"As I write this, I am sitting in a cabin at Cedar Point Biological Station in southwestern Nebraska.... The glorious elemental mixture of earth, water, and sky around me is the home of nearly three hundred species of birds, and comprises one of my favorite places in the world. Here no radio stations blare out the most recent results of meaningless sports events ... no traffic noises confound the senses. Instead the wind is the unquestioned dominating summer influence. The prairie grasses bend willingly and gracefully before it, and the leaves of the cottonwood trees convert its breezes into soft music."
Paul Johnsgard is one of America's most prominent ornithologists and a world authority on waterfowl behavior. In these popularly written, often lyrical essays, he describes some of his most fascinating encounters with birds, from watching the annual mating displays of prairie-chickens on a hilltop in Pawnee County, Nebraska, to attempting to solve some of the mysteries surrounding Australia's nearly flightless musk duck.
Reflecting his worldwide interests and travels, the birds Johnsgard describes inhabit many parts of the globe. Grouping the birds by the element they frequent most—earth, water, or sky—he weaves a wealth of accurate natural history into personal stories drawn from a lifetime of avian observation. And, as a bonus, Johnsgard's lovely pen-and-ink drawings illustrate each species he describes.
A unique study of an Andean community’s water rituals and the extraordinary document describing how they should be performed
In the dry season in the Andes, water from springs, lakes, reservoirs, and melting glaciers feeds irrigation canals that have sustained communities for thousands of years. Managing and maintaining these water infrastructures is essential, and in 1921, in the village of San Pedro de Casta, Peru, local authorities recorded their ritual canal-cleaning duties in a Spanish-language document called the Entablo. It is only the second book (along with the Huarochirí Manuscript) ever seen by scholars in which an Andean community explains its customs and ritual laws in its own words.
Sarah Bennison offers a critical introduction to the Entablo, a Spanish transcription of the document, and an English translation. Among its other revelations, the Entablo delves into the use of khipu boards, devices that meld the traditional knotted strings known as khipus with a written alphabet. Only in the Entablo do we learn that there were multiple khipu boards associated with a single canal-cleaning ritual, or that there were separate khipu records for men and women. The Entablo manuscript furnishes unparalleled insights into Andean rituals, religion, and community history at a historical moment when rural highland communities were changing rapidly.
Winner of the 2004 Cave Canem Poetry Prize
The poems in Eye of Water are derived from the narrator’s experiences in what she calls her “waking.” She traces inspiration to “the beginning of myth, to Eve in the Garden of Eden” and states: “We could spend our lives unraveling the mistake and discover that life was one great big ‘chore,’ and inescapable. And the path is full of missteps and accidents because we cannot (or prefer not to) remember all that got us to that moment. My body seems to be a symptom of the past, so no matter who touches me, all the ghosts are waiting there. The ‘chore’ becomes how to survive despite the flaws of our humanness that makes us brutal at times.”
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press