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Gilles Deleuze and the Fabulation of Philosophy
Powers of the False, Volume 1
Gregory Flaxman
University of Minnesota Press, 2011

Although much has been written about Deleuze’s engagement with the arts, Gilles Deleuze and the Fabulation of Philosophy concerns the art of his philosophy. Gregory Flaxman suggests that Deleuze’s notorious rejection of representation gives rise to a singular task—to create new concepts and invent new means of philosophical expression. Tracing this task throughout Deleuze’s vast oeuvre, Flaxman argues that Deleuze’s ambition to think and write “otherwise” constitutes the fabulation of philosophy itself.

For Flaxman, Deleuze’s philosophy is organized around the notion of the friend (philos). This book dramatizes the practice of friendship in Deleuze’s intimate affairs with philosophers—including Plato, Aristotle, Spinoza, Kant, and Foucault—and close encounters with a range of writers, including Homer, More, Kafka, Woolf, and Borges. Flaxman traces Deleuze’s relationship with Nietzsche, the friend from whom he learned to write “in his own name,” to explain how apprenticeship becomes the initial condition of Deleuze’s philosophical method. Detailing the transformation of Nietzsche’s genealogy into “geophilosophy,” Flaxman goes on to show how Deleuze’s philosophy of the earth precipitates his return to ancient Greece and induces his resolution to overturn Platonism. In this spirit, the book demonstrates Deleuze’s evocation of the “powers of the false” by examining how, in his battle against representation, he makes fiction the basis for a minor philosophy. This first volume draws to a close with a timely elaboration of Deleuze’s avowed, if enigmatic, “style as politics” in an age when capitalism and communication challenge the claims of philosophy as never before.

A stunning and original contribution, Flaxman’s book restores the question of aesthetics to Deleuze’s thinking and writing. Gilles Deleuze and the Fabulation of Philosophy not only revitalizes our sense of the philosopher but revises the sense of his philosophy, provoking critical problems and novel possibilities with which readers will wrestle for years to come.

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front cover of Glaphyra on the Pentateuch, Volume 1
Glaphyra on the Pentateuch, Volume 1
Nicholas P. St. Cyril of Alexandria
Catholic University of America Press, 2019
Cyril of Alexandria (ca. 376–444) is best known for his defense of orthodoxy at the time of the Nestorian controversy over the nature of Christ. However, by far the larger part of Cyril’s literary output consisted of commentaries on books of both Old and New Testaments, written before the Christological debate was sparked off in 428. One of these works, of major proportions, was the so-called Glaphyra (“elegant comments”) on the Pentateuch. This comprises a total of thirteen separate “books,” or volumes: seven on Genesis, three on Exodus, and one each on Leviticus, Numbers and Deuteronomy. The comments primarily concern the narrative portions of the Pentateuch, hence the greater space given to Genesis, though a number of the legal prescriptions are also treated. This present volume, containing all seven books on Genesis, is the first of a projected two-volume set which will offer a translation of the whole Glaphyra for the first time in English. Cyril’s aims within the commentary are both theological and pastoral. His chosen method begins with a consideration of the historia. Here the Alexandrian patriarch deals with the text at the literal level. At this stage he explains any historical, cultural, and at times even linguistic and textual issues presented within the passage, which is then followed by some theological instruction or lessons of a more practical nature based upon the literal interpretation. The exposition then moves on to the theoria. This is Cyril’s preferred term for the contemplation of the spiritual sense, that is to say, the mystery of Christ which he firmly held lay hidden beneath the surface of the Old Testament text. With great adeptness and consistency Cyril identifies elements within the ancient narratives as figures, or “types and shadows,” of the Lord Jesus Christ, the Church, and the teachings of the gospel.
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front cover of Greek Tragedies, Volume 1
Greek Tragedies, Volume 1
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1991
In three paperback volumes, the Grene and Lattimore editions offer a selection of the most important and characteristic plays of Aeschylus, Sophocles, and Euripides from the nine-volume anthology of The Complete Greek Tragedies. Over the years these authoritative, critically acclaimed editions have been the preferred choice of more than three million readers for personal libraries and individual study as well as for classroom use.
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front cover of Guardians of the Flutes, Volume 1
Guardians of the Flutes, Volume 1
Idioms of Masculinity
Gilbert Herdt
University of Chicago Press, 1994
In the first systematic documentation of New Guinea rituals of manhood, Gilbert Herdt places the homosexual customs of the Sambia in their ecological and ideological contexts while exploring what they mean to the individuals who practice them. Raising a host of issues concerning gender identity, hostility between the sexes, and the relationships between myth, culture, and personal experience, Herdt provides a vivid and convincing portrait of how Sambia men experience their sexual development.
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front cover of The Guide of the Perplexed, Volume 1
The Guide of the Perplexed, Volume 1
Moses Maimonides
University of Chicago Press, 1974
This monument of rabbinical exegesis written at the end of the twelfth century has exerted an immense and continuing influence upon Jewish thought. Its aim is to liberate people from the tormenting perplexities arising from their understanding of the Bible according only to its literal meaning. This edition contains extensive introductions by Shlomo Pines and Leo Strauss, a leading authority on Maimonides.
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