Choosing whom to marry involves more than emotion, as racial politics, cultural mores, and local demographics all shape romantic choices. In Marriage Vows and Racial Choices, sociologist Jessica Vasquez-Tokos explores the decisions of Latinos who marry either within or outside of their racial and ethnic groups. Drawing from in-depth interviews with nearly 50 couples, she examines their marital choices and how these unions influence their identities as Americans.
 
Vasquez-Tokos finds that their experiences in childhood, adolescence, and young adulthood shape their perceptions of race, which in turn influence their romantic expectations. Most Latinos marry other Latinos, but those who intermarry tend to marry whites. She finds that some Latina women who had domineering fathers assumed that most Latino men shared this trait and gravitated toward white men who differed from their fathers. Other Latina respondents who married white men fused ideas of race and class and perceived whites as higher status and considered themselves to be “marrying up.” Latinos who married non-Latino minorities—African Americans, Asian Americans, and Native Americans—often sought out non-white partners because they shared similar experiences of racial marginalization. Latinos who married Latinos of a different national origin expressed a desire for shared cultural commonalities with their partners, but—like those who married whites—often associated their own national-origin groups with oppressive gender roles.
 
Vasquez-Tokos also investigates how racial and cultural identities are maintained or altered for the respondents’ children. Within Latino-white marriages, biculturalism—in contrast with Latinos adopting a white “American” identity—is likely to emerge. For instance, white women who married Latino men often embraced aspects of Latino culture and passed it along to their children. Yet, for these children, upholding Latino cultural ties depended on their proximity to other Latinos, particularly extended family members. Both location and family relationships shape how parents and children from interracial families understand themselves culturally.
 
As interracial marriages become more common, Marriage Vows and Racial Choices shows how race, gender, and class influence our marital choices and personal lives.
 
 

An essential guide to understanding politics, power, and governance in modern Alabama.

Why does Alabama rank so low on many of the indicators of quality of life? Why did some of the most dramatic developments in the civil rights revolution of the 1960s take place in Alabama? Why is it that a few interest groups seem to have the most political power in Alabama? William H. Stewart’s Alabama Politics in the Twenty-First Century explores these questions and more, illuminating many of the often misunderstood details of contemporary Alabama politics in this cohesive and comprehensive publication.

The Alabama state government, especially as a specimen of Deep South politics, is a topic of frequent discussion by its general public—second only to college football. However, there remains a surprising lack of literature focusing on the workings of the state’s bureaucracy in an extensive and systematic way. Bearing in mind the Yellowhammer State’s long and rich political history, Stewart concentrates on Alabama’s statecraft from the first decade of the twenty-first century through the November 2010 elections and considers what the widespread Republican victories mean for their constituents. He also studies several different themes prominent during the 2010 elections, including the growing number and influence of special interest groups, the respective polarization of whites and blacks into the Republican and Democratic parties, and the increasingly unwieldy state constitution.

This fascinating and revealing text provides a wealth of information about an extremely complex state government. Featuring detailed descriptions of important concepts and events presented in a thorough and intelligible manner, Alabama Politics in the Twenty-First Century is perfect for scholars, students, everyday Alabamians, or anyone who wants the inside scoop on the subtle inner workings of the Cotton State’s politics.

Appalachian Englishes in the Twenty-First Century provides a complete exploration of English in Appalachia for a broad audience of scholars and educators. Starting from the premise that just as there is no single Appalachia, there is no single Appalachian dialect, this essay collection brings together wide-ranging perspectives on language variation in the region. Contributors from the fields of linguistics, education, and folklore debunk myths about the dialect’s ancient origins, examine subregional and ethnic differences, and consider the relationships between language and identity—individual and collective—in a variety of settings, including schools. They are attentive to the full range of linguistic expression, from everyday spoken grammar to subversive Dale Earnhardt memes.

A portal to the language scholarship of the last thirty years, Appalachian Englishes in the Twenty-First Century translates state-of-the-art research for a nonspecialist audience, while setting the agenda for further study of language in one of America’s most recognized regions.

Archaeological Structuration is a critical analysis of the theory of structuration and its utility in the study of societal development over deep time. Structuration theory was originally developed by Anthony Giddens in sociology and adopted piecemeal into archaeology. This book takes a closer look at its contributions to new materialism and develops novel ways to operationalize the theory in archaeological research in the twenty-first century.

To illustrate the usefulness of structuration theory, archaeologist Michael T. Searcy deploys it to uncover new understandings of ancient societies, particularly focusing on the Casas Grandes civilization in precolonial northern Mexico. Spanning more than seven hundred years, this society exemplifies the rise of social complexity in the Western Hemisphere. Searcy reexamines previous hypotheses about major structural shifts during the twelfth and thirteenth centuries CE, providing fresh insights and updated perspectives.

This book not only revisits the foundational influence of structuration theory but also introduces new methodologies to study the longue durée, the long-term historical trajectories of ancient societies. Searcy deftly bridges the gap between theoretical frameworks and practical archaeological applications, providing a thorough analysis of how structuration can address real-world problems through the lens of ancient societal transformations. 

The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.

Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson

An examination of how community choirs in Northern Ireland are attempting to transcend sectarian boundaries.

Building Community Choirs explores the under-researched practice of community choral singing in Northern Ireland. Sarah-Jane Gibson conducted ethnographic research with five choirs in various locations over the course of five years and illustrates how choirs reimagine identity through the ways they organize, rehearse, and perform. By actively rethinking conceptions of identities within their groups, Gibson’s study shows how gender, age, religious faith, and ethnic diversity can both influence structures of community in the region and be influenced by them.
 

In Permeable Hospitals, medical sociologist Susan E. Bell makes an original contribution to understanding a complex and urgent global health issue – caring for an increasingly diverse and mobile patient population. Bell identifies the twenty-first-century hospital as the center of a complex network of social and health care interactions among patients and medical communities that are distinguished by transnational movement. She examines how culture and language are negotiated during face-to-face interactions in outpatient visits at one Maine hospital and shows how caring is done for refugee and immigrant patients. To capture this process, Bell advances a new theoretical framework, that twenty-first-century hospitals are nodes in transnational social networks. During appointments, temporary combinations of people, objects, practices, and ideas assemble at the hospital and disperse at the appointment’s end. Because the interactions take place in a teaching hospital, the thinking that underlies diagnosis and treatment is made explicit and evaluated in backstage teaching areas where residents report about their patients to senior physicians. Bell's landmark book is based on a qualitative study that included nine months at the hospital observing interactions among adult New Mainer patients and clinicians, interpreters, and staff.

The reality of Central American migrations is broad, diverse, multidirectional, and uncertain. It also offers hope, resistance, affection, solidarity, and a sense of community for a region that has one of the highest rates of human displacement in the world.

Central American Migrations in the Twenty-First Century tackles head-on the way Central America has been portrayed as a region profoundly marked by the migration of its people. Through an intersectional approach, this volume demonstrates how the migration experience is complex and affected by gender, age, language, ethnicity, social class, migratory status, and other variables. Contributors carefully examine a broad range of topics, including forced migration, deportation and outsourcing, intraregional displacements, the role of social media, and the representations of human mobility in performance, film, and literature. The volume establishes a productive dialogue between humanities and social sciences scholars, and it paves the way for fruitful future discussions on the region’s complex migratory processes.

Contributors
Guillermo Acuña
Andrew Bentley
Fiore Bran-Aragón
Tiffanie Clark
Mauricio Espinoza
Hilary Goodfriend
Leda Carolina Lozier
Judith Martínez
Alicia V. Nuñez
Miroslava Arely Rosales Vásquez
Manuel Sánchez Cabrera
Ignacio Sarmiento
Gracia Silva
Carolina Simbaña González
María Victoria Véliz

Winner, 2021 Cultural Studies Association First Book Prize

In Diagnosing Desire: Biopolitics and Femininity into the Twenty-First Century, Alyson K. Spurgas examines the “new science of female sexuality” from a critical, sociological perspective, considering how today’s feminist-identified sex researchers study and manage women with low desire. Diagnosing Desire investigates experimental sex research that measures the disconnect between subjective and genital female arousal, contemporary psychiatric diagnoses for low female desire, new models for understanding women’s sexual response, and cutting-edge treatments for low desire in women—including from the realms of mindfulness and alternative healing.
 
Spurgas makes the case that, together, all of these technologies create a “feminized responsive desire framework” for understanding women’s sexuality, and that this, in fact, produces women’s sexuality as a complex problem to be solved. The biggest problem, Spurgas argues, is that gendered and sexualized trauma—including as it is produced within technoscientific medicine itself—is too often ignored in contemporary renderings. Through incisive textual analysis and in-depth qualitative research based on interviews with women with low desire, Spurgas argues for a more radical and communal form of care for feminized—and traumatized—populations, in opposition to biopolitical mandates to individualize and neoliberalize forms of self-care. Ultimately, this is a book not just about a specific diagnosis or dysfunction but about the material-discursive regimes that produce and regulate femininity.

 

What is an “American” identity? The tension between populism and pluralism, between homogeneity and heterogeneity, has marked the United States since its inception. In The Divided States, leading scholars and critics argue that the US is, and has always been, a site where multiple national identities intersect in productive and challenging ways. Scrutinizing conflicting nationalisms and national identities, the authors ask, Whose stories get told and whose do not? Who or what promotes the idea of a unified national identity in the United States? How is the notion of a unified national identity disrupted? What myths and stories bind the US together? How representative are these stories? What are the counternarratives? And, if the idea of national homogeneity is a fallacy, what does tie us together as a nation?

Working across auto/biography studies, American studies, and human geography—all of which deal with the current interest in competing narratives, “alternative facts,” and accountability—the essays engage in and contribute to critical conversations in classrooms, scholarship, and the public sphere. The authors draw from a variety of fields, including anthropology; class analysis; critical race theory; diasporic, refugee, and immigration studies; disability studies; gender studies; graphic and comix studies; Indigenous studies; linguistics; literary studies; sociology; and visual culture. And the genres under scrutiny include diary, epistolary communication, digital narratives, graphic narratives, literary narratives, medical narratives, memoir, oral history, and testimony.

This fresh and theoretically engaged volume will be relevant to anyone interested in the multiplicity of voices that make up the US national narrative.

Illegal migrants who evade detection, creators of value in insecure and precarious working conditions and those who refuse the constraints of sexual and biomedical classifications: these are the people who manage to subvert power and to craft unexpected sociabilities and experiences. Escape Routes shows how people can escape control and create social change by becoming imperceptible to the political system of Global North Atlantic societies.

This thought-provoking collection explores significant new facets of an American author of lasting international stature.

“Edited by three eminent Fitzgerald scholars, this fine book comprises nineteen incisive and provocative essays (most written for this collection) by . . . well-known Fitzgerald critics. The content is as varied as the international origins of its authors.” —Choice

As the author of some of the most compelling short stories ever written, two of the central novels in American literature, and some of the most beautiful prose ever penned, F. Scott Fitzgerald is read and studied all over the world. Sixty-two years after his death, his works—protean, provocative, multilayered, and rich—continue to elicit spirited responses. This collection grew out of the F. Scott Fitzgerald Conference that convened in Princeton at the centennial of this author's birth. Bringing together dozens of the world's leading scholars and commentators, the conference and the book celebrate the ever-growing legacy of Fitzgerald's art.

The subjects of these 19 essays reflect the contributors' wish to shine new light on less-frequently discussed aspects of Fitzgerald's work. Topics include Fitzgerald's Princeton influences and his expression of Catholic romanticism; his treatments of youth culture, the devil, and waste; parallels in the work of Mencken, Cather, and Murakami; and the ways gender, pastoral mode, humor, and the Civil War are variously presented in his work. One illustrated summary examines Fitzgerald's effect on popular culture through his appearance in the comics. Two broad overviews—one on Fitzgerald's career and another on the final developments in the author's style—round out the collection.

The international scope of the contributors to this volume reflects Fitzgerald's worldwide reputation and appeal. With extensive treatments of This Side of Paradise, The Beautiful and Damned, The Last Tycoon, and the Pat Hobby stories, this collection makes an unusual and significant contribution to the field of Fitzgerald studies.

 

Ghosts and the Overplus is a celebration of lyric poetry in the twenty-first century and how lyric poetry incorporates the voices of our age as well as the poetic “ghosts” from the past. Acclaimed poet and award-winning teacher Christina Pugh is fascinated by how poems continually look backward into literary history. Her essays find new resonance in poets ranging from Emily Dickinson to Gwendolyn Brooks to the poetry of the present. Some of these essays also consider the way that poetry interacts with the visual arts, dance, and the decision to live life as a nonconformist. This wide-ranging collection showcases the critical discussions around poetry that took place in America over the first two decades of our current millennium. Essay topics include poetic forms continually in migration, such as the sonnet; poetic borrowings across visual art and dance; and the idiosyncrasies of poets who lived their lives against the grain of literary celebrity and trend. What unites all of these essays is a drive to dig more deeply into the poetic word and act: to go beyond surface reading in order to reside longer with poems. In essays both discursive and personal, Pugh shows that poetry asks us to think differently—in a way that gathers feeling into the realm of thought, thereby opening the mysteries that reside in us and in the world around us.

For centuries, the writ of habeas corpus has served as an important safeguard against miscarriages of justice, and today it remains at the center of some of the most contentious issues of our time—among them terrorism, immigration, crime, and the death penalty. Yet, in recent decades, habeas has been seriously abused. In this book, Nancy J. King and Joseph L. Hoffmann argue that habeas should be exercised with greater prudence.

Through historical, empirical, and legal analysis, as well as illustrative case studies, the authors examine the current use of the writ in the United States and offer sound reform proposals to help ensure its ongoing vitality in today’s justice system. Comprehensive and thoroughly grounded in a modern understanding of habeas corpus, this informative book will be an insightful read for legal scholars and anyone interested in the importance of habeas corpus for American government.

In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture—the Korean wave of pop music, cinema, and television, which is also known as hallyu—from a transnational and transcultural perspective. Using the concept of mimicry to think through hallyu's adaptation of American sensibilities and genres, he shows how the commercialization of Korean popular culture has upended the familiar dynamic of major-to-minor cultural influence, enabling hallyu to become a dominant global cultural phenomenon. At the same time, its worldwide popularity has rendered its Koreanness opaque. Kim argues that Korean cultural subjectivity over the past two decades is one steeped in ethnic rather than national identity. Explaining how South Korea leaped over the linguistic and cultural walls surrounding a supposedly “minor” culture to achieve global ascendance, Kim positions K-pop, Korean cinema and television serials, and even electronics as transformative acts of reappropriation that have created a hegemonic global ethnic identity.

In Her Place charts a network of artists working at a high caliber with deceptively specific criteria—they are all women, and they all work in Nashville, Tennessee. The plurality of styles, subjects, and media they choose to work in is so diverse that grouping them together proves that, if anything, there are as many differences among these artists as there are similarities.

But isn’t that what it is to be Southern? Hasn’t life in the American South been a quagmire of contradictions from the very start?

The South has always been defined as much by what it isn’t as what it is, in much the same way that women have been defined by how they are not like men. The standard for an American artist—and perhaps for a person in general—seems to be a white, straight, cisgender man of vaguely Northern residence. Anything that deviates from that criteria needs to be justified, pointed out, turned into something exceptional in order to simply be visible. It is refreshing, then, that this exhibition does not wallow in the stagnant waters of Southern stereotypes. The artists of In Her Place are legion. They include a Tehran-born sculptor making vessels out of Tennessee red clay, an artist from Arkansas working with cardboard and references to unsettling histories, and a Nashville-born painter whose images of civil rights–era sit-ins read just as poignantly in 2026 as they would have in 1960.

If anything ties these artists together, it is not their gender or their location. It is their shared ingenuity and the comfort with which they subvert.

More than ten years after the worst crisis since the Great Depression, the financial sector is thriving. But something is deeply wrong. Taxpayers bore the burden of bailing out “too big to fail” banks, but got nothing in return. Inequality has soared, and a populist backlash against elites has shaken the foundations of our political order. Meanwhile, financial capitalism seems more entrenched than ever. What is the left to do?

Justice Is an Option uses those problems—and the framework of finance that created them—to reimagine historical justice. Robert Meister returns to the spirit of Marx to diagnose our current age of finance. Instead of closing our eyes to the political and economic realities of our era, we need to grapple with them head-on. Meister does just that, asking whether the very tools of finance that have created our vastly unequal world could instead be made to serve justice and equality. Meister here formulates nothing less than a democratic financial theory for the twenty-first century—one that is equally conversant in political philosophy, Marxism, and contemporary politics. Justice Is an Option is a radical, invigorating first page of a new—and sorely needed—leftist playbook.

2025 Katherine Singer Kovacs Prize, Modern Language Association
2025 Comics Studies Society Charles Hatfield Book Prize, Honorable Mention

How twenty-first-century Latin American comics transgress social, political, and cultural frontiers.

Given comics’ ability to cross borders, Latin American creators have used the form to transgress the political, social, spatial, and cultural borders that shape the region. A groundbreaking and comprehensive study of twenty-first-century Latin American comics, Latin American Comics in the Twenty-First Century documents how these works move beyond national boundaries and explores new aspects of the form, its subjects, and its creators.

Latin American comics production is arguably more interconnected and more networked across national borders than ever before. Analyzing works from Argentina, Chile, Colombia, Mexico, Peru, and Uruguay, James Scorer organizes his study around forms of “transgression,” such as transnationalism, border crossings, transfeminisms, punk bodies, and encounters in the neoliberal city. Scorer examines the feminist comics collective Chicks on Comics; the DIY comics zine world; nonfiction and journalistic comics; contagion and zombie narratives; and more. Drawing from archives across the United States, Europe, and Latin America, Latin American Comics in the Twenty-First Century posits that these comics produce micronarratives of everyday life that speak to sites of social struggle shared across nation states.

Latinx TV in the Twenty-First Century offers an expansive and critical look at contemporary television by and about U.S. Latinx communities. This volume is comprehensive in its coverage while diving into detailed and specific examples as it navigates the complex and ever-changing world of Latinx representation and creation in television.

In this volume, editor Frederick Luis Aldama brings together leading experts who show how Latinx TV is shaped by historical, social, cultural, regional, and global contexts. Contributors address head on harmful stereotypes in Latinx representation while giving key insights to a positive path forward. TV narratives by and about Latinx people exist across all genres. In this century, we see Latinx people in sitcoms, sci-fi, noir, soap operas, rom-coms, food shows, dramas, action-adventure, and more. Latinx people appear in television across all formats, from quick webisodes, to serialized big-arc narratives, to animation and everything in between. The diverse array of contributors to this volume delve into this rich landscape of Latinx TV from 2000 to today, spanning the ever-widening range of genres and platforms.

Latinx TV in the Twenty-First Century argues that Latinx TV is not just television—it’s an entire movement. Digital spaces and streaming platforms today have allowed for Latinx representation on TV that speaks to Latinx people and non-Latinx people alike, bringing rich and varied Latinx cultures into mainstream television and addressing urbanization, immigration, family life, language, politics, gender, sexuality, class, race, and ethnicity.

Once heavily underrepresented and harmfully stereotypical, Latinx representation on TV is beginning to give careful nuance to regional, communal, and familial experiences among U.S. Latinx people. This volume unpacks the negative implications of older representation and celebrates the progress of new representation, recognizing that television has come a long way, but there is still a lot of important work to do for truly diverse and inclusive representation.
 

The Holocaust in the Twenty-First Century: Relevance and Challenges in the Digital Age challenges a number of key themes in Holocaust studies with new research. Essays in the section “Tropes Reconsidered” reevaluate foundational concepts such as Primo Levi’s gray zone and idea of the muselmann. The chapters in “Survival Strategies and Obstructions” use digital methodologies to examine mobility and space and their relationship to hiding, resistance, and emigration. Contributors to the final section, “Digital Methods, Digital Memory,” offer critical reflections on the utility of digital methods in scholarly, pedagogic, and public engagement with the Holocaust.

Although the chapters differ markedly in their embrace or eschewal of digital methods, they share several themes: a preoccupation with the experiences of persecution, escape, and resistance at different scales (individual, group, and systemic); methodological innovation through the adoption and tracking of micro- and mezzohistories of movement and displacement; varied approaches to the practice of Saul Friedländer’s “integrated history”; the mainstreaming of oral history; and the robust application of micro- and macrolevel approaches to the geographies of the Holocaust. Taken together, these chapters incorporate gender analysis, spatial thinking, and victim agency into Holocaust studies. In so doing, they move beyond existing notions of perpetrators, victims, and bystanders to portray the Holocaust as a complex and multilayered event.

Finalist, 2021 Locus Award

In Literary Afrofuturism in the Twenty-First Century, eminent contributors pay tribute to Afrofuturism as a powerful and evolving aesthetic practice that communicates the experience of science, technology, and race across centuries, continents, and cultures. While Ryan Coogler and Janelle Monáe may have helped bring the genre into contemporary pop consciousness, it in fact extends back to the writing of eighteenth-century poet Phyllis Wheatley and has continued in the work of Samuel R. Delany, Octavia E. Butler, N. K. Jemisin, and many others. In examining this heritage, contributors in this volume question generic boundaries, recover lost artists and introduce new ones, and explore how the meteoric rise of a new, pan-African speculative literary tradition may or may not connect with Afrofuturism.
 
Additionally, the editors have marshaled some of today’s most exciting writers for a roundtable discussion of the genre: Bill Campbell, Minister Faust, Nalo Hopkinson, N. K. Jemisin, Chinelo Onwualu, Nisi Shawl, and Nick Wood. Pioneering author and editor Sheree R. Thomas limns how black women have led new developments in contemporary Afrofuturism, and artist Stacey Robinson’s illustrations orient readers to the spirited themes of this enduring and consequential literary tradition.

 

Encompassing hegemonic, nonhegemonic, and pidgin languages, this compilation explores the state of literary translation studies in Latin America. 

Literary Translation in Latin America in the Twenty-First Century provides an in-depth exploration of the current landscape of literary translation studies and translation practices across Latin America. The unparalleled linguistic diversity of Latin America, with nearly five hundred languages spoken, makes translation a vital aspect of daily life. This volume aims to contribute to the analysis from a Latin American perspective, presenting a fresh reading of translation theories that originate in Latin America, as well as theoretical reflections and practical examples of literary translation by poets and artists situated in the continent. 

Mapping Medical Anthropology for the Twenty-First Century provides readers with a comprehensive survey of topics, methodologies, and theories in the discipline, drawing on contributions from leading anthropologists around the world. As a discipline, medical anthropology provides situational analysis of health, disease, and disability to show how the experiences of medical experts, patients, and their broader communities are informed by their social and cultural contexts. Adopting a keywords-driven approach, Mapping Medical Anthropology for the Twenty-First Century provides readers with an introduction to the concepts and approaches that have animated medical anthropology over the course of the twentieth century. Authors put these keywords into dialogue with their ethnographic and archival research to demonstrate how these concepts can be expanded to address contemporary phenomena related to health, disease, and disability. Mapping Medical Anthropology for the Twenty-First Century provides newcomers to medical anthropology with a robust introduction to the discipline, while providing experienced readers a set of chapters that explore the discipline in novel and exciting ways. 
 

Measuring innovation is a challenging task, both for researchers and for national statisticians, and it is increasingly important in light of the ongoing digital revolution. National accounts and many other economic statistics were designed before the emergence of the digital economy and the growth in importance of intangible capital. They do not yet fully capture the wide range of innovative activity that is observed in modern economies. This volume examines how to measure innovation, track its effects on economic activity and on prices, and understand how it has changed the structure of production processes, labor markets, and organizational form and operation in business. The contributors explore new approaches to and data sources for measurement, such as collecting data for a particular innovation as opposed to a firm and using trademarks for tracking innovation. They also consider the connections between university-based R&D and business start-ups and the potential impacts of innovation on income distribution. The research suggests strategies for expanding current measurement frameworks to better capture innovative activity, including developing more detailed tracking of global value chains to identify innovation across time and space and expanding the measurement of innovation’s impacts on GDP in fields such as consumer content delivery and cloud computing. 

An analysis of how post-9/11 war movies changed from following soldiers on specific missions to chronicling war as a day-to-day occupation.

In 2003, the United States began a war in Iraq without a mission. Instead of fighting to restore peace—the traditional objective of warfare—servicemembers faced the grim reality that there was no goal. Lacking even certainty as to who was the enemy, soldiers discovered that their task was simply to survive.

Mission Unaccomplished explores how Hollywood grasped the experience of Iraq from the perspective of US soldiers, reinventing the war film in the process. Historically, films such as Saving Private Ryan valorized the goals of war by chronicling missions that unambiguously contribute to the defeat of the enemy and the restoration of peace. But in The Hurt Locker, American Sniper, Green Zone, and other recent dramas, soldiers just try to outlast the chaos. Dramatizing the aimlessness of the war, events occur in random order, and soldiers have no sense of how their actions contribute to victory or peace. Looking to recent WWII movies such as Dunkirk and Hacksaw Ridge, which use this same cinematic vocabulary to position soldiering as merely a deadly job to be endured, Alan Nadel argues that the disillusionment of Iraq has influenced cinema broadly, inspiring a newly critical war film genre.

Migration, borders, cybersecurity, natural disasters, and terrorism: Homeland security is constantly in the news. Despite ongoing attention, these problems seem to be getting bigger even as the political discussion grows more overheated and misleading. Ben Rohrbaugh, a former border security director at the White House’s National Security Council, cuts through the noise to provide an accessible and novel framework to understand both homeland security and the thinking around how to keep civilians safe.

Throughout the twentieth century, the United States did not experience national security domestically; it defended its borders by conducting military, foreign policy, and intelligence operations internationally, and then separated these activities from domestic law enforcement with bright legal lines. In the twenty-first century, U.S. national security no longer occurs exclusively outside of the nation. The U.S. government is beginning to respond to this change, and the establishment of the Department of Homeland Security is merely the first step in an organizational and strategic realignment that will be a long, difficult, and mistake-filled process. More or Less Afraid of Nearly Everything is an accessible and engaging guide to homeland security, particularly migration and border security, that makes innovative arguments about the American government and keeping citizens safe, and provides practical solutions to real-world problems.
 

Justin Bieber launched his music career on YouTube in 2007, Lil Nas X’s “Old Town Road” exploded on TikTok in 2019, and Oliver Anthony’s “Rich Men North of Richmond” soared to the top of the Billboard charts just two weeks after its YouTube debut in 2023. These viral successes inspire countless artists to upload music online, fueled by the promise that technology can democratize opportunity, but does this promise hold true? 
The Myth of Opportunity: Music, Labor, and Platforms in the Twenty-First Century critically examines the myth of technology as a great equalizer in the music industry. While platforms like Spotify claim to empower artists, the reality is that rewards remain highly unequal. Through macroeconomic analysis and time series methodology, this book investigates how streaming services have reshaped opportunity from a labor perspective across professions, industries, and regions, offering a comprehensive, empirical view on the true impact of digital platforms on cultural production with a focus on music.

New Global Cities in Latin America and Asia: Welcome to the Twenty-First Century proposes new visions of global cities and regions historically considered “secondary” in the international context. The arguments are not only based on material progress made by these metropolises, but also on the growing social difficulties experienced  (e.g., organized crime, drug trafficking, slums, economic inequalities). The book illustrates the growth of cities according to these problems arising from the modernity of the new century, comparing Latin American and Asian cities.

This book analyzes the complex relationships within cities through an interdisciplinary approach, complementing other research and challenging orthodox views on global cities. At the same time, the book provides new theoretical and methodological tools to understand the progress of “Third World” cities and the way of understanding “globality” in the 21st century by confronting the traditional views with which global cities were appreciated since the 1980s. Pablo Baisotti brings together researchers from various fields who provide new interpretative keys to certain cities in Latin America and Asia.

A wide-ranging account of the twenty-first century’s fascination with the weird.
 
Twenty-first-century fiction and theory have taken a decidedly weird turn. They both show a marked interest in the nonhuman and in the preternatural moods that the nonhuman often evokes. Writers of fiction and criticism are avidly experimenting with strange, even alien perspectives and protagonists. Kate Marshall’s Novels by Aliens explores this development broadly while focusing on problems of genre fiction. She identifies three key generic hybrids that harness a longing for the nonhuman: the old weird, an alternative tradition within naturalism and modernism for the twenty-first century’s cowboys and aliens; cosmic realism, the reach for words legible only from space in otherwise terrestrial narratives; and pseudoscience fiction, which imagines speculative futures beyond human life on earth. Offering sharp and surprising insights about a breathtaking range of authors, from Edgar Rice Burroughs to Kazuo Ishiguro, Willa Cather to Maggie Nelson, Novels by Aliens tells the story of how genre became mood in the twenty-first century.

Inspiring writers through creativity, experimentation, and unexpected discovery.

Once Upon a Time in the Twenty-First Century: Unexpected Exercises in Creative Writing is a unique creative writing text that will appeal to a wide range of readers and writers—from grade nine through college and beyond. Successful creative writers from numerous genres constructed these exercises, including poetry, fiction, and creative nonfiction to one-act plays, song lyrics, genre fiction, travel guides, comics and beyond. The exercises use a broad range of creative approaches, aesthetics, and voices, all with an emphasis on demystifying the writing process and having fun.

Editor Robin Behn has divided the book into three writing sections: Genres and Forms, Sources and Methods, and Style and Subject. In each section, Behn offers a brief introduction which explains how to get started and specific ways to develop one’s writing. Each introduction is followed by extensive exercises that draw on literature from classic to contemporary, as well as other art forms and popular culture. Examples range from Flannery O’Connor and Langston Hughes to Allen Ginsberg and Gertrude Stein, from Jamaica Kincaid and James Joyce to Arlo Guthrie and Harryette Mullen. Integrated within the exercises are apt examples of student writings that have emerged from actual use of the exercises in both the classroom and in writing groups. The book concludes with general advice and direction on how to get published.

Based on years of hands-on experiences in the teaching of creative writing in high schools, colleges, and after-school writing clubs, this volume of exercises offers inestimable value to students and teachers in the traditional classroom, as well as a growing number of homeschoolers, those who are part of a writing club or group, and independent writers and learners of all ages.
 

A study of the city of Pittsburgh’s unique history and spirit.

Maybe you never wondered if any metro area nearly straddles the borders of three major regions of the country, but The Paris of Appalachia: Pittsburgh in the Twenty-First Century tells us why this city is a place apart. It’s not East Coast, Midwest, or Southern, but the rest of America can fret about how to label Pittsburgh. It’s just fine being a walkable town that plays a big city on TV. Brian O'Neill, who walked its streets for more than three decades as a newspaper columnist, fell in love with the place from the moment he arrived. And when you read what he found, odds are better than even that you will, too. This reissue of the book includes a new introduction.

These seventeen pieces on travel in Africa by leading African authors take readers to places at once homelike and foreign. Against the tropes of travel writing, this book offers the acuity of vision of particular types of travelers. These are travelers whose mother tongue may find the hint of familiarity across otherwise unintelligible languages and for whom a foreign land isn’t necessarily strange; in it they perceive vestiges of the familiar. For them, the act of traveling extends a canvas on which to depict someone else’s reality—a reality never too distant from their own. What makes these writings coalesce is a reflection about the act of being in motion, about reconfiguring place; a consciousness of how geography redirects the focus of one’s gaze and, in turn, how that altered gaze filters inward. Having absorbed the landscape, inhaled the scents, paid heed to accents, and accepted the condition of being out of place, these travelers reconstitute individual consciousness and join a collective sense of existing beyond borders. Place inhabits this renewed sense of self; literature enables its expression. An inviting introduction to travel writing on Africa, The Passport That Does Not Pass Ports is absorbing reading for travelers and students of literature alike.

How contemporary environmental struggles and resistance to pipeline development became populist struggles
 

Stunning Indigenous resistance to the Keystone XL and the Dakota Access pipelines has made global headlines in recent years. Less remarked on are the crucial populist movements that have also played a vital role in pipeline resistance. Kai Bosworth explores the influence of populism on environmentalist politics, which sought to bring together Indigenous water protectors and environmental activists along with farmers and ranchers in opposition to pipeline construction.

Here Bosworth argues that populism is shaped by the “affective infrastructures” emerging from shifts in regional economies, democratic public-review processes, and scientific controversies. With this lens, he investigates how these movements wax and wane, moving toward or away from other forms of environmental and political ideologies in the Upper Midwest. This lens also lets Bosworth place populist social movements in the critical geographical contexts of racial inequality, nationalist sentiments, ongoing settler colonialism, and global empire—crucial topics when grappling with the tensions embedded in our era’s immense environmental struggles.

Pipeline Populism reveals the complex role populism has played in shifting interpretations of environmental movements, democratic ideals, scientific expertise, and international geopolitics. Its rich data about these grassroots resistance struggles include intimate portraits of the emotional spaces where opposition is first formed. Probing the very limits of populism, Pipeline Populism presents essential work for an era defined by a wave of people-powered movements around the world.

A powerful vision for reimagining prosperity for the twenty-first century.

Prosperity in the Twenty-First Century sets out a new vision for prosperity in the twenty-first century and how it can be achieved for all. The volume challenges orthodox understandings of economic models but goes beyond contemporary debates to show how social innovation drives economic value. Drawing on substantive research in the UK, Lebanon, and Kenya, it develops new concepts, frameworks, models, and metrics for prosperity across a wide range of contexts, emphasizing commonalities and differences. Departing from general propositions about post-growth to delineate pathways to prosperity, the volume emphasizes that visions of the good life are diverse and require empirical work co-designed with local communities and stakeholders to drive change. It will be essential reading for policymakers who are stuck, local government officers who need new tools, activists who wonder what is next, academics in need of refreshment, and students and people of all ages who want a way forward.
 

Robert Scholes passed away on December 9, 2016, leaving behind an intellectual legacy focused broadly on textuality. Scholes’s work had a significant impact on a range of fields, including literary studies, composition and rhetoric, education, media studies, and the digital humanities, among others. In Reading and Writing Instruction in the Twenty-First Century contemporary scholars explore and extend the continued relevance of Scholes’s work for those in English and writing studies.
 
In this volume, Scholes’s scholarship is included alongside original essays, providing a resource for those considering everything from the place of the English major in the twenty-first century to best practices for helping students navigate misinformation and disinformation. Reading and Writing Instruction in the Twenty-First Century not only keeps Scholes’s legacy alive but carries it on through a commitment, in Scholes’s (1998) own words, to “offer our students . . . the cultural equipment they are going to need when they leave us.”
 
Contributors:
Angela Christie, Paul T. Corrigan, Lynée Lewis Gaillet, Doug Hesse, Alice S. Horning, Emily J. Isaacs, Christopher La Casse, Robert Lestón, Kelsey McNiff, Thomas P. Miller, Jessica Rivera-Mueller, Christian Smith, Kenny Smith
 

Can writings of the church fathers related to the field of social ethics be of value to contemporary discussions on the topic? In addressing this question, the authors of this book discuss the exciting challenges that scholars of both early Christianity and contemporary Catholic social thought face regarding the interaction of historical sources and present issues.

Reform Responsa for the Twenty-First Century: Sh'eilot Ut'shuvot is the latest in an ongoing series of Reform Responsa. Drawing from the breadth of traditional and modern Jewish texts, law, and ideology, this two volumes set addresses over seventy contemporary topics, including conversion of adopted children, fertility treatments, patrilineal descent, issues of synagogue management, social justice activism, interfaith marriage, and rituals of death and mourning.
 

Reform Responsa for the Twenty-First Century: Sh'eilot Ut'shuvot is part of an ongoing series of Reform Responsa. Drawing from the breadth of traditional and modern Jewish texts, law, and ideology, this two volumes set addresses over seventy contemporary topics, including conversion of adopted children, fertility treatments, patrilineal descent, issues of synagogue management, social justice activism, interfaith marriage, and rituals of death and mourning.

Expanding the scope of religious rhetoric  

Over the past twenty-five years, the intersection of rhetoric and religion has become one of the most dynamic areas of inquiry in rhetoric and writing studies. One of few volumes to include multiple traditions in one conversation, Rhetoric and Religion in the Twenty-First Century engages with religious discourses and issues that continue to shape public life in the United States.  

This collection of essays centralizes the study of religious persuasion and pluralism, considers religion’s place in U.S. society, and expands the study of rhetoric and religion in generative ways. The volume showcases a wide range of religious traditions and challenges the very concepts of rhetoric and religion. The book’s eight essays explore African American, Buddhist, Christian, Indigenous, Islamic, and Jewish rhetoric and discuss the intersection of religion with feminism, race, and queer rhetoric—along with offering reflections on how to approach religious traditions through research and teaching. In addition, the volume includes seven short interludes in which some of the field’s most accomplished scholars recount their experiences exploring religious rhetorics and invite readers to engage these exigent lines of inquiry.  

By featuring these diverse religious perspectives, Rhetoric and Religion in the Twenty-First Century complicates the field’s emphasis on Western, Hellenistic, and Christian ideologies. The collection also offers teachers of writing and rhetoric a range of valuable approaches for preparing today’s students for public citizenship in our religiously diverse global context.  

 Immigration has long been viewed as both essential to American society and a polarizing political issue. Recent flashpoints around immigration include a U.S. Supreme Court decision upholding the legality of Deferred Action for Childhood Arrivals (DACA), enacted in 2012, to provide a pathway to citizenship for young, undocumented immigrants. The Trump administration has limited visas for foreign workers, banned travelers from predominantly Muslim countries, narrowed asylum-seeking procedures, and increased immigration enforcement. In this issue of RSF, edited by demographer Katharine M. Donato and economist Catalina Amuedo-Dorantes, an interdisciplinary group of scholars traces the history and contemporary landscape of legal immigration to the United States.
Donato and Amuedo-Dorantes outline American immigration policies from 1880 to the present and consider the impact of the COVID-19 pandemic on immigration. They underscore the fact that many recent immigration policies have been a result of presidential executive orders rather than legislative acts, making families and workers who enter the country without proper documentation especially vulnerable. They also examine how and why these orders are often racist and xenophobic, privileging some racial and ethnic groups and excluding others.
 Contributors to the issue investigate the various ways in which immigrants secure visas, working permits, and citizenship in the United States, including through employment and family ties, as well as special statuses for military veterans, refugees, asylum seekers, and unaccompanied minors. Daniel Costa writes about how temporary migrant workers’ precarious immigration status makes them particularly likely to experience workplace abuse because they fear losing their jobs and being deported if they complain about unfair labor practices. Pia Orrenius and Madeline Zavodny consider the substantial increase in employer demand for temporary work visas, demonstrating how improved economic conditions have led to this surge, creating a viable alternative to hiring unauthorized workers. Julia Gelatt uses employment and economic data analysis to compare multiple classes of legal immigrants. Her research demonstrates that employer-sponsored immigrants are better educated, exhibit higher English proficiency, and work in more highly skilled jobs than other types of immigrants (including family-sponsored, humanitarian, and diversity visa immigrants).
            Other contributors examine the experiences of immigrants with special statuses, including veterans. Cara Wong and Jonathan Bonaguro find that Americans are more likely to support a path to citizenship via military service for immigrants who entered the country with the appropriate documentation, and that many Americans believe that undocumented migrants should be barred from the military, Peace Corps, AmeriCorps and firefighting. Van C. Tran and Francisco Lara-García find little variation in early socioeconomic outcomes between refugee groups from various countries. They show that schooling and employment, along with strategic financial, community building, and other support services, are critical factors in the successful integration and improved socioeconomic outcomes of refugees. Luis Edward Tenorio finds that the patchwork of legal systems, including family, immigration, and federal courts that adjudicate the laws for children with special immigrant juvenile status, make for the uneasy and uneven integration of unaccompanied minors into key social institutions.
            This issue of RSF is a timely contribution that will invigorate the field of scholarly work on the American legal immigration system.
 

Drawing on previously unknown or unassimilated sources, Donald C. Hodges here presents an entirely new interpretation of the politics and philosophy of Augusto C. Sandino, the intellectual progenitor of Nicaragua's Sandinista revolution.

The first part of the book investigates the political sources of Sandino's thought in the works of Babeuf, Buonarroti, Blanqui, Proudhon, Bakunin, Most, Malatesta, Kropotkin, Ricardo Flores Magón, and Lenin—a mixed legacy of pre-Marxist and non-Marxist authoritarian and libertarian communists.

The second half of the study scrutinizes the philosophy of nature and history that Sandino made his own. Hodges delves deeply into this philosophy as the supreme and final expression of Sandino's communism and traces its sources in the Gnostic and millenarian occult undergrounds. This results in a rich study of the ways in which Sandino's revolutionary communism and communist spirituality intersect—a spiritual politics that Hodges presents as more realistic than the communism of Karl Marx.

While accepting the current wisdom that Sandino was a Nicaraguan liberal and social reformer, Hodges also makes a persuasive case that Sandino was first and foremost a communist, although neither of the Marxist nor anarchist variety. He argues that Sandino's eclectic communist spirituality was more of an asset than a liability for understanding the human condition, and that his spiritual politics promises to be more relevant than Marxism-Leninism for the twenty-first century. Indeed, Hodges believes that Sandino's holistic communism embraces both deep ecology and feminist spirituality—a finding that is sure to generate lively and productive debate.

 In Tradition in the Twenty-First Century, eight diverse contributors explore the role of tradition in contemporary folkloristics. For more than a century, folklorists have been interested in locating sources of tradition and accounting for the conceptual boundaries of tradition, but in the modern era, expanded means of communication, research, and travel, along with globalized cultural and economic interdependence, have complicated these pursuits. Tradition is thoroughly embedded in both modern life and at the center of folklore studies, and a modern understanding of tradition cannot be fully realized without a thoughtful consideration of the past’s role in shaping the present.

Especially concerned with the public nature of religion, Glenn W. Olsen sets forth an exhaustively researched and persuasive account of how religion has been reshaped in the modern period.

Today a majority of Indigenous peoples live in urban areas: they are builders and cleaners, teachers and lawyers, market women and masons, living in towns and cities surrounded by the people and pollution that characterize life for most individuals in the twenty-first century. Despite this basic fact, the vast majority of studies on Indigenous peoples concentrate solely on rural Indigenous populations.

Aiming to highlight these often-overlooked communities, this is the first book to look at urban Indigenous peoples globally and present the urban Indigenous experience—not as the exception but as the norm. The contributing essays draw on a wide range of disciplines, including sociology, anthropology, architecture, land economy, and area studies, and are written by both Indigenous and non-Indigenous scholars. The analysis looks at Indigenous people across the world and draws on examples not usually considered within the study of indigeneity, such as Fiji, Japan, and Russia.

Indigeneity is often seen as being “authentic” when it is practiced in remote rural areas, but these essays show that a vigorous, vibrant, and meaningful indigeneity can be created in urban spaces too. The book challenges many of the imaginaries and tropes of what constitutes “the Indigenous” and offers perspectives and tools to understand a contemporary Indigenous urban reality. As such, it is a must-read for anyone interested in the real lives of Indigenous people today.

Contributors
Aiko Ikemura Amaral
Chris Andersen
Giuliana Borea
Dana Brablec
Andrew Canessa
Sandra del Valle Casals
Stanislav Saas Ksenofontov
Daniela Peluso
Andrey Petrov
Marya Rozanova-Smith
Kate Stevens
Kanako Uzawa

“We, the Barbarians” embarks on a careful and exhaustive reading of three of the most prominent authors in the latest wave of Mexican fiction: Yuri Herrera, Fernanda Melchor, and Valeria Luiselli. Originally published in Mexico in 2021, this work is divided into three parts, one for each author’s narrative production. The book analyzes all of the literary works published by Herrera, Melchor, and Luiselli from the beginning of their writing careers until 2021, allowing for a diachronic interpretation of their respective narrative projects as well as for comparative approaches to their aesthetic and ideological contours.

Characterized by the fragmentation of civil society and the decomposition of the myths that accompanied the consolidation of the modern nation, Mexican visual and literary arts have explored a myriad of representational avenues to approach the phenomena of violence, institutional decay, and political instability. The critical and theoretical approaches in “We, the Barbarians” explore a variety of alternative symbolic representations of topics such as nationalism, community, and affect in times impacted by systemic violence, precariousness, and radical inequality. Moraña perceives the negotiations between regional/local imaginaries and global scenarios characterized by the devaluation and resignification of life, both at individual and collective levels. Though it uses three authors as its focus, this book seeks to more broadly theorize the question of the relationship between literature and the social in the twenty-first century.