front cover of For Better or For Worse
For Better or For Worse
Vietnamese International Marriages in the New Global Economy
Thai, Hung Cam
Rutgers University Press, 2008
Marriage is currently the number-one reason people migrate to the United States, and women constitute the majority of newcomers joining husbands who already reside here. But little is known about these marriage and migration streams beyond the highly publicized and often sensationalized phenomena of mail-order and military brides. Less commonly known is that most international couples are immigrants of the same ethnicity.

In For Better or For Worse, Hung Cam Thai takes a closer look at marriage and migration, with a specific focus on the unions between Vietnamese men living in the United States and the women who marry them. Weaving together a series of personal stories, he underscores the ironies and challenges that these unions face. He includes the voices of working-class immigrant men dealing with marginalization in their adopted country. These men speak about wanting "traditional" wives who they hope will recognize their gendered authority. Meanwhile, young Vietnamese college-educated women, undesirable to bachelors in their own country who are seeking subservient wives, express a preference for men of the same ethnicity but with a more liberal outlook on gender-men they imagine they will find in the United States.

A sense of foreboding pervades the book as Thai captures the incompatible viewpoints of the couples who appear to be separated not only geographically but ideologically.
[more]

front cover of Toward a Framework for Vietnamese American Studies
Toward a Framework for Vietnamese American Studies
History, Community, and Memory
Edited by Linda Ho Peché, Alex-Thai Dinh Vo, and Tuong Vu
Temple University Press, 2023

The large number of Vietnamese refugees that resettled in the United States since the fall of Saigon have become America’s fastest growing immigrant group. Toward a Framework for Vietnamese American Studies traces the ideologies, networks, and cultural sensibilities that have long influenced and continue to transform social, political, and economic developments in Vietnam and the U.S.

Moving beyond existing approaches, the editors and contributors to this volume—the first to craft a working framework for researching, teaching, and learning about this dynamic community—present a new Vietnamese American historiography that began in South Vietnam. They provide deep-dive explorations into community development, political activism, civic participation and engagement, as well as entrepreneurial endeavors. Chapters offer new concepts and epistemological approaches to how legacy and memory is nurtured, produced and circulated in the Vietnamese diaspora.

Toward a Framework for Vietnamese American Studies seeks to better understand the rapidly changing landscape of Vietnamese American diaspora.

Contributors: Duyen Bui, Christian Collet, Wynn Gadkar-Wilcox, Elwing Suong Gonzalez, Tuan Hoang, Jennifer A. Huynh, Y Thien Nguyen, Nguyen Vu Hoang, Van Nguyen-Marshall, Thien-Huong Ninh, Hai-Dang Phan, Ivan V. Small, Quan Tue Tran, Thuy Vo Dang, and the editors

[more]

front cover of Transnationalizing Viet Nam
Transnationalizing Viet Nam
Community, Culture, and Politics in the Diaspora
Kieu-Linh Caroline Valverde
Temple University Press, 2013
Vietnamese diasporic relations affect—and are directly affected by—events in Viet Nam. In Transnationalizing Viet Nam, Kieu-Linh Caroline Valverde explores these connections, providing a nuanced understanding of this globalized community. Valverde draws on 250 interviews and almost two decades of research to show the complex relationship between Vietnamese in the diaspora and those back at the homeland.
In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Võ
[more]

front cover of Treacherous Subjects
Treacherous Subjects
Gender, Culture, and Trans-Vietnamese Feminism
Lan P Duong
Temple University Press, 2012

Treacherous Subjects is a provocative and thoughtful examination of Vietnamese films and literature viewed through a feminist lens. Lan Duong investigates the postwar cultural productions of writers and filmmakers, including Tony Bui, Trinh T. Minh-ha, and Tran Anh Hung.

Taking her cue from the double meaning of "collaborator," Duong shows how history has shaped the loyalties and shifting alliances of the Vietnamese, many of whom are caught between opposing/constricting forces of nationalism, patriarchy, and communism. Working at home and in France and the United States, the artists profiled in Treacherous Subjects have grappled with the political and historic meanings of collaboration. These themes, which probe into controversial issues of family and betrayal, figure heavily in fictions such as the films The Scent of Green Papaya and Surname Viet Given Name Nam.

As writers and filmmakers collaborate, Duong suggests that they lay the groundwork for both transnational feminist politics and queer critiques of patriarchy.

[more]

front cover of Warring Visions
Warring Visions
Photography and Vietnam
Thy Phu
Duke University Press, 2021
In Warring Visions, Thy Phu explores photography from dispersed communities throughout Vietnam and the Vietnamese diaspora, both during and after the Vietnam War, to complicate narratives of conflict and memory. While the visual history of the Vietnam War has been dominated by American documentaries and war photography, Phu turns to photographs circulated by the Vietnamese themselves, capturing a range of subjects, occasions, and perspectives. Phu's concept of warring visions refers to contrasts in the use of war photos in North Vietnam, which highlighted national liberation and aligned themselves with an international audience, and those in South Vietnam, which focused on family and everyday survival. Phu also uses warring visions to enlarge the category of war photography, a genre that usually consists of images illustrating the immediacy of combat and the spectacle of violence, pain, and wounded bodies. She pushes this genre beyond such definitions by analyzing pictures of family life, weddings, and other quotidian scenes of life during the war. Phu thus expands our understanding of how war is waged, experienced, and resolved.
[more]


Send via email Share on Facebook Share on Twitter