front cover of Trial Balance
Trial Balance
The Collected Short Stories of William March
William March
University of Alabama Press, 2011

  The Collected Short Stories of William March

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front cover of The Two Worlds of William March
The Two Worlds of William March
Roy S. Simmonds
University of Alabama Press, 1984

“Described by José Garcia Villa as America’s ‘greatest short story writer,’ by Alistair Cooke as the ‘the unrecognized genius of our time,’ and by his biographer as ‘one of the most remarkable, talented, and shamefully neglected writers that America has pro- duced,’ William March (1893–1954) is remembered, if at all, for The Bad Seed, which March ironically regarded as his worst work. The emphasis in The Two Worlds of William March is on the literary career, and we get a fairly full picture of a hardworking, oversensitive, compassionate bachelor, who suffered a tragic breakdown late in life . . . [and] whose best long works, Company K and The Looking-Glass, as well as March himself are almost forgotten. . . . Simmonds’s comprehensive, scholarly, and sympathetic study may redress this unwarranted neglect.” —CHOICE

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front cover of William March
William March
An Annotated Checklist
Roy S. Simmonds
University of Alabama Press, 1988
Providing an exhaustive compendium of publications by and citations about Alabama-born writer William March, William March: An Annotated Checklist offers an invaluable resource that traces in meticulous detail the arc of March’s writing, the popular and critical reception of his books and novels, and the abundant scholarship and criticism about March and his oeuvre.
 
This deeply researched reference includes both primary materials, an exhaustive checklist of the forms and editions of each of March’s works, and secondary materials, which include plays and films adapted from March’s writing, biographical and critical articles, doctoral dissertations, and contemporary reviews of March’s work.
 
The reissue in 2015 of the novels in his Pearl County series—Come in at the Door, The Tallons, and The Looking-Glass—is part of a fresh wave of interest in March, one of the most influential American writers from the mid-1930s until his death in 1954.
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