Abracadabra is a fantastical and inventive addition to the tradition of noir writing, which not only delights and surprises at every turn but also raises important questions about identity, the human condition, the nature of evil, and the state of the union. The novel begins with a mystery, when Mark Goodson, a seemingly well-adjusted married man, disappears during a magic act, precipitating a series of events, encounters, and seemingly inexplicable occurrences, which it falls to a former professional football player, Elko Wells, to weave together into a story that is at once compelling and true. The concussion that ended Wells’ playing career left him open to hearing voices and discerning patterns of meaning helpful to his work as the owner of a missing-persons agency. He also owns a celebrity look-alike agency, which complicates matters in humorous ways, and his reliance on a string of cocktail waitresses called the Bloody Marys who are on the lookout for various people adds another level of intrigue.
 
Magicians and misdirection, gambling, down-on-one’s-luck, the crazed sense of possibility and impossibility, mistaken identity, impersonators and body doubles, people acting bizarrely with all sorts of chaos, collisions, and overlaps thrown in for good measure. Again and again the reader is swept into treacherous waters, always confident that the writer is in control of his material. Because the many twists and turns the plot takes are all but impossible to anticipate, the experience of reading Abracadabra is deliciously magical.

Bafana Kuzwayo is a young man with a weight on his shoulders. After flunking his law studies at the University of Cape Town, he returns home to Soweto, where he must decide how to break the news to his family. But before he can confess, he is greeted as a hero by family and friends. His uncle calls him “Advo,” short for Advocate, and his mother wastes no time recruiting him to solve their legal problems. In a community that thrives on imagined realities, Bafana decides that it’s easiest to create a lie that allows him to put off the truth indefinitely. Soon he’s in business with Yomi, a Nigerian friend who promises to help him solve all his problems by purchasing a fake graduation document. One lie leads to another as Bafana navigates through a world that readers will find both funny and grim.

Jude is a Las Vegas casino dealer who barely survived the deadly MGM fire in 1980. More than two decades later, he’s still dealing, a tired, middle-aged man, divorced, struggling with debt, and trying to be a good father to his children. Then he loses his job and his car is totaled in an accident. When an attractive woman friend offers to help him get another job, Jude is happy to go along. Gradually, he realizes that his new job is part of an elaborate scheme to cheat a casino and that his own fate and that of his children depend on his finding the courage and ingenuity to extricate himself.

Cold Deck is the exciting story of an ordinary man who finds himself in extraordinary circumstances. Moving from Las Vegas’s mean streets to the insider’s world of casino workers, this is a story of survival set against the greed, fears, and glitz of Sin City.  

Winner, 2022 MLA Fenia and Yaakov Leviant Memorial Prize in Yiddish Studies

From the Jewish Provinces showcases a brilliant and nearly forgotten voice in Yiddish letters. An insistently original writer whose abrupt departure from the literary scene is the stuff of legend, Fradl Shtok composed stories that describe the travails of young women looking for love and desire in a world that spurns them. These women struggle with disability, sexual violence, and unwanted marriage, striving to imagine themselves as artists or losing themselves in fantasy worlds. The men around them grapple with their own frustrations and failures to live up to stifling social expectations. Through deft portraits of her characters’ inner worlds Shtok grants us access to unnoticed corners of the Jewish imagination.
 
Set alternately in the Austro‑Hungarian borderlands and in New York City, Shtok’s stories interpret the provincial worlds of the Galician shtetl and the Lower East Side with literary sophistication, experimenting with narrative techniques that make her stories expertly alive to women’s aesthetic experiences.

In her anticipated second novel, Karla Holloway evokes the resilience of a family whose journey traces the river of America’s early twentieth century. The Mosby family, like other thousands, migrate from the loblolly-scented Carolinas north to the Harlem of their aspirations—with its promise of freedom and opportunities, sunlit boulevards, and elegant societies.

The family arrives as Harlem staggers under the flu pandemic that follows the First World War. DeLilah Mosby and her daughter, Selma, meet difficulties with backbone and resolve to make a home for themselves in the city, and Selma has a baby, Chloe. As the Great Depression creeps across the world at the close of the twenties, however, the farsighted see hard times coming.

The panic of the early thirties is embodied in the kidnapping and murder of the infant son of the nation’s dashing young aviator, Charles Lindbergh. A transfixed public follows the manhunt in the press and on the radio. Then Chloe goes missing—but her disappearance does not draw the same attention. Wry and perceptive Weldon Haynie Thomas, the city’s first “colored” policeman, takes the case.

The urgent investigation tests Thomas’s abilities to draw out the secrets Harlem harbors, untangling the color-coded connections and relationships that keep company with greed, ghosts, and grief. With nuanced characters, lush historical detail, and a lyrical voice, Gone Missing in Harlem affirms the restoring powers of home and family.

When Johnquell, an African American teen, suffers a serious accident in the home of his white neighbor, Mrs. Czernicki, his community must find ways to bridge divisions between black and white, gay and straight, old and young. Set in one of the nation’s most highly segregated cities—Milwaukee, Wisconsin—Meet Me Halfway tells stories of connections in a community with a tumultuous and divided past. In nine stories told from diverse perspectives, Jennifer Morales captures a Rust Belt city’s struggle to establish a common ground and a collective vision of the future.
            Morales gives life to multifaceted characters—white schoolteachers and senior citizens, Latino landlords, black and Puerto Rican teens, political activists, and Vietnam vets. As their lives unfold in these stories, we learn about Johnquell’s family—his grandparents’ involvement in the local Black Panther Party, his sister’s on-again, off-again friendship with a white classmate, and his aunt’s identity crisis as she finds herself falling in love with a woman. We also meet Johnquell’s mother, Gloria, and his school friend Taquan, who is struggling to chart his own future.
            As an activist mother in the thick of Milwaukee politics, Morales developed a keen ear and a tender heart for the kids who have inherited the city’s troubled racial legacy. With a critical eye on promises unfulfilled, Meet Me Halfway raises questions about the notion of a “postracial” society and, with humor and compassion, lifts up the day-to-day work needed to get there.

Runner-up, Short Story/Anthology, Midwest Book Awards

Best books for public & secondary school libraries from university presses, American Library Association

Wisconsin representative for “Great Lakes Reads,” Library of Congress Center for the Book and its affiliated Midwest centers

Outstanding Achievement Award, Wisconsin Library Association (one of ten 2015 books chosen)

These ten memorable stories explore interior worlds and moments of intensity, either awakening or loss, in the lives of diverse characters—mostly young girls and married women, but also boys and long-laboring men. Whether Hindu, Muslim, or Christian, they are all burdened by the complex layerings of class and gender, and are variously able or unable to find escape from the conditions of oppression that surround them. Some manage to rise above their situations by experiencing the denials and hardships of their lives as temporary; others find no such relief.

In the title story, Rose Ammal, who married young and bore numerous children, survives her husband's betrayal and religious conversion by creating her own private redemptions and conversions. "The Next Corpse Collector" chronicles significant moments in the lives of two young brothers, Anwar and Amir, who seek to escape the destiny of corpse
collector, the job their father is determined to bequeath to them. "What the Watchman Saw" offers a glimpse into the life of Venkatesh, a longtime watchman who is faced with the dilemma of whether to report the theft of stolen antiquities from the house of his new neighbor.

"Esther" is a tale of the haunting, troubled spirit of Leeza's grandmother, who lingers in Leeza's childhood home and unexpectedly helps her during the summer her grandfather dies as she wakes to an adolescent infatuation with a neighbor boy. In "The Couple in the Park," a young middle-class wife, Laura, in a constrictive arranged marriage, finds comfort in watching a couple in the park who remind her of her own grandparents as she tips over the edge into schizophrenia. "The Man on the Veranda" traces a significant day in the life of retired government-worker Parameswaran—the day his wife finally leaves him.

Every city has an unspoken side. Cape Town, between the picture postcard mountain and sea, has its own shadow: a place of dislocation and uncertainty, dependence and desperation, destruction and survival, gangsters, pimps, pedophiles, hunger, hope, and moments of happiness. Living in this shadow is Azure, a thirteen-year-old who makes his living on the streets, a black teenager sought out by white men, beholden to gang leaders but determined to create some measure of independence in this dangerous world. Thirteen Cents is an extraordinary and unsparing account of a coming of age in Cape Town. Reminiscent of some of the greatest child narrators in literature, Azure’s voice will stay with the reader long after this short novel is finished. Based on personal experiences, Thirteen Cents is Duiker’s debut novel, originally published in 2000. This first edition to be published outside South Africa includes an introduction by Shaun Viljoen and a special glossary of South African words and phrases from the text translated into English.