troy, Federico asserts, was crucial to nationhood and was always a political act. Her book examines the poetry and prose of several late medieval authors, focusing particularly on how Chaucer's use of the Trojan legend helped to set the terms by which the Ricardian and Lancastrian periods were distinguished, and further helped to establish English literary history as a noble precedent in its own right. Federico's book affords remarkable insight into the workings of the medieval historical imagination. Sylvia Federico has taught at Washington State University and the University of Leeds. She currently lives in Maine.

Lillian Groag presents a new version of Troilus and Cressida that will resonate with contemporary audiences.

One of the most obscure plays in Shakespeare’s canon, Troilus and Cressida may also be the Bard’s darkest comedy. Exploring some of the events of Homer’s Iliad, the play juxtaposes the carnage of the Trojan War with a love story between its two titular characters. Lillian Groag’s translation brings this ancient world to modern audiences. Replacing the archaisms with new and accessible phrasing, Shakespeare’s lines regain their meaning and humor in the twenty-first century. This translation illuminates Troilus and Cressida as one of Shakespeare’s funniest, saddest, and most bitterly modern plays.

This translation of Troilus and Cressida was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.