front cover of Fonthill Recovered
Fonthill Recovered
A Cultural History
Edited by Caroline Dakers
University College London, 2018
Fonthill, Wiltshire, is typically associated with the writer and collector William Beckford, who built his Gothic fantasy house, Fonthill Abbey, there at the end of the eighteenth century. The collapse of the Abbey’s tower in 1825 transformed the name Fonthill into a symbol for overarching ambition and folly. But Fonthill is much more than the story of one man’s excesses, and the Abbey was only one of several important houses to be built there, all eventually consumed by fire or deliberately demolished—and all strangely forgotten by contemporary history

Fonthill Recovered draws on new research to explore the rich cultural history of this place where little remains today—a tower, a stable block, the ruins of what was once a kitchen, and an indentation in a field. The first half of the book traces the occupation of Fonthill from the Bronze Age to the twenty-first century. Some of the owners surpassed Beckford in terms of their wealth and political power—and even, in one case, their sexual proclivities. They include Charles I’s Chancellor of the Exchequer and the richest British commoner of the nineteenth century. The second half of the book consists of essays on specific topics, examining such crucial areas as the complex history of the designed landscape, the sources of the Beckfords’ wealth and their extensive art collection, and the recent appearance of the Abbey in a video game.
 
[more]

front cover of Stonehenge
Stonehenge
Rosemary Hill
Harvard University Press, 2008

Welcoming 800,000 visitors each year, Stonehenge is the most famous prehistoric monument in all of Europe. It has inspired modern replicas throughout the world, including one constructed entirely of discarded refrigerators. This curious structure is the subject of cult worship, is a source of pride for Britons, and offers an intellectual challenge for academics. It has captured the imagination and the attention of thousands of people for thousands of years.

Over the centuries, “experts” have tried to discover the meaning behind Stonehenge. While each new theory contradicts earlier speculation, every new proposal attributes a purpose to the site. From bards of the twelfth century to Black Sabbath, from William Blake to archaeologists of the twenty-first century, Stonehenge has embodied a wealth of intention. Was it designed for winter solstice, for goddess worship, or as a funerary temple? While all have been suggested, even “proven,” the mystery continues.

Through the eyes of its most eloquent apologists, Rosemary Hill guides the reader on a tour of Stonehenge in all its cultural contexts, as a monument to many things—to Renaissance Humanism, Romantic despair, Victorian enterprise, and English Radicalism. In the end, the stones remain compelling because they remain mysterious—apparently simple yet incomprehensible—that is the wonder, the enchantment, of Stonehenge.

[more]


Send via email Share on Facebook Share on Twitter