front cover of Understanding Attitudes About War
Understanding Attitudes About War
Gregory G. Brunk
University of Pittsburgh Press, 1996

Choice 1997 Outstanding Academic Book


Why have some traditional cold warriors opposed involvement in Iraq and the former Yugoslavia, while many vocal critics of the Vietnam war supported the use of U.S. forces in Somalia, Haiti, and the Balkans? What do these debates tell us about American attitudes toward the use of military force to achieve foreign policy goals? The authors examine the ethical and moral underpinnings of U.S. international relations by exploring the attitudes of decision makers and foreign policy elites toward war. Their unique contribution is to bring together the various doctrines in the literature and to characterize them using behavioral methodologies, in an attempt to bring normative questions back into the mainstream of political science.

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Undertones of War
Edmund Blunden
University of Chicago Press, 2007
“I took my road with no little pride of fear; one morning I feared very sharply, as I saw what looked like a rising shroud over a wooden cross in the clustering mist. Horror! But on a closer study I realized that the apparition was only a flannel gas helmet. . . . What an age since 1914!”

In Undertones of War, one of the finest autobiographies to come out of World War I, the acclaimed poet Edmund Blunden records his devastating experiences in combat. After enlisting at the age of twenty, he took part in the disastrous battles at the Somme, Ypres, and Passchendaele, describing them as “murder, not only to the troops but to their singing faiths and hopes.”

All the horrors of trench warfare, all the absurdity and feeble attempts to make sense of the fighting, all the strangeness of observing war as a writer—of being simultaneously soldier and poet—pervade Blunden’s memoir. In steely-eyed prose as richly allusive as any poetry, he tells of the endurance and despair found among the men of his battalion, including the harrowing acts of bravery that won him the Military Cross.

Now back in print for American readers, the volume includes a selection of Blunden’s war poems that unflinchingly juxtapose death in the trenches with the beauty of Flanders’s fields. Undertones of War deserves a place on anyone’s bookshelf between Siegfried Sassoon’s poetry and Robert Graves’s Goodbye to All That.
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Unequal under Law
Race in the War on Drugs
Doris Marie Provine
University of Chicago Press, 2007
Race is clearly a factor in government efforts to control dangerous drugs, but the precise ways that race affects drug laws remain difficult to pinpoint. Illuminating this elusive relationship, Unequal under Law lays out how decades of both manifest and latent racism helped shape a punitive U.S. drug policy whose onerous impact on racial minorities has been willfully ignored by Congress and the courts.

Doris Marie Provine’s engaging analysis traces the history of race in anti-drug efforts from the temperance movement of the early 1900s to the crack scare of the late twentieth century, showing how campaigns to criminalize drug use have always conjured images of feared minorities. Explaining how alarm over a threatening black drug trade fueled support in the 1980s for a mandatory minimum sentencing scheme of unprecedented severity, Provine contends that while our drug laws may no longer be racist by design, they remain racist in design. Moreover, their racial origins have long been ignored by every branch of government. This dangerous denial threatens our constitutional guarantee of equal protection of law and mutes a much-needed national discussion about institutionalized racism—a discussion that Unequal under Law promises to initiate.
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The United States Army in the War of 1812
Robert Quimby
Michigan State University Press, 1997

This two-volume work by historian Robert Quimby presents a comprehensive and detailed analysis of military strategy, operations, and management during one of America’s most neglected and least understood military campaigns, the War of 1812. With causes that can be traced to the epic contest against Napoleon in Europe beginning in 1803, the war itself was the first conducted by the young Constitutional government of the United States. Quimby demonstrates that failed American initiatives at the beginning of hostilities shattered the unrealistic optimism of the war’s staunchest advocates; and while initial failures were followed by military success in 1813, whatever advantage might have been gained was soon lost to incompetent leadership. Major exceptions occurred in the Old Northwest, and in what was then the Southwest, where U.S. forces finally broke the strength of the long-successful Indian-British alliance.  
      In retrospect, what occurred during the War of 1812 demonstrated the necessity for gaining citizen support before committing the nation to armed conflict; it also provided a series of object lessons on how not to conduct a military campaign. Finally Quimby argues that, notwithstanding several victories at war’s end, including the fabled Battle of New Orleans, American perceptions that the United States "won" the war are erroneous; at best the struggle ended in a draw. The United States Army in the War of 1812 is an up-to-date and long overdue reassessment of military actions conducted during a pivotal conflict in American history, one that shaped U.S. military doctrine for a half century.

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front cover of Untying the Knot of War
Untying the Knot of War
A Bargaining Theory of International Crises
T. Clifton Morgan
University of Michigan Press, 1994
A formal theory of why some crises end in war
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front cover of Unveiling Secrets of War in the Peruvian Andes
Unveiling Secrets of War in the Peruvian Andes
Olga M. González
University of Chicago Press, 2011

The Maoist guerrilla group Shining Path launched its violent campaign against the government in Peru’s Ayacucho region in 1980. When the military and counterinsurgency police forces were dispatched to oppose the insurrection, the violence quickly escalated. The peasant community of Sarhua was at the epicenter of the conflict, and this small village is the focus of Unveiling Secrets of War in the Peruvian Andes. There, nearly a decade after the event, Olga M. González follows the tangled thread of a public secret: the disappearance of Narciso Huicho, the man blamed for plunging Sarhua into a conflict that would sunder the community for years.

Drawing on extensive fieldwork and a novel use of a cycle of paintings, González examines the relationship between secrecy and memory. Her attention to the gaps and silences within both the Sarhuinos’ oral histories and the paintings reveals the pervasive reality of secrecy for people who have endured episodes of intense violence. González conveys how public secrets turn the process of unmasking into a complex mode of truth telling. Ultimately, public secrecy is an intricate way of “remembering to forget” that establishes a normative truth that makes life livable in the aftermath of a civil war.

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