front cover of An Instinct for War
An Instinct for War
Scenes from the Battlefields of History
Roger Spiller
Harvard University Press, 2005

Stories about war are some of the oldest stories told--used to entertain, to glorify, to lament, to educate. An Instinct for War utilizes myriad tales of war to offer a remarkable look at one of humanity's oldest plagues. Roger Spiller excavates the essence of war and its evolution through the words and thoughts of those who led--and those who were led--into battle, moving from the perspective of an ancient Chinese emperor to Napoleon's command, from a Civil War soldier's final days to the particularities of today's small wars throughout the globe.

Spiller combines a mastery of the primary sources with a vibrant historical imagination to locate a dozen turning points in the world's history of warfare that altered our understanding of war and its pursuit. We are conducted through profound moments by the voices of those who witnessed them and are given a graphic understanding of war, the devastating choices, the means by which battles are won and lost, and the enormous price exacted. Spiller's attention to the sights and sounds of battle enables us to feel the sting and menace of past violent conflicts as if they were today's.

A bold departure from standard military history, An Instinct for War will challenge our understanding of how war forever alters the landscape--both human and geographic--and how individuals can alter the nature of battle. This collective portrait of the life of war offers unparalleled insight into our struggle for mastery over a fundamental instinct.

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Visions of War
World War II in Popular Literature and Culture
M. Paul Holsinger
University of Wisconsin Press, 1992
For Americans World War II was “a good war,” a war that was worth fighting. Even as the conflict was underway, a myriad of both fictional and nonfictional books began to appear examining one or another of  the raging battles. These essays  examine some of the best literature and popular culture of World War II. Many of the studies focus on women, several are about children, and all concern themselves with the ways that the war changed lives. While many of the contributors concern themselves with the United States, there are essays about Great Britain, Canada, France, Germany, Poland, Russia, and Japan.
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Writing Wars
Authorship and American War Fiction, WWI to Present
David F. Eisler
University of Iowa Press, 2022
Choice Outstanding Academic Title
2024 Senators Bob and Elizabeth Dole Biennial Award for Distinguished Book in Veterans Studies, winner

Who writes novels about war? For nearly a century after World War I, the answer was simple: soldiers who had been there. The assumption that a person must have experienced war in the flesh in order to write about it in fiction was taken for granted by writers, reviewers, critics, and even scholars.

Contemporary American fiction tells a different story. Less than half of the authors of contemporary war novels are veterans. And that’s hardly the only change. Today’s war novelists focus on the psychological and moral challenges of soldiers coming home rather than the physical danger of combat overseas. They also imagine the consequences of the wars from non-American perspectives in a way that defies the genre’s conventions. To understand why these changes have occurred, David Eisler argues that we must go back nearly fifty years, to the political decision to abolish the draft. The ramifications rippled into the field of cultural production, transforming the foundational characteristics— authorship, content, and form—of the American war fiction genre.
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