As widespread environmental degradation threatens the basic human rights of a large proportion of the world’s population, we are also confronting the worst migration crisis in the modern era. Emerging Threats to Human Rights searches among the interrelated causes of these overlapping crises. The editor and contributors to this timely anthology assess how environmental resources, state violence, and the deprivation of nationality/citizenship are linked to gain a better understanding of how human rights abuses intersect with patterns of migration.
As some refugees flee violence at home, they arrive in an asylum country only to experience violence at the hands of the native population. Likewise, those denied citizenship rights in their country become vulnerable to human traffickers and other rights violations when they flee.
Bringing together scholars of resource dilemmas, violence, and citizenship as well as lawyers and human rights practitioners, Emerging Threats to Human Rights begins by identifying the core causes of human rights violations confronting our world today. Chapters also consider whether and to what extent these emerging threats to human rights serve as drivers of displacement.
Anthropology has long been associated with an ethos of “engagement.” The field’s core methods and practices involve long-term interpersonal contact between researchers and their study participants, giving major research topics in the field a distinctively human face. Can research findings be authentic and objective? Are anthropologists able to use their data to aid the participants of their study, and is that aid always welcome?
In Engaged Observer, Victoria Sanford and Asale Angel-Ajani bring together an international array of scholars who have been embedded in some of the most conflict-ridden and dangerous zones in the world to reflect on the role and responsibility of anthropological inquiry. They explore issues of truth and objectivity, the role of the academic, the politics of memory, and the impact of race, gender, and social position on the research process. Through ethnographic case studies, they offer models for conducting engaged research and illustrate the contradictions and challenges of doing so.
These questions are dispersively heterologous yet mutually implicated. This paradoxical character of their discursive relations is what Rey Chow intends with the word "entanglements," by which she means, first, an enmeshment of topics: the mediatized image in modernist reflexivity; captivation and identification; victimhood; the place of East Asia in globalized Western academic study. Beyond enmeshment, she asks, can entanglements be phenomena that are not defined by affinity or proximity? Might entanglements be about partition and disparity rather than about conjunction and similarity?
Across medial forms (including theater, film, narrative, digitization, and photographic art), and against more popular trends of declaring things and people to be in flux, Chow proposes conceptual frames that foreground instead aesthetic, ontological, and sentient experiences of force, dominance, submission, fidelity, antagonism, masochism, letting-go, and the attraction to self-annihilation. Boundary, trap, capture, captivation, sacrifice, and mimesis: these riveting terms serve as analytic pressure points in her readings, articulating perversity, madness, and terror to pursuits of freedom.
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