front cover of Circling Faith
Circling Faith
Southern Women on Spirituality
Wendy Reed
University of Alabama Press, 2012
Circling Faith is a collection of essays by southern women that encompasses spirituality and the experience of winding through the religiously charged environment of the American South.
 
Mary Karr, in “Facing Altars,” describes how the consolation she found in poetry directed her to a similar solace in prayer. In “Chiaroscuro: Shimmer and Shadow,” Susan Cushman recounts how her dissatisfaction with a Presbyterian upbringing led her to hold her own worship services at home and eventually to join the Eastern Orthodox Church. “Magic” by Amy Blackmarr depicts a religious practice that occurs wholly outside of any formal setting—she recognizes places, such as a fishing shack in south Georgia, and things, such as crystal Cherokee earrings, as reminders that God exists everywhere and that a Great Comforter is always present. In “The Only Jews in Town,” Stella Suberman gives her account of growing up as a religious minority in Tennessee, connecting her story to a larger narrative of Eastern European Jews who moved away from the Northeast, often to found and run “Jew stores” in midwestern and southern towns.  Alice Walker, in an interview with Valerie Reiss titled “Alice Walker Calls God ‘Mama,’” relates her dynamic relationship with her God, which includes meditation and yoga, and explains how she views the role of faith in her work, including her novel The Color Purple.  These essays showcase the large spectrum of spirituality that abides in the South, as well as the equally large spectrum of individual women who hold these faiths.
 
 
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front cover of The Ethics of Swagger
The Ethics of Swagger
Prizewinning African American Novels, 1977–1993
Michael DeRell Hill
The Ohio State University Press, 2013
After World War II and well beyond the Black Arts Movement, African American novelists struggled with white literary expectations imposed upon them. Aesthetics as varied as New Criticism and Deconstruction fueled these struggles, and black writers—facing these struggles— experienced an ethical crisis. Analyzing prizewinning, creative fellowship, and artistic style, this book considers what factors ended that crisis.
 
The Ethics of Swagger explores how novelists who won major prizes between 1977 and 1993 helped move authors of black fiction through insecurity toward autonomy. Identifying these prizewinners—David Bradley, Ernest Gaines, Charles Johnson, Toni Morrison, Gloria Naylor, Alice Walker, and John Edgar Wideman—as a literary class, this book focuses on how they achieved imaginative freedom, recovered black literary traditions, and advanced the academic study of African American writing.
 
The post–Civil Rights era produced the most accomplished group of novelists in black literary history. As these authors worked in an integrating society, they subjected white narrative techniques to the golden mean of black cultural mores. This exposure compelled the mainstream to acknowledge fresh talent and prodded American society to honor its democratic convictions. Shaping national dialogues about merit, award-winning novelists from 1977 to 1993, the Black Archivists, used swagger to alter the options for black art and citizenship.
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Everyday Use
Alice Walker
Christian, Barbara T
Rutgers University Press, 1994
Alice Walker's early story, "Everyday Use," has remained a cornerstone of her work. Her use of quilting as a metaphor for the creative legacy that African Americans inherited from their maternal ancestors changed the way we define art, women's culture, and African American lives. By putting African American women's voices at the center of the narrative for the first time, "Everyday Use" anticipated the focus of an entire generation of black women writers.

This casebook includes an introduction by the editor, a chronology of Walker's life, an authoritative text of "Everyday Use" and of "In Search of Our Mothers' Gardens," an interview with Walker, six critical essays, and a bibliography. The contributors are Charlotte Pierce-Baker, Houston A. Baker, Jr., Thadious M. Davis, Margot Anne Kelley, John O'Brien, Elaine Showalter, and Mary Helen Washington.
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front cover of Home Girls, 40th Anniversary Edition
Home Girls, 40th Anniversary Edition
A Black Feminist Anthology
Barbara Smith
Rutgers University Press, 2024
Home Girls, the pioneering anthology of Black feminist thought, features writing by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and contains work by many of feminism's foremost thinkers. This edition features an updated list of contributor biographies and an all-new preface that provides Barbara Smith the opportunity to look back on forty years of the struggle, as well as the influence the work in this book has had on generations of feminists. The preface from the previous Rutgers edition remains, as well as all of the original pieces, set in a fresh new package. 

Contributors: Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willi (Willie) M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Spears Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita J. Weems.
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The Obama Phenomenon
Toward a Multiracial Democracy
Edited by Charles P. Henry, Robert L. Allen, and Robert Chrisman
University of Illinois Press, 2011
Barack Obama's campaign and electoral victory demonstrated the dynamic nature of American democracy. Beginning as a special issue of The Black Scholar, this probing collection illustrates the impact of "the Obama phenomenon" on the future of U.S. race relations through readings on Barack Obama's campaign as well as the idealism and pragmatism of the Obama administration. Some of the foremost scholars of African American politics and culture from an array of disciplines--including political science, theology, economics, history, journalism, sociology, cultural studies, and law--offer critical analyses of topics as diverse as Obama and the media, Obama’s connection with the hip hop community, the public's perception of first lady Michelle Obama, voter behavior, and the history of racial issues in presidential campaigns since the 1960s.
 
Contributors are Josephine A. V. Allen, Robert L. Allen, Herb Boyd, Donald R. Deskins Jr., Cheryl I. Harris, Charles P. Henry, Dwight N. Hopkins, John L. Jackson, Maulana Karenga, Robin D. G. Kelley, Martin Kilson, Clarence Lusane, Julianne Malveaux, Shaun Ossei-Owusu, Dianne M. Pinderhughes, Sherman C. Puckett, Scharn Robinson, Ula Y. Taylor, Alice Walker, Hanes Walton Jr., and Ronald Williams II.
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front cover of Solidarity with the Other Beings on the Planet
Solidarity with the Other Beings on the Planet
Alice Walker, Ecofeminism, and Animals in Literature
Pamela B. June
Northwestern University Press, 2020
For decades, Pulitzer Prize–winning author and activist Alice Walker has spoken out in defense of the oppressed. Her writings address the intersections of racist, sexist, heterosexist, classist, and, increasingly, speciesist oppressions, and she has made clear the importance of reducing violence and creating peace where possible. In light of Walker’s call to action, this book analyzes seven of her novels to offer a fresh reading situated at the complex intersection of critical race studies and critical animal studies.
 
Grounded in ecofeminist theory, this literary analysis examines Walker’s evolving views on animals in relation to her discussions of other oppressed groups. Pamela B. June argues that Walker’s fiction can help readers understand and perhaps challenge American culture’s mistreatment of nonhuman animals. Walker has withstood criticism for her decision to abandon vegetarianism, and this book also problematizes the slippery territory of viewing writers as moral guides. Solidarity with the Other Beings on the Planet will appeal to readers in literary studies, ecofeminist studies, African American studies, and critical animal studies.
 
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front cover of This Book Is an Action
This Book Is an Action
Feminist Print Culture and Activist Aesthetics
Edited by Jaime Harker and Cecilia Konchar Farr
University of Illinois Press, 2016
The Women's Liberation Movement held a foundational belief in the written word's power to incite social change. In this new collection, Jaime Harker and Cecilia Konchar Farr curate essays that reveal how second-wave feminists embraced this potential with a vengeance. The authors in This Book Is an Action investigate the dynamic print culture that emerged as the feminist movement reawakened in the late 1960s. The works created by women shined a light on taboo topics and offered inspiring accounts of personal transformation. Yet, as the essayists reveal, the texts represented something far greater: a distinct and influential American literary renaissance. On the one hand, feminists took control of the process by building a network of publishers and distributors owned and operated by women. On the other, women writers threw off convention to venture into radical and experimental forms, poetry, and genre storytelling, and in so doing created works that raised the consciousness of a generation. Examining feminist print culture from its structures and systems to defining texts by Margaret Atwood and Alice Walker, This Book Is an Action suggests untapped possibilities for the critical and aesthetic analysis of the diverse range of literary production during feminism's second wave.
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front cover of Zora Neale Hurston
Zora Neale Hurston
A Literary Biography
Robert E. Hemenway. Foreword by Alice Walker
University of Illinois Press, 1977

The life and work of the iconic author and intellectual

Zora Neale Hurston transformed each hour of her life into something bubbling, exuberant, and brimming with joy. Robert Hemenway’s biography is a towering portrait of the novelist, folklorist, and anthropologist. Drawing on archival documents and interviews with people who knew her, Hemenway explores Hurston’s art and work, from her extraordinary novels and autobiography to a popular treatment of black folkways that revealed her deep commitment to the black folk tradition. He also provides a sensitive look at her two marriages; her relationships with Mrs. R. Osgood Mason, Franz Boas, and Langston Hughes; her time as a member of the black literati of the 1920s and 1930s; and the penniless final years leading to her death.

Sophisticated and original, Zora Neale Hurston tells the compelling story of a woman who reveled in a fully lived life dedicated to a lasting art and the preservation of a vital cultural heritage.

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