front cover of Dichos! The Wit and Whimsy of Spanish Sayings
Dichos! The Wit and Whimsy of Spanish Sayings
By Joseph J. Keenan
University of Texas Press, 2019

One of the most challenging—and entertaining—aspects of learning another language is the idiom. Those quirky phrases, steeped in metaphor and colorful cultural references, enliven conversation and make your cross-cultural communication familiar, fun, and meaningful. ¡Dichos! (Sayings) brings us a vibrant compendium of both age-old and brand-new expressions from across Latin America, compiled by the language enthusiast whose Breaking Out of Beginner’s Spanish transformed thousands of readers’ interactions with the Spanish language.

¡Dichos! is divided into thematic sections covering topics ranging from games and relaxation to politics, macho men, and Mondays. Spanish speakers can also use the book to identify the spot-on/best slangy English equivalent for a Spanish-language idiom. Packed with gems like La barba me huele a tigre, y yo mismo me tengo miedo (My beard smells of tiger, and I’m even afraid of myself) and Para todo mal, mezcal; para todo bien, también (For everything bad, mezcal; for everything good, likewise), this book is the ultimate tool for taking your language skills to the next level as you navigate nuance with humor and linguistic agility.

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front cover of Dichos! The Wit and Whimsy of Spanish Sayings
Dichos! The Wit and Whimsy of Spanish Sayings
By Joseph J. Keenan
University of Texas Press, 2019

One of the most challenging—and entertaining—aspects of learning another language is the idiom. Those quirky phrases, steeped in metaphor and colorful cultural references, enliven conversation and make your cross-cultural communication familiar, fun, and meaningful. ¡Dichos! (Sayings) brings us a vibrant compendium of both age-old and brand-new expressions from across Latin America, compiled by the language enthusiast whose Breaking Out of Beginner’s Spanish transformed thousands of readers’ interactions with the Spanish language.

¡Dichos! is divided into thematic sections covering topics ranging from games and relaxation to politics, macho men, and Mondays. Spanish speakers can also use the book to identify the spot-on/best slangy English equivalent for a Spanish-language idiom. Packed with gems like La barba me huele a tigre, y yo mismo me tengo miedo (My beard smells of tiger, and I’m even afraid of myself) and Para todo mal, mezcal; para todo bien, también (For everything bad, mezcal; for everything good, likewise), this book is the ultimate tool for taking your language skills to the next level as you navigate nuance with humor and linguistic agility.

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Living a Country Year
Wit and Wisdom from the Good Old Days
Jerry Apps
Wisconsin Historical Society Press, 2018
Jerry App’s farm stories open the barn door to understanding life in the country.

“Even with the all the hard work, we had more time (perhaps we took more time) to enjoy what was all around us: nights filled with starlight, days with clear blue skies and puffy clouds. Wonderful smells everywhere—fresh mown hay, wildflowers, and apple blossoms. Interesting sounds—the rumble of distant thunder, an owl calling in the woods, a flock of Canada geese winging over in the fall.”

In this paperback edition of a beloved Jerry Apps classic, the rural historian tells stories from his childhood days on a small central Wisconsin dairy farm in the 1930s and 1950s. From a January morning memory of pancakes piled high after chores, to a June day spent learning to ride a pony named Ginger, Jerry moves through the turn of the seasons and teaches gentle lessons about life on the farm. With recipes associated with each month and a new introduction exclusive to this 2nd edition, Living a Country Year celebrates the rhythms of rural life with warmth and humor.
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On the Third Hand
Wit and Humor in the Dismal Science
Caroline Postelle Clotfelter, Editor
University of Michigan Press, 1996
If ever you suspected that economic humor is an oxymoron, read on. This anthology, offering over a hundred selections of economic humor in the form of essays, fables, cartoons, verses, parodies, and epigrams drawn from works ancient and modern, will disabuse you of that notion by way of laughter. The contributors, about evenly divided between economists and noneconomists, share a common urge to poke fun at economics and its practitioners. Their styles and methods, however, range from kind and gentle to mordant and misanthropic; this is not surprising given the diversity of their professions: diplomat, playwright, printer's devil, publisher, columnist, physician, inventor, minister, corporate president, radio star, New York Stock Exchange member, and philosopher, to name but a few.
Bringing economic humor into the light of day, Caroline Clotfelter gathers her collection of materials into recognizable categories: economists as others see them, the language and methods of economics, Econ 101, micro- and macroeconomics, and basic economic models and ideas. Aiding and abetting her include such luminaries as John Stuart Mill, George Bernard Shaw, Mad Magazine, Stephen Leacock, Emily Dickinson, Rube Goldberg, Pogo, and John Kenneth Galbraith. As no other, this book will challenge economists to enjoy jokes at their own expense; noneconomists may have even less difficulty finding something funny in this most dismal of sciences.
Caroline Postelle Clotfelter, former Professor of Economics, Mercer University, is now retired.
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Ruse and Wit
The Humorous in Arabic, Persian, and Turkish Narrative
Dominic Parviz Brookshaw
Harvard University Press, 2012
The essays in Ruse and Wit examine in detail a wide range of texts (from nonsensical prose, to ribald poetry, titillating anecdotes, edifying plays, and journalistic satire) that span the best part of a millennium of humorous and satirical writing in the Islamic world, from classical Arabic to medieval and modern Persian, and Ottoman Turkish (and by extension Modern Greek). While acknowledging significant elements of continuity in the humorous across distinct languages, divergent time periods, and disparate geographical regions, the authors have not shied away from the particular and the specific. When viewed collectively, the findings presented in the essays collected here underscore the belief that humor as evidenced in Arabic, Persian, and Turkish narrative is a culturally modulated phenomenon, one that demands to be examined with reference to its historical framework and one that, in turn, communicates as much about those who produced humor as it does about those who enjoyed it.
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Stan Hochman Unfiltered
50 Years of Wit and Wisdom from the Groundbreaking Sportswriter
Gloria Hochman
Temple University Press, 2020

The late Philadelphia Daily News sportswriter Stan Hochman was known for his many zingers, such as “Harry Litwack, the stoic Temple coach, stalks the sidelines like a blind man at a nudist colony.” As a reporter, he was more interested in how athletes felt, what their values were, how they lived their lives, or what made them tick than he was about how many runs they scored or punches they landed.

In Stan Hochman Unfiltered, his wife Gloria collects nearly 100 of his best columns from the Daily News about baseball, horse racing, boxing, football, hockey, and basketball (both college and pro), as well as food, films, and even Liz Taylor. Each section is introduced by a friend or colleague, including Garry Maddox, Bernie Parent, Larry Merchant, and Ray Didinger, among others. 

Hochman penned a candid, cantankerous column about whether Pete Rose belongs in the Baseball Hall of Fame; wrote a graphic account of the Muhammad Ali and Joe Frazier fight of the century; and skewered Norman “Bottom Line” Braman, the one-time owner of the Eagles. He also wrote human-interest stories, including features about the importance of kids with special needs playing sports. 

In addition to being a beloved writer, Hochman was also known for his stint on WIP’s radio as the Grand Imperial Poobah, where he would settle callers’ most pressing debates. Hochman long earned the respect and admiration of his subjects, peers, and readers throughout his career, and Stan Hochman Unfiltered is a testament to his enduring legacy.

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Wit and Wisdom
The Forgotten Literary Life of New England Villages
Joan Newlon Radner
University of Massachusetts Press, 2023

The lyceum movement gained momentum in the decades preceding the Civil War, presenting members with the opportunity to participate in literary life and engage with the issues of the day. While urban lyceums played host to a who’s who of nineteenth-century intellectual life, literary societies also cropped up in thousands of villages across the nation, acting as influential sites of learning, creativity, and community engagement. In rural New England, ordinary men and women, farmers and intelligentsia, selectmen and schoolchildren came together to write and perform poetry and witty parodies and debate a wide range of topics, from women’s rights and temperance to slavery, migration, and more.

Wit and Wisdom takes readers inside this long-forgotten tradition, providing new access to the vibrant voices, surprising talents, and understated humor on display on many a cold winter’s night. Having uncovered dozens of handwritten newspapers produced by village lyceums across Maine, New Hampshire, Vermont, and Massachusetts, Joan Newlon Radner proves that these close-knit groups offered a vital expression of the beliefs, ambitions, and resilience of rural New Englanders.

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front cover of The Wit of Seventeenth-Century Poetry
The Wit of Seventeenth-Century Poetry
Edited by Claude J. Summers & Ted-Larry Pebworth
University of Missouri Press, 1994

As the twelve original essays collected in this volume demonstrate, to study the wit of seventeenth-century poetry is necessarily to address concerns at the very heart of the period's shifting literary culture. It is a topic that raises persistent questions of thematics and authorial intent, even as it interrogates a wide spectrum of cultural practices. These essays by some of the most renowned scholars in seventeenth-century studies illuminate important authors and engage issues of politics and religion, of secular and sacred love, of literary theory and poetic technique, of gender relations and historical consciousness, of literary history and social change, as well as larger concerns of literary production and smaller ones of local effects. Collectively, they illustrate the vitality of the topic, both in its own right and as a means of understanding the complexity and range of seventeenth-century English poetry.

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front cover of Wit, Virtue, and Emotion
Wit, Virtue, and Emotion
British Women's Enlightenment Rhetoric
Elizabeth Tasker Davis
Southern Illinois University Press, 2022

Women’s persuasion and performance in the Age of Enlightenment

Over a century before first-wave feminism, British women’s Enlightenment rhetoric prefigured nineteenth-century feminist arguments for gender equality, women’s civil rights, professional opportunities, and standardized education. Author Elizabeth Tasker Davis rereads accepted histories of seventeenth- and eighteenth-century British rhetoric, claiming a greater variety and power of women’s rhetoric. This recovery of British women’s performative and written roles as speakers, spectators, authors, and readers in diverse venues counters the traditional masculine model of European Enlightenment rhetoric. Davis broadens women’s Enlightenment rhetorics to include highly public venues such as theaters, clubs, salons, and debating societies, as well as the mediated sites of the periodical essay, the treatise on rhetorical theory, and women’s written proposals, plans, defenses and arguments for education. Through these sites, women’s rhetorical postures diverged from patriarchal prescriptions rather to deliver protofeminist persuasive performances of wit, virtue, and emotion.

Davis examines context, the effects of memory and gendering, and the cultural sites and media of women’s rhetoric to reveal a fuller ecology of British Enlightenment rhetoric. Each chapter covers a cultural site of women’s rhetorical practice—the court, the stage, the salon, and the printed page. Applying feminist rhetorical theory, Davis documents how women grasped their rhetorical ability in this historical moment and staged a large-scale transformation of British women from subalterns to a vocal counterpublic in British society.

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