front cover of Children of Ezekiel
Children of Ezekiel
Aliens, UFOs, the Crisis of Race, and the Advent of End Time
Michael Lieb
Duke University Press, 1998
Are Milton’s Paradise Lost, Ronald Reagan’s “Star Wars” missile defense program, our culture’s fascination with UFOs and alien abductions, and Louis Farrakhan’s views on racial Armageddon somehow linked? In Children of Ezekiel Michael Lieb reveals the connections between these phenomena and the way culture has persistently related the divine to the technological. In a work of special interest at the approach of the millennium, Lieb traces these and other diverse cultural moments—all descended from the prophet Ezekiel’s vision of a fiery divine chariot in the sky—from antiquity to the present, across high and low culture, to reveal the pervasive impact of this visionary experience on the modern world.
Beginning with the merkabah chariot literature of Hebrew and Gnostic mysticism, Lieb shows how religiously inspired people concerned with annihilating their heretical enemies seized on Ezekiel’s vision as revealing the technologically superior instrument of God’s righteous anger. He describes how many who seek to know the unknowable that is the power of God conceive it in technological terms—and how that power is associated with political aims and a heralding of the end of time. For Milton, Ezekiel’s chariot becomes the vehicle in which the Son of God does battle with the rebellious angels. In the modern age, it may take the form of a locomotive, tank, airplane, missile, or UFO. Technology itself is seen as a divine gift and an embodiment of God in the temporal world. As Lieb demonstrates, the impetus to produce modern technology arises not merely from the desire for profit or military might but also from religious-spiritual motives.
Including discussions of conservative evangelical Christian movements, Reagan’s ballistic shooting gallery in the sky, and the Nation of Islam’s vision of the “mother plane” as the vehicle of retribution in the war against racial oppression, Children of Ezekiel will enthrall readers who have been captivated, either through religious belief or intellectual interests, by a common thread uniting millennial religious beliefs, racial conflict, and political and militaristic aspirations.
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front cover of I Want to Believe
I Want to Believe
Posadism, UFOs and Apocalypse Communism
A.M. Gittlitz
Pluto Press, 2020
"Looks back at the history of Posadism to explore why this largely discredited movement has elicited so much recent interest."—Art in America
 
Advocating nuclear war, attempting communication with dolphins, and taking an interest in the paranormal and UFOs, there is perhaps no greater (or stranger) cautionary tale for the Left than that of Posadism. Named after the Argentine Trotskyist J. Posadas, the movement’s journey through the fractious and sectarian world of mid-20th century revolutionary socialism was unique. This book is a “dumpster dive” into the weird and wonderful world of the Posadists.
 
Although at times significant, Posadas' movement was ultimately a failure. As it disintegrated, it increasingly grew to resemble a bizarre cult, detached from the working class it sought to liberate. The renewed interest in Posadism today, especially for its more outlandish fixations, speaks to both a cynicism towards the past and nostalgia for the earnest belief that a better world is possible. Chapters include:
 
*Revolutionary Youth or Patriotic Youth
*The Death Throes of Capitalism
*The Origins of Posadism
*Flying Saucers, the Process of Matter and Energy, Science, the Revolutionary and Working-Class Stuggle, and the Socialist Future of Mankind
*What Exists Cannot be True
*Why Don’t Extraterrestrials Make Public Contact
*UFOs to the People
 
In the Introduction, A.M. Gittlitz writes, “Insurrection or first contact could come any day, Marxists and ufologists both tell us, but both are far more likely if we desire them, embracing a sentiment enigmatically expressed in a meme come before its time, a poster on the wall of rouge FBI agent Fox Mulder in the ‘90s sci-fi noir The X-Files: hovering alongside a granny image of a comically unconvincingly flying saucer and the words I WANT TO BELIEVE".
 
Drawing on considerable archival research, and numerous interviews with ex- and current Posadists, I Want to Believe tells the fascinating story of this most unusual socialist movement and considers why it continues to capture the imaginations of leftists today.
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front cover of The Resonance of Unseen Things
The Resonance of Unseen Things
Poetics, Power, Captivity, and UFOs in the American Uncanny
Susan Lepselter
University of Michigan Press, 2016
The Resonance of Unseen Things offers an ethnographic meditation on the “uncanny” persistence and cultural freight of conspiracy theory. The project is a reading of conspiracy theory as an index of a certain strain of late 20th-century American despondency and malaise, especially as understood by people experiencing downward social mobility. Written by a cultural anthropologist with a literary background, this deeply interdisciplinary book focuses on the enduring American preoccupation with captivity in a rapidly transforming world. Captivity is a trope that appears in both ordinary and fantastic iterations here, and Susan Lepselter shows how multiple troubled histories—of race, class, gender, and power—become compressed into stories of uncanny memory.

“We really don’t have anything like this in terms of a focused, sympathetic, open-minded ethnographic study of UFO experiencers. . . . The author’s semiotic approach to the paranormal is immensely productive, positive, and, above all, resonant with what actually happens in history.”
—Jeffrey J. Kripal, J. Newton Rayzor Professor of Religion, Rice University

“Lepselter relates a weave of intimate alien sensibilities in out-off-the-way places which are surprisingly, profoundly, close to home. Readers can expect to share her experience of contact with complex logics of feeling, and to do so in a contemporary America they may have thought they understood.”
—Debbora Battaglia, Mount Holyoke College

“An original and beautifully written study of contemporary American cultural poetics. . . . The book convincingly brings into relief the anxieties of those at the margins of American economic and civic life, their perceptions of state power, and the narrative continuities that bond them to histories of violence and expansion in the American West.”
—Deirdre de la Cruz, University of Michigan
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