The Collected Letters of Thomas and Jane Welsh Carlyle offer a window onto the lives of two of the Victorian world’s most accomplished, perceptive, and unusual inhabitants. Scottish writer and historian Thomas Carlyle and his wife, Jane Welsh Carlyle, attracted to them a circle of foreign exiles, radicals, feminists, revolutionaries, and major and minor writers from across Europe and the United States. The collection is regarded as one of the finest and most comprehensive literary archives of the nineteenth century.

For the first time in history, over 50 percent of human beings live in cities. Perhaps more surprising is that cities in the developed world have been eclipsed in size and growth by the megacities of the underdeveloped world—the “global South.” As primary sites for human consumption of natural resources and for pollution of the environment, these global cities will witness the twenty-first-century crises—ecological, political, and social—when they first become full-blown. Global Cities of the South examines these portending disasters unfolding in the megacities of the global South.

This special issue challenges postcolonial theorists to engage with urban studies and challenges urban analysts to turn their focus to the postcolonial societies where these cities have developed. Gathering well-known scholars in postcolonial theory and urban studies, the collection opens an interdisciplinary exchange through a series of case studies focused on cities in Africa and Asia. One essay argues that the world’s urban spaces are key to the continuance of inequity under capitalist globalization (exemplified by rapidly expanding urban slums), as well as to any possible resistance to that inequity. Another article considers the history and politics of Harlem from the perspective of a well-known academic, activist, and postcolonial theorist whose work here is interwoven with the photographic art of Alice Attie. A third reflects on the politics of representation of Hindu and Muslim populations in Mumbai, evaluating popular media including film and the cosmopolitan fiction of Salman Rushdie.

Contributors. Alice Attie, Mike Davis, Ashley Dawson, Brent Hayes Edwards, Brian Larkin, Rossana Reguillo, Gayatri Chakravorty Spivak, Rashmi Varma, Victor Vich

Japanese and Korean are typologically similar, with linguistic phenomena in one often having counterparts in the other. The Japanese/Korean Linguistics Conference provides a forum for research, particularly through comparative study, of both languages. The papers in this volume are from the twenty-second conference, which was held at the National Institute for Japanese Language and Linguistics. They include essays on the phonology, morphology, syntax, semantics, historical linguistics, discourse analysis, prosody, and psycholinguistics of both languages. Such comparative studies deepen our understanding of both languages and will be a useful reference for students and scholars in either field.

The jazz jam session is becoming obsolete. This spontaneous, organic communal habit of playing music for fun and with obsessive abandon is threatened by economic, technological, and cultural changes that have transformed the jazz scene. Now driven largely by commercial interests, jazz serves a wide audience that can enjoy its musical tradition in the comfort of the living room.

While jazz as an art form has moved from an essentially live club experience to a controlled mass market enterprise, jazz as a cultural form is becoming more recognized and more defined. Reminiscent of yesterday’s more personal jazz encounter, Jazz as a Cultural Archive is an intellectual and controversial jam session. This issue views the evolution of jazz culture through the eyes of the artists themselves. Conversations with saxophonist/composer Benny Golson, singer Mary Stallings, pianists John Hicks and Frank Strazzeri, and trumpeter Art Farmer, among others, highlight this collection of commentary on the changing jazz scene. Also included are an essay by one of the foremost chroniclers of the jazz world, novelist and critic Albert Murray; a look at jazz and the politics of race by trombonist/composer Tom McIntosh; and a stunning collection of photographs by renowned jazz photographer Michael Oletta.

Osiris annually examines a particular topic in the history of science, bringing together experts in the field to consider multiple aspects of the time period, episode, or theme.   Volume 22 explores the ways that twentieth-century political institutions and the human sciences in the western world attempted to understand and shape the attitudes and behaviors of individuals.

Sound has given rise to many rich theoretical reflections, but when compared to the study of images, the study of sound continues to be marginalized. How is the “sense” of sound constituted and elaborated linguistically, textually, technologically, phenomenologically, and geologically, as well as acoustically? How is sound grasped as an object? Considering sound both within and beyond the scope of the human senses, contributors from literature, film, music, philosophy, anthropology, media and communication, and science and technology studies address topics that range from Descartes’s resonant subject to the gendering of hearing physiology in the nineteenth century, Cold War politics and the opera Nixon in China, sounds from the Mediterranean, the poetics of signal processing, and the acousmatic voice in the age of MP3s. In the interpretive challenges posed by voice, noise, antinoise, whispering, near inaudibility, and silence and in the frequent noncoincidence of emission and reception, sound confronts us with what might be called its inhuman qualities—its irreducibility to meaning, to communication, to information, and even to recognition and identification.

Rey Chow is Anne Firor Scott Professor of Literature at Duke University. She is the author of The Age of the World Target and Modern Chinese Literary and Cultural Studies in the Age of Theory, both published by Duke University Press.

James A. Steintrager is Professor and Chair of English at the University of California, Irvine.

Contributors: Caroline Bassett, Eugenie Brinkema, Iain Chambers, Michel Chion, Rey Chow, Mladen Dolar, Veit Erlmann, Evan Johnson, Christopher Lee, Mara Mills, John Mowitt, Dominic Pettman, Tara Rodgers, Nicholas Seaver, James A. Steintrager, Jonathan Sterne,

Winner of the 2001 CELJ Award for the Best Special Issue

This special issue of Poetics Today explores the development of a South African literary identity in the face of its staggering cultural, historical, and linguistic diversity. The collection uses the idea of the "global imaginary" to explore the ways the outside world has constructed ideas about South African literature as well as the way South Africans themselves have fashioned their literary selfhood. Articles address the legacy of colonialism and apartheid and wrestle with the fact that in spite of the fact that there are eleven official languages in South Africa and that many of the cultures have historically relied on an oral tradition, the dominant works continue to be those that are written down, in English. As de Kock writes in his introduction, the collection "raises a multiplicity of questions about the colonization of culture." There has been a "trope of binary pairing," he writes, between white and black, civilized and backward, home and exile, colonizer and colonized, which obscures the richness and complexity of the South African literary tradition. This collection promises to at least begin to correct that oversimplification.

Contributors: Louise Bethlehem, Jonathan Crewe, Dirk Klopper, Leon de Kock, Loren Kruger, Sonja Laden, Simon Lewis, Peter Merrington, Patricia Watson Shariff, Pippa Skotnes

This special issue of Social Text critically engages contemporary theory, shifting the question of "what matters" from an epistemological domain to an ontological one. Essays enter into debates over evolutionary theory and the potential effects of those debates on bodies and sexuality; examine South Asian racial formation, in which intense policing slides discipline into control, yet yields immeasurable "monstrous crossbreeds"; trace pharmaceutical governance in the control of AIDS in Brazil; and ask how political art commands or develops the capacity for attention, if not critique, in terms of the control exerted by dominant media cultures.