A SCHOLARLY BOOK REPOSITORY30 start with J start with J
Jane Addams, a Writer's Life is an expansive, revealing, and refreshing reexamination of the renowned reformer as an imaginative writer. Jane Addams is best known for her groundbreaking social work at Hull-House, the force of her efforts toward Progressive political and social reform, and the bravery of her commitment to pacifism, for which she received the Nobel Peace Prize. Katherine Joslin moves beyond this history to present Addams as a literary figure, one whose writing employed a synthesis of fictional and analytical prose that appealed to a wide audience.
Joslin traces Addams's style from her early works, Philanthropy and Social Progress and her contributions to Hull House Maps and Papers, influenced by Florence Kelley, to her modernist and experimental last books, The Second Twenty Years at Hull-House and My Friend, Julia Lathrop, placing Addams in the context of other Chicago writers including Theodore Dreiser, Upton Sinclair, Harriet Monroe, Frank Norris and James T. Farrell. Joslin's close readings showcase Addams's distinguishing literary devices, such as using stories about people rather than sociological argument to make moral points. As Joslin pursues the argument that Addams's power as a public figure stemmed from the success of her books and essays, Addams herself emerges as a literary woman.
Devoted fans and scholars of Jane Austen—as well as skeptics—will rejoice at Tony Tanner’s superb book on the incomparable novelist. Distilling twenty years of thinking and writing about Austen, Tanner treats in fresh and illuminating ways the questions that have always occupied her most perceptive critics. How can we reconcile the limited social world of her novels with the largeness of her vision? How does she deal with depicting a once-stable society that was changing alarmingly during her lifetime? How does she express and control the sexuality and violence beneath the well-mannered surface of her milieu? How does she resolve the problems of communication among characters pinioned by social reticences?
Tanner guides us through Austen’s novels from relatively sunny early works to the darker, more pessimistic Persuasion and fragmentary Sanditon—a journey that takes her from acceptance of a society maintained by landed property, family, money, and strict propriety through an insistence on the need for authentication of these values to a final skepticism and even rejection. In showing her progress from a parochial optimism to an ability to encompass her whole society, Tanner renews our sense of Jane Austen as one of the great novelists, confirming both her local and abiding relevance.
"By looking at the ways in which Austen domesticates the gothic in Northanger Abbey, examines the conventions of male inheritance and its negative impact on attempts to define the family as a site of care and generosity in Sense and Sensibility, makes claims for the desirability of 'personal happiness as a liberating moral category' in Pride and Prejudice, validates the rights of female authority in Emma, and stresses the benefits of female independence in Persuasion, Johnson offers an original and persuasive reassessment of Jane Austen's thought."—Kate Fullbrook, Times Higher Education Supplement
Pleasure-loving, sarcastic, stubborn, determined, erotic, deeply sad--Jane Kenyon’s complexity and contradictions found expression in luminous poems that continue to attract a passionate following. Dana Greene draws on a wealth of personal correspondence and other newly available materials to delve into the origins, achievement, and legacy of Kenyon’s poetry and separate the artist’s life story from that of her husband, the award-winning poet Donald Hall.
Impacted by relatives’ depression during her isolated childhood, Kenyon found poetry at college, where writers like Robert Bly encouraged her development. Her graduate school marriage to the middle-aged Hall and subsequent move to New Hampshire had an enormous impact on her life, moods, and creativity. Immersed in poetry, Kenyon wrote about women’s lives, nature, death, mystical experiences, and melancholy--becoming, in her own words, an “advocate of the inner life.” Her breakthrough in the 1980s brought acclaim as “a born poet” and appearances in the New Yorker and elsewhere. Yet her ongoing success and artistic growth exacerbated strains in her marriage and failed to stave off depressive episodes that sometimes left her non-functional. Refusing to live out the stereotype of the mad woman poet, Kenyon sought treatment and confronted her illness in her work and in public while redoubling her personal dedication to finding pleasure in every fleeting moment. Prestigious fellowships, high-profile events, residencies, and media interviews had propelled her career to new heights when leukemia cut her life short and left her husband the loving but flawed curator of her memory and legacy.
Revelatory and insightful, Jane Kenyon offers the first full-length biography of the elusive poet and the unquiet life that shaped her art.
The dawn of the twentieth century in Japan witnessed the rise of a peculiar problem: the “Woman Problem.” This, at least, was the term used in an ongoing debate among the government and various intellectuals over how to define gender roles. While the government worked hard to promote the “good wife, wise mother” paradigm, certain female members of society had other notions about how to engage with their world.
In The Japanese “New Woman,” Dina Lowy focuses on this new female image as it was revealed, discussed, and debated in popular newspapers and magazines in the 1910s, as well as on the lives of a specific group of women—members of the feminist literary organization known as the Seitosha. These women drew on a variety of sources, including Zen training, Western writings and ideas, and Japanese morals and arts as they tried to open up new spaces for female activity beyond the confines of the home. Lowy shows how the Seitosha set a precedent that would be emulated in the decades to follow as Japanese women continued to question the patriarchal order, experiment with alternative visions, and pursue their rights in a variety of forms. This work also provides a context for comparative studies of New Women, gender debates, and the modernizing process.
Java is the most populous island of Indonesia, the fifth largest nation in the world. Yet despite its importance, outsiders know little about the country or its people. With the help of Indonesian students and scholars, Walter L. Williams has collected and translated the life histories of twenty-seven Javanese women and men. The people interviewed tell how they have coped with rapid social and economic change, and the transformation of their traditions. Williams has carefully selected the individuals he includes to represent a wide diversity of Java's people. We hear from fascinating men and women of various religions, from the rich and the poor, and from different ethnic backgrounds. Diversity is a constant theme, as evidenced by a poor pedicab driver who can barely scrape along, by a rich businesswoman who explains how she balances her professional and domestic roles, by an educated and respected homosexual school principal, and by an illiterate mother of fourteen children. All of them present in their lives a unique Javanese approach to living.
These oral histories were derived from elderly people, who have a larger perspective on the changes they have seen in their lifetimes. The focus of the first section of the book is the way people have adapted in their daily lives to massive social and economic changes. In the middle section, we hear from the Javanese who represent traditional values in the midst of change. Finally, we hear from educators and parents who tell us of their concerns for Indonesian youth and the future of Indonesia.
Jean Paton (1908–2002) fought tirelessly to reform American adoption and to overcome prejudice against adult adoptees and women who give birth out of wedlock. Paton wrote widely and passionately about the adoption experience, corresponded with policymakers as well as individual adoptees, promoted the psychological well-being of adoptees, and facilitated reunions between adoptees and their birth parents. E. Wayne Carp's masterful biography brings to light the accomplishments of this neglected civil-rights pioneer, who paved the way for the explosive emergence of the adoption reform movement in the 1970s. Her unflagging efforts over five decades helped reverse harmful policies, practices, and laws concerning adoption and closed records, struggles that continue to this day.
—Jeannette Rankin (1880-1973)
Jeannette Rankin, the first woman elected to Congress, stands tall among American icons. The representative from Montana won her seat at a time when women didn't have the right to vote in most states. Her firm stances inspired both admiration and fury across party lines, and she gained nearly canonical status among feminists and pacifists. In Jeannette Rankin: A Political Woman, James Lopach and Jean Luckowski demythologize Rankin, showing her to be a talented, driven, and deeply divided woman.
Until now, no biography has explored Rankin's inconsistencies. The authors extensively consulted the correspondence of her family members and contemporaries, uncovering ties between her politics and her familial and personal relationships. They reveal how she succeeded through her wealthy brother's influence as well as her own extraordinary efforts; how she drew inspiration not from her rural roots but from the radical hotbed of Greenwich Village; and how she championed an independent, woman-centered life while deferring to family.
Revealing her complexities along with her accomplishments, Jeannette Rankin: A Political Woman will be the definitive biography of this path-breaking politician for years to come.
A Junior Library Guild selection
Society of Children’s Book Writers and Illustrators Official 2016 Summer Reading List
In this biography for middle-grade readers, Nancy Roe Pimm tells the story of Geraldine “Jerrie” Mock, the first woman to fly solo around the world. In her trusty Cessna, The Spirit of Columbus—also known as Charlie—she traveled from Columbus, Ohio, on an eastward route that totaled nearly twenty-three thousand miles and took almost a month. Overcoming wind, ice, mechanical problems, and maybe even sabotage, Mock persevered.
Mock caught the aviation bug at seven years old, when she rode in a Ford Trimotor plane with her parents. In high school, she displayed a talent for math and science, and she was the only woman in her aeronautical engineering classes at Ohio State University. Although she then settled into domestic life, she never lost her interest in flying. What began as a joking suggestion from her husband to fly around the world prompted her to pursue her childhood dream. But the dream became a race, as another woman, Joan Merriam Smith, also sought to be the first to circle the globe.
Even though Mock beat Smith and accomplished what her heroine Amelia Earhart had died trying to do, her feat was overshadowed by the Vietnam War and other world events. Now, Pimm introduces Mock to a new generation of adventurers.
Winner of the Governor General's Literary Award, A Jest of God was also the basis of the movie Rachel, Rachel.
"Mrs. Laurence tells [her story] unsparingly, with absolute authority, using her thorough understanding of Rachel to draw us into her anguish. We know Rachel, sympathize with her, and in a sense, become Rachel, so authentic is her voice. . . . A Jest of God has extraordinary clarity, beautiful detail, as well as the emotional impact of honest confession."—Joan J. Hall, Saturday Review
"Laurence's rendition is close to faultless . . . reaffirming her ability to draw, without pathos, life-sized women. . . . Skillfully wrought and eloquently told."—Marilyn Gardner, Christian Science Monitor
One of Canada's most accomplished writers, Margaret Laurence(1926-1987) was the recipient of many awards, including the prestigious Governer General's Litarary Award for The Diviners and A Jest of God.
As workers with or without pay, social justice activists, community builders, entertainers, and businesswomen, most Jewish women championed responsibilities outside their homes. Jewishness played a role in shaping their choices, shattering Friedan's assumptions about how middle-class women lived in the postwar years. Focusing on ordinary Jewish women as well as prominent figures such as Judy Holliday, Jennie Grossinger, and Herman Wouk's fictional Marjorie Morningstar, leading scholars explore the wide canvas upon which American Jewish women made their mark after the Second World War.
Films like The Eternal Daughter and the diptych The Souvenir and The Souvenir Part II have cemented Joanna Hogg’s reputation as an original voice in contemporary cinema. Her rigorous and quiet style draws on the histories of film and art to tell stories that weave autobiography with studies in human opacity.
Shonni Enelow analyzes Hogg’s six feature films around the concepts of turning away, the reality effect, and the impossible encounter. Throughout, Enelow explores the tension between absorption, in which characters are immersed in a diegetic fiction, and self-reflexivity, as the filmmaker comments on her techniques of representation. An in-depth interview with Hogg delves into the director’s process, approach to creating character, and use of artistic and literary references.
Sophisticated and innovative, Joanna Hogg illuminates the work of one of today’s most original filmmakers.
Incisive and illuminating, Joseph Fielding Smith examines the worldview and development of an influential theologian and his place in American religious and intellectual history.
While African National Congress narratives dominate much of the scholarship on South Africa’s freedom struggle, Josie Mpama/Palmer’s political life offers a different perspective. Highly critical of the patriarchal attitudes that hindered black women from actively participating in politics, Mpama/Palmer was an outspoken advocate for women’s social equality and encouraged black women to become more involved in national conversations. The first black woman to join the Communist Party of South Africa and an antiapartheid activist, Josie Mpama/Palmer remained involved in critical issues all her life, especially protests against Bantu Education and other forms of racial and sexist discrimination. She was an integral figure in establishing the Federation of South African Women, an organization open to women of all races. Mpama/Palmer’s activism and political legacy would become an inspiring example for women in South Africa and around the world to get up and get moving.
Andrews was an intelligent, sharp-witted, and skilled observer, and these qualities shine through her engaging memoir. She records her reactions to Newark society and the economic base on which it stood, comparing southern gentility and agriculture to northern brusqueness and industry. Moreover, while the diary reveals clearly the social and cultural attitudes of aristocratic southerners of the period, it also foreshadows the beginning of change as, for example, a visit to a factory opens Andrews’s eyes to the advantages of the new economy. She also recounts her frustrations with the role of southern women, exalted on the one hand but severely restricted on the other. These stark contrasts and Andrews’s own mixed feelings give the diary much of its power.
Also included in this volume are six of Andrews’s magazine and newspaper articles that appeared in the national press around the time she was keeping this journal. Taken together, her private and public writings from this period show a maturing nineteenth-century woman confronting a culture turned upside down in the new world of the Reconstruction-era South.
Andrews’s memoir, with accompanying introduction and commentary by Kit Rushing, will appeal to general readers with an interest in the nineteenth-century South as well as to historians of women, the Civil War era, and nineteenth-century America.
The Editor: S. Kittrell Rushing is head of the Department of Journalism and Mass Communication at the University of Tennessee, Chattanooga.
Journey of Five Capuchin Nuns contains all the elements of a riveting adventure story. Through the eyes of the Mother Abbess, María Rosa, the reader is taken along on this journey through wars, pirates, disease, travel on the high seas, and treacherous mountain passes in the Andes. Five nuns set out in the early 1700s from their cloistered convent in Madrid, Spain, to travel halfway around the world to Lima, Peru. The journey lasted three years—an odyssey not all of them would complete. Yet, this unique historical document is so much more than a typical travel narrative. It illuminates the eighteenth-century way of life of religious women on both sides of the Atlantic basin. María Rosa’s lively prose attests to the literary connection among women religious writers of Spain and Latin America. This annotated edition and first-ever English translation of the manuscript will be of interest to scholars, students and anyone who wants to learn more about women’s history.
Four early American women tell their own stories: Mary Rowlandson on her capture by Indians in 1676, Boston businesswoman Sarah Kemble Knight on her travels in New England, Elizabeth Ashbridge on her personal odyssey from indentured servant to Quaker preacher, and Elizabeth House Trist, correspondent of Thomas Jefferson, on her travels from Philadelphia to Natchez. Accompanied by introductions and extensive notes.
"The writings of four hearty women who braved considerable privation and suffering in a wild, uncultivated 17th- and 18th-century America. Although confined by Old World patriarchy, these women, through their narratives, have endowed the frontier experience with a feminine identity that is generally absent from early American literature."—Publishers Weekly
For thousands of young women in the 1950s and 1960s, involvement with the student Christian movement (SCM) changed their worldviews. Religious organizations fostered women’s leadership at a time when secular groups like Students for a Democratic Society, and the Left in general, relegated most female participants to stereotypical roles.
The SCM introduced young women to activism in other parts of the country and around the world. As leaders, thinkers, and organizers, they encountered the social realities of poverty and racial prejudice and worked to combat them. The SCM took women to Selma and Montgomery, to Africa and Latin America, and to a lifelong commitment to work for social justice.
“From the bedroom to the classroom to the courtroom, ‘consent’ is a key term in our contemporary sexual ethics. In this timely reexamination, Manon Garcia deftly reveals the hidden complexities of consent and proposes how to reconceptualize it as a tool of liberation.”
—Amia Srinivasan, author of The Right to Sex
A feminist philosopher argues that consent is not only a highly imperfect legal threshold but also an underappreciated complement of good sex.
In the age of #MeToo, consent has become the ultimate answer to problems of sexual harassment and violence: as long as all parties agree to sex, the act is legitimate. Critics argue that consent, and the awkwardness of confirming it, rob sex of its sexiness. But that objection is answered with the charge that opposing the consent regime means defending a masculine erotics of silence and mystery, a pillar of patriarchy.
In The Joy of Consent, French philosopher Manon Garcia upends the assumptions that underlie this very American debate, reframing consent as an ally of pleasure rather than a legalistic killjoy. In doing so, she rejects conventional wisdom on all sides. As a legal norm, consent can prove rickety: consent alone doesn’t make sex licit—adults engaged in BDSM are morally and legally suspect even when they consent. And nonconsensual sex is not, as many activists insist, always rape. People often agree to sex because it is easier than the alternative, Garcia argues, challenging the simplistic equation between consent and noncoercion.
Drawing on sources rarely considered together—from Kantian ethics to kink practices—Garcia offers an alternative framework grounded in commitments to autonomy and dignity. While consent, she argues, should not be a definitive legal test, it is essential to realizing intimate desire, free from patriarchal domination. Cultivating consent makes sex sexy. By appreciating consent as the way toward an ethical sexual flourishing rather than a legal litmus test, Garcia adds a fresh voice to the struggle for freedom, equality, and security from sexist violence.
Joyce Westerman grew up on a farm in Pleasant Prairie, Wisconsin. As a kid, she cleaned the barn, picked vegetables, and helped her father cut down trees. But what she really loved to do was play baseball. Joyce played ball at recess and with friends whenever she could. She even joined her aunt’s adult softball team when she was only twelve.
As Joyce got older, she went to work at a factory in Kenosha. But when World War II broke out, she got a chance to try out for the All American Girls Professional Baseball League. Women from all over the country signed up to show off their skills. Only a few were good enough, and Joyce was one of them. For eight years, Joyce travelled around the United Stated playing ball, winning the league championship in her last season.
This addition to the Badger Biographies series for young readers tells the story of a woman who lived her dream of becoming a professional athlete. In a time when women had few opportunities for careers, and next to none in professional sports, Joyce and her teammates showed that women have what it takes.
Juana Briones was born in 1802 and spent her early youth in Santa Cruz, a community of retired soldiers who had helped found Spanish California, Native Americans, and settlers from Mexico. In 1820, she married a cavalryman at the San Francisco Presidio, Apolinario Miranda. She raised her seven surviving sons and daughters and adopted an orphaned Native American girl. Drawing on knowledge she gained about herbal medicine and other cures from her family and Native Americans, she became a highly respected curandera, or healer.
Juana set up a second home and dairy at the base of then Loma Alta, now Telegraph Hill, the first house in that area. After gaining a church-sanctioned separation from her abusive husband, she expanded her farming and cattle business in 1844 by purchasing a 4,400-acre ranch, where she built her house, located in the present city of Palo Alto. She successfully managed her extensive business interests until her death in 1889. Juana Briones witnessed extraordinary changes during her lifetime. In this fascinating book, readers will see California’s history in a new and revelatory light.
Born in 1898 in Bunkerville, Nevada, Juanita Brooks led an early life similar to that of many who grew up in isolated, tightly knit, rural Mormon communities. An early marriage suggested her future would follow a predictable course, but the death of her husband, the need to raise a young son, and a passion for knowledge led her along a different path, when at mid-life she became a well-known author after publishing The Mountain Meadows Massacre. In this book she exposed the killing of some 100 California-bound emigrants traveling through southern Utah in 1856 as an atrocity carried out by a Mormon militia with Indian allies and not solely as an Indian massacre, as it had been for so long portrayed.
Juanita Brooks was a faithful and active member of the Mormon Church, and her courage to tell the truth about this dark moment in Mormon history established her reputation as a respected historian. While there was no official church condemnation of the book, there was unofficial disapproval and Brooks was shunned by many in her community. She nevertheless doggedly pursued church authorities to revise their stand on the incidents at Mountain Meadows. The desire to tell the truth as she saw it became her hallmark, and Brooks’s life as wife, mother, teacher, community member, and undaunted historian became an uncommon story of personal stamina and intellectual courage.
Winner of the Evans Biography Award and the Mormon History Association Best Book Award.
This new biography in the Badger Biographies Series turns the lens on the writer herself, detailing her life as she detailed the lives of those she encountered in the 1830s and 1840s. Juliette Kinzie: Frontier Storyteller details war, hunger, and the rapidly changing times Juliette witnessed on the Midwestern frontier, following the pioneering woman through her own changes from socialite to pioneer to famous writer and even to the work of her granddaughter, Juliette Gordon Low, who founded the Girl Scouts of the USA in 1912.
"So this is where the brain starts to shut down and that which we treasure most, our personal identities, begins to slip away....I suppose I should be thankful; it's a paycheck." With this disturbing sentiment, Kevin Henson begins a voyage into the world of "the temp." For several years while a graduate student, Henson logged in thousands of hours as a temporary worker in offices throughout Chicago's Loop. Those experiences, and numerous interviews with other temps and temporary counselors, create a vivid and often disheartening picture of working 9 to 5 behind the receptionist's desk, telephone console, or data-entry terminal.
In their own voices, the temps in this book lament the frequently demeaning and mundane nature of many assignments:
•"You're not paid to think."
•
"Temps don't have names; they are just 'the temp.'"
•
"They always harass me...because I just wear a sweater and slacks."
•
"The worst part is telling people what you do. They always ask 'When are you going to get a real job?'"
Where the temporary service industry is quick to extol the virtues of temp work—mainly its flexibility—Henson and his cast of temps reveal the tacit pressure to persevere through an unpleasant assignment, to accept every assignment offered, and to readjust personal lives to do so. Outsiders to the established office culture and hierarchy, most temps are asked to do low-skill work and leave more detailed or complicated tasks for the return of the permanent employee.
Whether temp life is a preferred choice or grudgingly accepted as the last option when "real" or permanent work is unavailable, all temps must confront issues of gender, identity, and self-esteem. Henson examines these issues, documenting the concerns and interpretations of temp workers about their own work lives.
In humanitarian and political debates about the topic, women and children are frequently considered first. Since the 1990s, human rights have become the most legitimate and legitimizing juridical and cultural claim made on a woman's behalf. But what are the consequences of equating women's rights with human rights? As the eleven essays in this volume show, the impact is often contradictory.
Bringing together some of the most respected scholars in the field, including Inderpal Grewal, Leela Fernandes, Leigh Gilmore, Susan Koshy, Patrice McDermott, and Sidonie Smith, Just Advocacy? sheds light on the often overlooked ways that women and children are further subjugated when political or humanitarian groups represent them solely as victims and portray the individuals that are helping them as paternal saviors.
Drawn from a variety of disciplinary perspectives in the humanities, arts, and social sciences, Just Advocacy? promises to advance a more nuanced and politically responsible understanding of human rights for both scholars and activists.
When a Texas debutante bows her forehead to the floor in the famous "Texas dip," society columnists all across the country speculate interminably over what it is that sets Texas women apart. But really, how could they know? Even women born and bred in Texas can't always answer that question.
Prudence Mackintosh comes very close to an answer, though, in this endlessly entertaining book. Writing with both a wry sense of humor and an insider's compassion, she offers us a fascinating look into the world of privileged, educated, well-married, well-connected, and mostly wealthy white Texas women.
What really sets these women apart, Ms. Mackintosh tells us, is the comfortable yet demanding path they follow from their idyllic girlhoods to prominent positions in society. In thirteen essays, some of which originally appeared in Texas Monthly magazine, she charts the way stations that mark this path: summer camps in the Texas Hill Country, exclusive private schools like Dallas' Hockaday, sorority membership, and acceptance into the Junior League.
Prudence Mackintosh has been both an outsider and an insider in this privileged world, and her observations are shot through with wit and real insight. Just As We Were may not be the final word on elite Texas women, but no other book has described their world with greater irony or accuracy.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press