Art Works, Parts 1 and 2 address how art, theater, performance, film, and visual culture have reshaped the established terms of gender and sexuality and contributed to fashioning a queer world. Bringing together work from both the visual and the performing arts, each collection showcases cutting-edge research on a wide range of queer artists, media, and sexual subcultures. The contributors to these issues—scholars in art history, visual culture, theater and performance studies, and film and media studies—approach art not as a reflection of history but as a creative response to it, a response that imagines alternative forms of social, sexual, and creative life.

Arguing for the primacy of the arts in queer life, the contributors show how art and performance can constitute a form of critical theorizing rather than simply an illustration of it. In different ways, each author demonstrates how art works to invigorate queer critique. The first issue includes a special dossier on AIDS activist film and video, marking the twenty-fifth year of the AIDS pandemic, and essays on late-nineteenth-century male nudes, lesbian surrealism, homoerotic photography in the Deep South, and the transnational, transgender contexts of the Pulitzer Prize–winning play I Am My Own Wife. Essays in the second issue focus on a series of queer case studies, including gay power graphics and psychedelia, female duets on the Broadway stage, Keith Haring and racial politics, British Vogue in the 1920s, and lesbian-feminist magazines of the 1970s. The issue concludes with a dossier of three shorter pieces on queer art and performance: an interview with the Chicano drag street performer Robert Legoretta (“Cyclona”), an essay on blogs and the Five Lesbian Brothers, and a discussion of a rarely exhibited work about cruising and public space by the contemporary artist Glenn Ligon.

Contributors. Deborah Bright, Jill Dolan, Jens Giersdorf, Jason Goldman, Scott Herring, Lucas Hilderbrand, Alexandra Juhasz, Tirza Latimer, Glenn Ligon, Richard Meyer, Rachel Middleman, Ricardo Montez, Erica Rand, Christopher Reed, David Román, Jennifer Flores Sternad, Margo Hobbs Thompson, Stacy Wolf

Art Works, Parts 1 and 2 address how art, theater, performance, film, and visual culture have reshaped the established terms of gender and sexuality and contributed to fashioning a queer world. Bringing together work from both the visual and the performing arts, each collection showcases cutting-edge research on a wide range of queer artists, media, and sexual subcultures. The contributors to these issues—scholars in art history, visual culture, theater and performance studies, and film and media studies—approach art not as a reflection of history but as a creative response to it, a response that imagines alternative forms of social, sexual, and creative life.

Arguing for the primacy of the arts in queer life, the contributors show how art and performance can constitute a form of critical theorizing rather than simply an illustration of it. In different ways, each author demonstrates how art works to invigorate queer critique. The first issue includes a special dossier on AIDS activist film and video, marking the twenty-fifth year of the AIDS pandemic, and essays on late-nineteenth-century male nudes, lesbian surrealism, homoerotic photography in the Deep South, and the transnational, transgender contexts of the Pulitzer Prize–winning play I Am My Own Wife. Essays in the second issue focus on a series of queer case studies, including gay power graphics and psychedelia, female duets on the Broadway stage, Keith Haring and racial politics, British Vogue in the 1920s, and lesbian-feminist magazines of the 1970s. The issue concludes with a dossier of three shorter pieces on queer art and performance: an interview with the Chicano drag street performer Robert Legoretta (“Cyclona”), an essay on blogs and the Five Lesbian Brothers, and a discussion of a rarely exhibited work about cruising and public space by the contemporary artist Glenn Ligon.

Contributors. Deborah Bright, Jill Dolan, Jens Giersdorf, Jason Goldman, Scott Herring, Lucas Hilderbrand, Alexandra Juhasz, Tirza Latimer, Glenn Ligon, Richard Meyer, Rachel Middleman, Ricardo Montez, Erica Rand, Christopher Reed, David Román, Jennifer Flores Sternad, Margo Hobbs Thompson, Stacy Wolf

Johann Sebastian Bach was a Lutheran and much of his music was for Lutheran liturgical worship. As these insightful essays in the twelfth volume of Bach Perspectives demonstrate, he was also influenced by--and in turn influenced--different expressions of religious belief. The vocal music, especially the Christmas Oratorio, owes much to medieval Catholic mysticism, and the evolution of the B minor Mass has strong Catholic connections. In Leipzig, Catholic and Lutheran congregations sang many of the same vernacular hymns. Internal squabbles were rarely missing within Lutheranism, for example Pietists' dislike of concerted church music, especially if it employed specific dance forms. Also investigated here are broader issues such as the close affinity between Bach's cantata libretti and the hymns of Charles Wesley; and Bach's music in the context of the Jewish Enlightenment as shaped by Protestant Rationalism in Berlin. Contributors: Rebecca Cypess, Joyce L. Irwin, Robin A. Leaver, Mark Noll, Markus Rathey, Derek Stauff, and Janice B. Stockigt.

The Collected Letters of Thomas and Jane Welsh Carlyle offer a window onto the lives of two of the Victorian world’s most accomplished, perceptive, and unusual inhabitants. Scottish writer and historian Thomas Carlyle and his wife, Jane Welsh Carlyle, attracted to them a circle of foreign exiles, radicals, feminists, revolutionaries, and major and minor writers from across Europe and the United States. The collection is regarded as one of the finest and most comprehensive literary archives of the nineteenth century.

This final installment of the Millennial Quartet addresses the question of whether cosmopolitanism—ways of thinking, feeling, and acting beyond one’s particular society—is simply the universalism of a Western particular. Assembling scholars from an array of disciplines including English literature and language, romance languages, art history, South Asian studies, and anthropology, this special issue of Public Culture recenters the theory and history of translocal political aspirations and cultural ideas from the traditional Western vantage point to areas outside Europe, such as South Asia, China, and Africa. By examining new archives, framing new theoretical formulations, and suggesting new possibilities of political practice, these essays stretch the term cosmopolitanism to new definitions. On the one hand, cosmopolitanism may be taken to promise a form of supraregional political solidarity, but on the other, it may erode precisely those cultural differences that derive their meaning from a particular place and tradition. Given that most cosmopolitan political formations, from the Roman imperium to European imperialism to contemporary globalization, have been coercive and unequal, can there be a noncoercive and egalitarian cosmopolitan politics? At the most elevated level of conceptualization, while cosmopolitanism may promise a universalism of knowledge, it more typically represents an unwarranted generalization of a European idea or practice.

This is the first of two volumes documenting Maryland’s public and private debates about the Constitution. This documentary series is a research tool of remarkable power, an unrivaled reference work for historical and legal scholars, librarians, and students of the Constitution.

This second installment of Public Culture’s Millennial Quartet seeks to intervene in the increasingly heated debates surrounding the cultural dimensions of globalization, which includes debates about what globalization is and whether it is a meaningful term. The volume focuses in particular on the way that changing sites—local, regional, diasporic—are the scenes of emergent forms of sovereignty in which matters of style, sensibility, and ethos articulate new legalities and new kinds of violence.
Seeking an alternative to the dead-end debate between those who see globalization as a phenomenon wholly without precedent and those who see it simply as modernization, imperialism, or global capitalism with a new face, the contributors seek to illuminate how space and time are transforming each other in special ways in the present era. They examine how this complex transformation involves changes in the situation of the nation, the state, and the city. While exploring distinct regions—China, Africa, South America, Europe—and representing different disciplines and genres—anthropology, literature, political science, sociology, music, cinema, photography—the contributors are concerned with both the political economy of location and the locations in which political economies are produced and transformed. A special strength of the collection is its concern with emergent styles of subjectivity, citizenship, and mobilization and with the transformations of state power through which market rationalities are distributed and embodied locally.

Contributors. Arjun Appadurai, Jérome Bindé, Néstor García Canclini, Leo Ching, Steven Feld, Ralf D. Hotchkiss, Wu Hung, Andreas Huyssen, Boubacar Touré Mandémory, Achille Mbembe, Saskia Sassen, Fatu Kande Senghor, Seteney Shami, Anna Tsing, Zhang Zhen

This special issue of positions adds to the increasingly substantial set of discussions on contemporary visual art in Asia. Approaching the topic from an interrogative perspective-one that explores deceptively simple definitions of terms such as "contemporary" and "Asia"-these essays examine specific works from Hong Kong, Japan, Singapore, China and the Philippines and consider the particular context in which they were created. The result is an issue that encourages larger discussions of reflexivity, historicity, and politicization as it relates to artistic expression in Asian contexts.

Contributors. Thomas J. Berghuis, Lee Weng Choy, Patrick Flores, Joan Kee, Alice Ming Wai Jim, Sheldon Lu, Gao Minglu, Reiko Tomii

For more than fifteen years, marine biologists, oceanographers, and specialists in foreign policy, ocean development, international law, and strategic studies have found the Ocean Yearbook series to be an invaluable asset for research on one of the world's vital resources.

Volume 12 focuses on the sustainable development and use of the world's oceans and their resources. Major articles examine the managerial implications of sustainable development in different oceanic regions as well as how they relate to fisheries, coastal ecosystems and genetic and biochemical resources. Current problems associated with marine transportation are also addressed. In addition, the twelfth edition celebrates the entry into force of the United Nations Convention on the Law of the Sea and the recent conclusion of the agreement relating to the conservation and management of straddling and highly migratory fish stocks.

What do research on women in science and research on science and gender have to do with each other? This volume brings together prominent historians and philosophers of science to examine women's participation in science, gender and science, and the potential for interaction between these two pieces of a larger puzzle. The eleven chapters included here explore a number of interrelated topics: the experiences of individual women working in science; the demographic patterns of and support for women in specific fields; the gendered construction of scientific education and terminology; the impact of feminist critiques on contemporary science; and more. The result is a collection of works that are rich in suggestions, specific in their evidence, and grounded in the complex discussion of gender in late twentieth century cultural and academic life.

The Supreme Court Economic Review is a peer-reviewed, interdisciplinary series focusing on economic consequences, precedents, and reasoning based on the work and decisions of the U.S. Supreme Court. Recent topics have included the evolution of patent law at the Federal Circuit and Supreme Court levels, censorship of economic theory, probability errors regarding tort and contract law, the psychology of punishment, and more.