front cover of Instrument of Memory
Instrument of Memory
Encounters with the Wandering Jew
Lisa Lampert-Weissig
University of Michigan Press, 2024
How can immortality be a curse? According to the Wandering Jew legend, as Jesus made his way to Calvary, a man refused him rest, cruelly taunting him to hurry to meet his fate. In response, Jesus cursed the man to wander until the Second Coming. Since the medieval period, the legend has inspired hundreds of adaptations by artists and writers. Instrument of Memory: Encounters with the Wandering Jew, the first English-language study of the legend in over fifty years, is also the first to examine the influence of the legend’s medieval and early modern sources over the centuries into the present day. Using the lens of memory studies, the work shows how the Christian tradition of the legend centered the memory of the Passion at the heart of the Wandering Jew’s curse. Instrument of Memory also shows how Jewish artists and writers have reimagined the legend through Jewish memory traditions. Through this focus on memory, Jewish adapters of the legend create complex renderings of the Wandering Jew that recognize not only the entanglement of Jewish and Christian memory, but also the impact of that entanglement on Jewish subjects. This book presents a complex, sympathetic, and more fully realized version of the legend while challenging the limits of the presentism of memory studies.
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front cover of The Legend of the Wandering Jew
The Legend of the Wandering Jew
George K. Anderson
Brandeis University Press, 1991
When Christ, wearied by the heavy burden of the cross, leaned for a moment against a stranger’s doorway, the stranger drove him away and cried, “Walk faster!” To this, Christ replied, “I go, but you will walk until I come again!” So began the legend of the Wandering Jew, which has recurred in many forms of literature and folklore ever since. George K. Anderson, in a book first published in 1965 and immediately hailed as a classic, traces this enduring legend through the ages, from St. John through the Middle Ages to Shelley, Eugène Sue, and the antisemitism of Hitler to recent movies and novels. Though the main elements of the legend are a constant, Anderson shows how changes in emphasis and meaning reflect civilization’s shifting concerns and attitudes over time.
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front cover of The Wandering Jew
The Wandering Jew
Stefan Heym
Northwestern University Press, 1999
According to the myth of the Wandering Jew, Ahasverus denied Christ a resting place while Christ was traveling to Golgotha. In turn, Ahasverus was cursed to roam the earth until the Second Coming. Stefan Heym's novel re-creates and expands this myth to propose that the right synthesis of love and rebellion can bring humankind to the Kingdom of Heaven.

Heym introduces both Ahasverus and Lucifer as angels cast out of heaven for their opinions on God's order. Their respective oppositions continue throughout the rest of time: Ahasverus remains defiant through protest rooted in love and a faith in progress, while Lucifer is rebellious by means of his old, familiar methods. In a funny eternity of run-ins, debates, and meddling with characters such as Christ, a disciple of Luther, and a Marxist professor in East Germany, Ahasverus and Lucifer struggle on, awaiting the Second Coming.
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