front cover of Tales of Love, Cleverness, and Violence in Tomaso Costo’s
Tales of Love, Cleverness, and Violence in Tomaso Costo’s "Fuggilozio" (1596)
Translated into English
Tommaso Astarita
Arc Humanities Press, 2024
This selection from Tomaso Costo’s Fuggilozio (The Cure for Indolence, 1596) translates entertaining, dramatic, or witty examples of the over four hundred stories and anecdotes of the original. Together, they offer an engaging window into the lively culture and society of Naples and Italy generally. Though the story-tellers are all from the city’s elite, the characters in the stories they tell run the social and professional gamut, from peasants to emperors, and the variety and brevity of the tales offers something for all readers who can smile at human foibles, silliness, and naughtiness, and admire cleverness and guile. Costo, in spite of his introductory claim that the book is meant to guide its audience to virtue and away from vice, also at times indulges in blunt innuendos and jokes that can still surprise us today.
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Theater and Violence, Volume 35
Tom Sellar, ed.
Duke University Press
As violence escalates around the world, its victims and perpetrators struggle to develop comprehensible narratives to present truthful accounts of history and experience. This special issue of Theater—a collection of theater artists’ responses to contemporary events—examines the human psyche and its capacity for violence and explores theater’s possibilities for political dissent.

In Theater and Violence, through interviews, play excerpts, and full-length plays—including the first American publication of two major German playwrights and directors—theater artists offer their own narratives for humankind’s violent psychologies. One full-length play, Falk Richter’s Seven Seconds (In God We Trust), probes the mind of an American pilot moments before he releases a bomb on a city below. Another, René Pollesch’s 24 Hours Are Not a Day, humorously explores the ironies and pathologies of globalization after September 11. The issue also includes a commentary on the National Endowment for the Arts’ Shakespeare presentations for the U.S. military; interviews with Russian theater artists on the first anniversary of the Chechen rebels’ siege of a Moscow theater; and Jonathan Kalb’s powerful adaptation of Heiner Müller’s Mauser, set in Tikrit.

Contributors. Josh Fox, Gitta Honegger, Jonathan Kalb, Anna Kohler, James Leverett, Mark Lord, Marlene Norst, René Pollesch, Falk Richter, Yana Ross, Scott Saul, Tom Sellar, Catherine Sheehy, Robert Woodruff

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Theatre Symposium, Vol. 7
Theatre and Violence
John W. Frick
University of Alabama Press, 1999

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These Dark Skies
Reckoning with Identity, Violence, and Power from Abroad
Arianne Zwartjes
University of Iowa Press, 2022
In These Dark Skies, Arianne Zwartjes interweaves the experience of living in the southern Netherlands—with her wife, who is Russian—and the unfolding of both the refugee crisis across Europe and the uptick in terrorist acts in France, Greece, Austria, Germany, and the Balkans. She probes her own subjectivity, as a white American, as a queer woman in a transcultural marriage, as a writer, and as a witness.

The essays investigate and meditate on a broad array of related topics, including drone strikes, tear gas, and military intervention; the sugar trade, the Dutch blackface celebration of Zwarte Piet, and constructions of whiteness in Europe and the U.S.; and visual arts of Russian avant-garde painters, an Iraqi choreographer living in Belgium, and German choreographer Pina Bausch.

This is a lyrical, timely book deeply salient to the political moment we continue to find ourselves in: a moment of incredible anti-refugee and anti-immigrant sentiment, a moment of xenophobic and misogynistic violence.
 
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Thirteen Loops
Race, Violence, and the Last Lynching in America
B. J. Hollars
University of Alabama Press, 2011
Thirteen Loops: Race, Violence, and the Last Lynching in America recounts the story of three innocent victims, all of whom suffered violent deaths through no fault of their own: Vaudine Maddox in 1933 in Tuscaloosa, Sergeant Gene Ballard in 1979 in Birmingham, and Michael Donald in 1981 in Mobile.

The death of Vaudine Maddox—and the lynchings that followed—serves as a cautionary tale about the violence that occurred in the same region nearly fifty-years later, highlighting the cowardice, ignorance, and happenstance that sustained a culture of racial intolerance far into the future.Nearly half a century later, after a black bank robber was acquitted for the murder of police Sergeant Gene Ballard, two Klansmen took it upon themselves to exact revenge on an innocent victim--nineteen-year-old African American Michael Donald.  Donald's murder--deemed the last lynching in America--reignited the race debate in America and culminated in a courtroom drama in which the United Klans of America were at long last put on trial. 

While tracing the relationships among these murders, B. J. Hollars's research led him deep into the heart of Alabama’s racial, political, and legal landscapes.  A work of literary journalism, Thirteen Loops  draws upon rarely examined primary sources, court documents, newspaper reports, and first-hand accounts in an effort to unravel the twisted tale of a pair of interconnected murders that forever altered United States' race relations.
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Through Our Eyes
African American Men's Experiences of Race, Gender, and Violence
Garfield, Gail
Rutgers University Press, 2010
How have African American men interpreted and what meaning have they given to social conditions that position them as the primary perpetrators of violence? How has this shaped the ways they see themselves and engaged the world? Through Our Eyes provides a view of black men’s experiences that challenges scholars, policy makers, practitioners, advocates, and students to grapple with the reality of race, gender, and violence in America.This multi-level analysis explores the chronological life histories of eight black men from the aftermath of World War II through the Cold War and into today. Gail Garfield identifies the locations, impact, and implications of the physical, personal, and social violence that enters the lives of African American men. She addresses questions critical to understanding how race, gender, and violence are insinuated into black men’s everyday lives and how experiences are constructed, reconstructed, and interpreted. By appreciating the significance of how African American men live through what it means to be black and male in America, this book envisions the complicated dynamics that devalue their lives, those of their family, and society.
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Times of Trouble
Violence in Russian Literature and Culture
Edited by Marcus C. Levitt and Tatyana Novikov
University of Wisconsin Press, 2007

From the country that has added to our vocabulary such colorful terms as "purges," "pogroms," and "gulag," this collection investigates the conspicuous marks of violence in Russian history and culture. 
     Russians and non-Russians alike have long debated the reasons for this endemic violence. Some have cited Russia's huge size, unforgiving climate, and exposed geographical position as formative in its national character, making invasion easy and order difficult. Others have fixed the blame on cultural and religious traditions that spurred internecine violence or on despotic rulers or unfortunate episodes in the nation's history, such as the Mongol invasion, the rule of Ivan the Terrible, or the "Red Terror" of the revolution. Even in contemporary Russia, the specter of violence continues, from widespread mistreatment of women to racial antagonism, the product of a frustrated nationalism that manifests itself in such phenomena as the wars in Chechnya. 
     Times of Trouble is the first in English to explore the problem of violence in Russia. From a variety of perspectives, essays investigate Russian history as well as depictions of violence in the visual arts and in literature, including the works of Fyodor Dostoevsky, Isaac Babel, Mikhail Lermontov, and Nina Sadur. From the Mongol invasion to the present day, topics include the gulag, genocide, violence against women, anti-Semitism, and terrorism as a tool of revolution.

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To Be Nsala's Daughter
Decomposing the Colonial Gaze
Chérie N. Rivers
Duke University Press, 2023
In To Be Nsala’s Daughter, Chérie N. Rivers shows how colonial systems of normalized violence condition the way we see and, through collaboration with contemporary Congolese artists, imagines ways we might learn to see differently. Rivers focuses on a photograph of a Congolese man, Nsala, looking at the disembodied hand and foot of his daughter, which were removed as punishment for his failure to deliver the requisite amount of rubber in King Léopold’s Congo. This photograph, taken by British missionary Alice Seeley Harris, featured prominently in abolitionist campaigns to end colonial atrocities in Central Africa in the early twentieth century. But in addition to exposing the visible violence of colonialism, Rivers argues, this photograph also exposes the invisible—and continued—violence of the colonial gaze. With a poetic, personal collage of stories and images, To Be Nsala’s Daughter traces the past and present of the colonial gaze both in Congo and in the author’s lived experience as a mixed-race Black woman in the United States.
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To Swim with Crocodiles
Land, Violence, and Belonging in South Africa, 1800-1996
Jill E Kelly
Michigan State University Press, 2018
To Swim with Crocodiles: Land, Violence, and Belonging in South Africa, 1800–1996 offers a fresh perspective on the history of rural politics in South Africa, from the rise of the Zulu kingdom to the civil war at the dawn of democracy in KwaZulu-Natal. The book shows how Africans in the Table Mountain region drew on the cultural inheritance of ukukhonza—a practice of affiliation that binds together chiefs and subjects—to seek social and physical security in times of war and upheaval. Grounded in a rich combination of archival sources and oral interviews, this book examines relations within and between chiefdoms to bring wider concerns of African studies into focus, including land, violence, chieftaincy, ethnic and nationalist politics, and development. Colonial indirect rule, segregation, and apartheid attempted to fix formerly fluid polities into territorial “tribes” and ethnic identities, but the Zulu practice of ukukhonza maintained its flexibility and endured. By exploring what Zulu men and women knew about and how they remembered ukukhonza, Kelly reveals how Africans envisioned and defined relationships with the land, their chiefs, and their neighbors as white minority rule transformed the countryside and local institutions of governance. 
 
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front cover of The Topography of Violence in the Greco-Roman World
The Topography of Violence in the Greco-Roman World
Werner Riess and Garrett G. Fagan, editors
University of Michigan Press, 2016
What soldiers do on the battlefield or boxers do in the ring would be treated as criminal acts if carried out in an everyday setting. Perpetrators of violence in the classical world knew this and chose their venues and targets with care: killing Julius Caesar at a meeting of the Senate was deliberate. That location asserted Senatorial superiority over a perceived tyrant, and so proclaimed the pure republican principles of the assassins.

The contributors to The Topography of Violence in the Greco-Roman World take on a task not yet addressed in classical scholarship: they examine how topography shaped the perception and interpretation of violence in Greek and Roman antiquity. After an introduction explaining the “spatial turn” in the theoretical study of violence, “paired” chapters review political assassination, the battlefield, violence against women and slaves, and violence at Greek and Roman dinner parties. No other book either adopts the spatial theoretical framework or pairs the examination of different classes of violence in classical antiquity in this way.

Both undergraduate and graduate students of classics, history, and political science will benefit from the collection, as will specialists in those disciplines. The papers are original and stimulating, and they are accessible to the educated general reader with some grounding in classical history.

 
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Tormented Voices
Power, Crisis, and Humanity in Rural Catalonia, 1140–1200
Thomas N. Bisson
Harvard University Press, 1998

Mute in life as in death, peasants of remote history rarely speak to us in their own voices. But Thomas Bisson’s engagement with the records of several hundred twelfth-century people of rural Catalonia enables us to hear these voices. The peasants’ allegations of abuse while in the service of their common lord the Count of Barcelona and his son the King reveal a unique perspective on the meaning of power both by those who felt and feared it, and by those who wielded it. These records—original parchments, dating much earlier than other comparable records of European peasant life—name peasants in profusion and relate some of their stories.

Bisson describes these peasants socially and culturally, showing how their experience figured in a wider crisis of power from the twelfth century. His compassionate history considers demography, naming patterns, gender, occupational identities, and habitats, as well as power, coercion, and complaint, and the moralities of faith, honor, and shame. He concludes with reflections on the historical meanings of violence and suffering.

This rich contribution to medieval social and cultural history and peasant studies suggests important resources and ideas for historians and anthropologists.

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front cover of Toward an Islamic Theology of Nonviolence
Toward an Islamic Theology of Nonviolence
In Dialogue with René Girard
Adnane Mokrani
Michigan State University Press, 2022
This groundbreaking book offers the first systematic study of the Qur’ān and Islamic history in the light of René Girard’s mimetic theory. Girard did not deal deeply with Islam, offering only scattered hints in some interviews after the September 11, 2001, attacks in the United States. Addressing this gap in Girardian studies, Adnane Mokrani aims to develop an Islamic theology that goes beyond just war theory to adopt a radical nonviolent approach. He analyzes the Qur’ānic text and classical and modern exegetical literature, focusing on the Qur’ānic narratives, then extends his research to the history of Islam, removing the sacred character attributed to some events and human choices in order to disarm theology and dismantle the ideologies of power. This same critique is also applied to the unprecedented levels of violence in modern and contemporary history. A radical and politically committed theology of peace is needed to recover the spiritual dimension of religion that frees people from the temptations of the individual and collective ego. It is a mystical and narrative theology in dialogue with other world theologies on the future of humanity—an urgent appeal needed now more than ever.
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Traces of the Unseen
Photography, Violence, and Modernization in Early Twentieth-Century Latin America
Carolina Sá Carvalho
Northwestern University Press, 2023
Winner of the 2024 Roberto Reis Book Award
Winner of the LASA Environment Section Best Book of 2023


A richly illustrated examination of photography as a technology for documenting, creating, and understanding the processes of modernization in turn-of-the-century Brazil and the Amazon

Photography at the turn of the twentieth century was not only a product of modernity but also an increasingly available medium to chronicle the processes of modernization. Traces of the Unseen: Photography, Violence, and Modernization in Early Twentieth-Century Latin America situates photography’s role in documenting the destruction wrought by infrastructure development and extractive capitalist expansion in the Amazon and outside the Brazilian metropole. Combining formal analysis of individual photographs with their inclusion in larger multimedia assemblages, Carolina Sá Carvalho explores how this visual evidence of violence was framed, captioned, cropped, and circulated. As she explains, this photographic creation and circulation generated a pedagogy of the gaze with which increasingly connected urban audiences were taught what and how to see: viewers learned to interpret the traces of violence captured in these images within the larger context of modernization.

Traces of the Unseen draws on works by Flavio de Barros, Euclides da Cunha, Roger Casement, Claude Lévi-Strauss, and Mario de Andrade to situate an unruly photographic body at the center of modernity, in all its disputed meanings. Moreover, Sá Carvalho locates historically specific practices of seeing within the geopolitical peripheries of capitalism. What emerges is a consideration of photography as a technology through which modern aspirations, moral inclinations, imagined futures, and lost pasts were represented, critiqued, and mourned.
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Trafficking
Narcoculture in Mexico and the United States
Hector Amaya
Duke University Press, 2020
In Trafficking Hector Amaya examines how the dramatic escalation of drug violence in Mexico in 2008 prompted new forms of participation in public culture in Mexico and the United States. He contends that, by becoming a site of national and transnational debate about the role of the state, this violence altered the modes publicness could take, transforming assumptions about freedom of expression and the rules of public participation. Amaya examines the practices of narcocorrido musicians who take advantage of digital production and distribution technologies to escape Mexican censors and to share music across the US-Mexico border, as well as anonymous bloggers whose coverage of trafficking and violence from a place of relative safety made them public heroes. These new forms of being in the public sphere, Amaya demonstrates, evolved to exceed the bounds of the state and traditional media sources, signaling the inadequacy of democratic theories of freedom and publicness to understand how violence shapes public discourse.
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Transatlantic Fascism
Ideology, Violence, and the Sacred in Argentina and Italy, 1919-1945
Federico Finchelstein
Duke University Press, 2010
In Transatlantic Fascism, Federico Finchelstein traces the intellectual and cultural connections between Argentine and Italian fascisms, showing how fascism circulates transnationally. From the early 1920s well into the Second World War, Mussolini tried to export Italian fascism to Argentina, the “most Italian” country outside of Italy. (Nearly half the country’s population was of Italian descent.) Drawing on extensive archival research on both sides of the Atlantic, Finchelstein examines Italy’s efforts to promote fascism in Argentina by distributing bribes, sending emissaries, and disseminating propaganda through film, radio, and print. He investigates how Argentina’s political culture was in turn transformed as Italian fascism was appropriated, reinterpreted, and resisted by the state and the mainstream press, as well as by the Left, the Right, and the radical Right.

As Finchelstein explains, nacionalismo, the right-wing ideology that developed in Argentina, was not the wholesale imitation of Italian fascism that Mussolini wished it to be. Argentine nacionalistas conflated Catholicism and fascism, making the bold claim that their movement had a central place in God’s designs for their country. Finchelstein explores the fraught efforts of nationalistas to develop a “sacred” ideological doctrine and political program, and he scrutinizes their debates about Nazism, the Spanish Civil War, imperialism, anti-Semitism, and anticommunism. Transatlantic Fascism shows how right-wing groups constructed a distinctive Argentine fascism by appropriating some elements of the Italian model and rejecting others. It reveals the specifically local ways that a global ideology such as fascism crossed national borders.

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The Truth Machines
Policing, Violence, and Scientific Interrogations in India
Jinee Lokaneeta
University of Michigan Press, 2020
Using case studies and the results of extensive fieldwork, this book considers the nature of state power and legal violence in liberal democracies by focusing on the interaction between law, science, and policing in India. The postcolonial Indian police have often been accused of using torture in both routine and exceptional criminal cases, but they, and forensic psychologists, have claimed that lie detectors, brain scans, and narcoanalysis (the use of “truth serum,” Sodium Pentothal) represent a paradigm shift away from physical torture; most state high courts in India have upheld this rationale.

The Truth Machines examines the emergence and use of these three scientific techniques to analyze two primary themes. First, the book questions whether existing theoretical frameworks for understanding state power and legal violence are adequate to explain constant innovations of the state. Second, it explores the workings of law, science, and policing in the everyday context to generate a theory of state power and legal violence, challenging the monolithic frameworks about this relationship, based on a study of both state and non-state actors.

Jinee Lokaneeta argues that the attempt to replace physical torture with truth machines in India fails because it relies on a confessional paradigm that is contiguous with torture. Her work also provides insights into a police institution that is founded and refounded in its everyday interactions between state and non-state actors. Theorizing a concept of Contingent State, this book demonstrates the disaggregated, and decentered nature of state power and legal violence, creating possible sites of critique and intervention.

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Twenty Years of Life
Why the Poor Die Earlier and How to Challenge Inequity
Suzanne Bohan
Island Press, 2018
In Twenty Years of Life, Suzanne Bohan exposes the disturbing flip side of the American dream: your health is largely determined by your zip code. The strain of living in a poor neighborhood, with sub-par schools, lack of parks, fear of violence, few to no healthy food options, and the stress of unpaid bills is literally taking years off people’s lives. The difference in life expectancy between wealthy and distressed neighborhoods can be as much as twenty years.

Bohan chronicles a bold experiment to challenge this inequity. The California Endowment, one of the nation’s largest health foundations, is upending the old-school, top-down charity model and investing $1 billion over ten years to help distressed communities advocate for their own interests. This new approach to community change draws on the latent political power of residents and is driving reform both locally and in the state’s legislative chambers. If it can work in fourteen of California’s most challenging and diverse communities, it has the potential to work anywhere in the country.

Bohan introduces us to former street shooters with official government jobs; kids who convinced their city council members to build skate parks; students and parents who demanded fairer school discipline policies to keep kids in the classroom; urban farmers who pushed for permits to produce and sell their food; and a Native American tribe that revived its traditional forest management practices. Told with compassion and insight, their stories will fundamentally change how we think about the root causes of disease and the prospects for healing.
 
 
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