As China has evolved into an industrial powerhouse over the past two decades, a new class of workers has developed: the dagongmei, or working girls. The dagongmei are women in their late teens and early twenties who move from rural areas to urban centers to work in factories. Because of state laws dictating that those born in the countryside cannot permanently leave their villages, and familial pressure for young women to marry by their late twenties, the dagongmei are transient labor. They undertake physically exhausting work in urban factories for an average of four or five years before returning home. The young women are not coerced to work in the factories; they know about the twelve-hour shifts and the hardships of industrial labor. Yet they are still eager to leave home. Made in China is a compelling look at the lives of these women, workers caught between the competing demands of global capitalism, the socialist state, and the patriarchal family.

Pun Ngai conducted ethnographic work at an electronics factory in southern China’s Guangdong province, in the Shenzhen special economic zone where foreign-owned factories are proliferating. For eight months she slept in the employee dormitories and worked on the shop floor alongside the women whose lives she chronicles. Pun illuminates the workers’ perspectives and experiences, describing the lure of consumer desire and especially the minutiae of factory life. She looks at acts of resistance and transgression in the workplace, positing that the chronic pains—such as backaches and headaches—that many of the women experience are as indicative of resistance to oppressive working conditions as they are of defeat. Pun suggests that a silent social revolution is underway in China and that these young migrant workers are its agents.

Maida Springer was an active participant in shaping a history that involved powerful movements for social, political and economic equality and justice for workers women, and African Americans. Maida Springer is the first full-length biography to document and analyze the central role played by Springer in international affairs, particularly in the formation of AFL-CIO’s African policy during the Cold War and African independence movements.

Richards explores the ways in which pan-Africanism, racism, sexism and anti-Communism affected Springer’s political development, her labor activism, and her relationship with labor leaders in the AFL-CIO, the International Confederation of Free Trade Unions (ICFTU), and in African unions. Springer’s life experiences and work reveal the complex nature of black struggles for equality and justice. A strong supporter of both the AFL-CIO and the ICFTU, Springer nonetheless recognized that both organizations were fraught with racism, sexism, and ethnocentrism. She also understood that charges of Communism were often used as a way to thwart African American demands for social justice. As an African-American, she found herself in the unenviable position of promoting to Africans the ideals of American democracy from which she was excluded from fully enjoying.

Richards’s biography of Maida Springer uniquely connects pan-Africanism, national and international labor relations, the Cold War, and African American, labor, women’s, and civil rights histories. In addition to documenting Springer’s role in international labor relations, the biography provides a larger view of a whole range of political leaders and social movements. Maida Springer is a stirring biography that spans the fields of women studies, African American studies, and labor history.

Making Choices, Making Do is a comparative study of Black and white working-class women’s survival strategies during the Great Depression. Based on analysis of employment histories and Depression-era interviews of 1,340 women in Chicago, Cleveland, Philadelphia, and South Bend and letters from domestic workers, Lois Helmbold discovered that Black women lost work more rapidly and in greater proportions. The benefits that white women accrued because of structural racism meant they avoided the utter destitution that more commonly swallowed their Black peers. When let go from a job, a white woman was more successful in securing a less desirable job, while Black women, especially older Black women, were pushed out of the labor force entirely. Helmbold found that working-class women practiced the same strategies, but institutionalized racism in employment, housing, and relief assured that Black women worked harder, but fared worse. Making Choices, Making Do strives to fill the gap in the labor history of women, both Black and white. The book will challenge the limits of segregated histories and encourage more comparative analyses.


 

Winner of the 2015 Aidoo-Snyder Book Prize for outstanding book on African women's experiences. (African Studies Association)
Honorable Mention, New York African Studies Association Book Prize

In Making Modern Girls, Abosede A. George examines the influence of African social reformers and the developmentalist colonial state on the practice and ideology of girlhood as well as its intersection with child labor in Lagos, Nigeria. It draws from gender studies, generational studies, labor history, and urban history to shed new light on the complex workings of African cities from the turn of the twentieth century through the nationalist era of the 1950s.

The two major schemes at the center of this study were the modernization project of elite Lagosian women and the salvationist project of British social workers. By approaching children and youth, specifically girl hawkers, as social actors and examining the ways in which local and colonial reformers worked upon young people, the book offers a critical new perspective on the uses of African children for the production and legitimization of national and international social development initiatives.

Making Modern Girls demonstrates how oral sources can be used to uncover the social history of informal or undocumented urban workers and to track transformations in practices of childhood over the course of decades. George revises conventional accounts of the history of development work in Africa by drawing close attention to the social welfare initiatives of late colonialism and by highlighting the roles that African women reformers played in promoting sociocultural changes within their own societies.

The book Our Bodies, Ourselves is a feminist success story. Selling more than four million copies since its debut in 1970, it has challenged medical dogmas about women’s bodies and sexuality, shaped health care policies, energized the reproductive rights movement, and stimulated medical research on women’s health. The book has influenced how generations of U.S. women feel about their bodies and health. Our Bodies, Ourselves has also had a whole life outside the United States. It has been taken up, translated, and adapted by women across the globe, inspiring more than thirty foreign language editions.

Kathy Davis tells the story of this remarkable book’s global circulation. Based on interviews with members of the Boston Women’s Health Book Collective, the group of women who created Our Bodies, Ourselves, as well as responses to the book from readers, and discussions with translators from Latin America, Egypt, Thailand, China, Eastern Europe, Francophone Africa, and many other countries and regions, Davis shows why Our Bodies, Ourselves could never have been so influential if it had been just a popular manual on women’s health. It was precisely the book’s distinctive epistemology, inviting women to use their own experiences as resources for producing situated, critical knowledge about their bodies and health, that allowed the book to speak to so many women within and outside the United States. Davis provides a grounded analysis of how feminist knowledge and political practice actually travel, and she shows how the process of transforming Our Bodies, Ourselves offers a glimpse of a truly transnational feminism, one that joins the acknowledgment of difference and diversity among women in different locations with critical reflexivity and political empowerment.

Hatter’s artful, moving novel looks closely at the murder of a young black woman and her family’s devastation. Old—and new—questions about race and civil rights in 21st Century America arise alongside the unfolding story of Malawi and those who live in the wake of her loss.

Kazuko Kuramoto was born and raised in Dairen, Manchuria, in 1927, at the peak of Japanese expansionism in Asia. Dairen and the neighboring Port Arthur were important colonial outposts on the Liaotung Peninsula; the train lines established by Russia and taken over by the Japanese, ended there. When Kuramoto's grandfather arrived in Dairen as a member of the Japanese police force shortly after the end of the Russo-Japanese War in 1905, the family's belief in Japanese supremacy and its "divine" mission to "save" Asia from Western imperialists was firmly in place. As a third-generation colonist, the seventeen-year-old Kuramoto readily joined the Red Cross Nurse Corps in 1944 to aid in the war effort and in her country's sacred cause. A year later, her family listened to the emperor's radio broadcast ". . . we shall have to endure the unendurable, to suffer the insufferable." Japan surrendered unconditionally. 
     Manchurian Legacy is the story of the family's life in Dairen, their survival as a forgotten people during the battle to reclaim Manchuria waged by Russia, Nationalist China, and Communist China, and their subsequent repatriation to a devastated Japan. Kuramoto describes a culture based on the unthinking oppression of the colonized by the colonizer. And, because Manchuria was, in essence, a Japanese frontier, her family lived a freer and more luxurious life than they would have in Japan—one relatively unscathed by the war until after the surrender.  
     As a commentator Kuramoto explores her culture both from the inside, subjectively, and from the outside, objectively. Her memoirs describe her coming of age in a colonial society, her family's experiences in war-torn Manchuria, and her "homecoming" to Japan—where she had never been—just as Japan is engaged in its own cultural upheaval.

If not for the reproductive functions of women, would there be anything called women’s health care? A review of medical literature, practice, and policy in this country would suggest that the answer is no. Offering a startling view of the current state of health care for women in the United States and laying the foundation for a new, widely defined women’s medicine, Man-Made Medicine makes an urgent statement about gender bias in the medical establishment and its pernicious effects on the well-being of women and the care they receive.
These essays by physicians, lawyers, activists, and scholars present a rare interdisciplinary approach to a complex set of issues. Gender stereotyping and bias in the collection, analysis, and reporting of scientific data and in the ways health-related news is covered by the media are examined. The exclusion of women from the health care policy-making process and the effect such exclusion has on the determination of priorities among potential areas of research are also explored. With discussions of the plight of specific populations of women whose health care needs are not being sufficiently met—for example, immigrants, prisoners, the mentally ill, or women with HIV/AIDS, disabilities, or reproductive health problems—this book considers matters of race and class within the parameters of gender as it builds a fundamental challenge to the existing health care system. A range of current reform proposals are also evaluated in terms of their potential impact on women.
Suggesting no less than a radical rethinking of women’s medicine, Man-Made Medicine gives essential direction to the discussions that will shape the future of health care in this country. It will be of great interest to a wide audience, including health care advocates, policymakers, scholars, and readers generally concerned with women’s health issues.

Contributors. Ellen Barry, Laurie Beck, Joan Bertin, Janet Calvo, Wendy Chavkin, Kay Dickersin, Abigail English, Elizabeth Fee, Carol Gill, Nancy Krieger, Joyce McConnell, Judy Norsigian, Ann Scales, Susan Stefan, Lauren Schnaper, Catherine Teare

Margaret Fuller (1810–1850), a pioneering gender theorist, transcendentalist, journalist, and literary critic, was one of the most well-known and highly regarded feminist intellectuals of nineteenth-century America. With her contemporaries Ralph Waldo Emerson and Henry David Thoreau, she was one of the predominant writers of the Transcendentalist movement, and she aligned herself in both her public and private life with the European revolutionary fervor of the 1840s. She traveled to Italy as a foreign correspondent for the New York Tribune to cover the nascent revolutions, pursuing the transnational ideal awakened in her youth by a classical education in European languages and a Romantic curiosity about other cultures, traditions, and identities.
    This volume is a collaboration of international scholars who, from varied fields and approaches, assess Fuller’s genius and character. Treating the last several years of Margaret Fuller’s short life, these essays offer a truly international discussion of Fuller’s unique cultural, political, and personal achievements. From the origins and articulations of Fuller’s cosmopolitanism to her examination of “the woman question,” and from her fascination with the European “other” to her candid perception of imperial America from abroad, they ponder what such an extraordinary woman meant to America, and also to Italy and Europe, during her lifetime and continuing to the present.

This book tells the story of the extraordinary friendship between renowned anthropologists Margaret Mead and Ruth Benedict. First as mentor and protégé, later as colleagues and lovers, these two remarkable yet temperamentally different women forged a bond that endured for twenty-five years, defying convention as well as easy categorization. Drawing on a broad range of sources, including recently released correspondence between Mead and Benedict, Hilary Lapsley reconstructs this complex relationship and situates it in the context of its time. She explores the ways in which Mead's and Benedict's professional work grew out of concerns in their own lives—about sexuality and friendship, identity and difference. Lapsley also shows how Mead and Benedict used their anthropological studies to call attention to the cultural foundations of American life, Benedict seeking to make the world more tolerant of deviance and Mead to liberate the individual from the artificial constraints of gender and race. Overall, the book charts the course of a relationship that persisted in the face of numerous obstacles, including separations of long duration, the competing claims of other partners, secrecy about lesbianism, the tensions of professional rivalry, and the clash of different personalities.

Born enslaved in 1861, by 1892 Margaret Murray Washington of Macon, Mississippi, married the twice-widowed race leader Booker T. Washington and joined the ranks of the rising black middle class. While one cannot discount the accomplishments of her storied husband, Washington’s own successes warrant further exploration. In this first biography of Margaret Murray Washington, author Sheena Harris discusses Washington’s importance as an active clubwoman, educational reformer, and integral partner to her husband and his success with the Tuskegee Institute.

Individual black, female leadership continues to be a blind spot in much scholarly historical literature. Washington was an important educator and clubwoman whose influence emanated from her own planning and actions. As Lady Principal, Washington was sincere and earnest in her campaign to improve Tuskegee Institute. She also transformed her community through her local club organizations. In addition, Washington cofounded the National Federation of Afro-American Women (1895) and the National Association of Colored Women (NACW) (1896). Harris illustrates how Washington improved race relations as a whole through local and national organizations such as the Tuskegee Woman’s Club, the NACW, and 1922 creation of the International Council of Women of the Darker Races (ICWDR). Harris explains clearly that Washington took her leadership positions seriously and strategically worked to expand opportunities for blacks through such organizations.

Washington’s life provides a glimpse into the inner workings of the Black Women’s Club Movement and illuminates the experiences of a race woman who came of age during the Jim Crow South. Harris’s biography is a convincing portrait of an under-studied black woman in the early civil rights movement and places Washington within the pantheon of other important women of the era.

In step with the #MeToo movement and third wave feminism, women’s roles provoke lively debate in today’s evangelical sphere. The Southern Baptist Convention (SBC) has a complicated past regarding this issue, and determining what exactly women’s roles in home, church, and society should be, or even what these roles should be called, has been a contentious subject. In A Marginal Majority: Women, Gender, and a Reimagining of Southern Baptists, editors Elizabeth H. Flowers and Karen K. Seat and eight other contributors examine the SBC’s complex history regarding women and how that history reshapes our understanding of the denomination and its contemporary debates.

This comprehensive volume starts with women as SBC fundraisers, moves to the ways they served Southern Baptist missions, and considers their struggles to find a place at Southern Baptist seminaries as well as their launching of “teaching” or “women’s” ministries. Along the way, it introduces new personalities, offers fresh considerations of familiar figures, and examines the power dynamics of race and class in a denomination that dominated the South and grew into a national behemoth.

Additionally, the essay collection provides insights into why the SBC has often politically aligned with the right. Not only did the denomination become increasingly oriented toward authoritarianism as it clamped down on evangelical feminism, but, as several contributors reveal, even as Southern Baptist women sought agency, they often took it from others. Read together, the chapters strike a somber tone, challenging any triumphal historiography of the past.

By providing a history of contentious issues from the nineteenth century to the present day, A Marginal Majority provides invaluable context for the recurrent struggles women have faced within the United States’ largest Protestant denomination. Moreover, it points to new directions in the study of American denominational life and culture.

While the adage may go, “Behind every great man is a great woman,” the story of Maria Longworth Storer necessitates a new adage—at the front of every great city is a great woman. After being shunted into the biographies and history books of other people, Longworth Storer is now finally given center stage on the one hundred and seventieth anniversary of her birth.

Maria Longworth Storer: From Music and Art to Popes and Presidents is the most comprehensive biography of this one of a kind Cincinnatian. Known as the founder of the first female-run manufacturing company in the United States, Rookwood Pottery, Longworth Storer was passionate about women’s rights, her city, and issues of poverty and the arts. She owned Rookwood pottery for nine years, and then transferred ownership after earning recognition at the Exhibition of American Art Industry in Philadelphia and receiving a gold medal at the Exposition Universelle in Paris. Aside from her success with Rookwood, Longworth Storer was central to making the Queen City the major cultural landmark it is today. Although the rest of her life was no less remarkable as the wife of notorious diplomat Bellamy Storer, later embroiled in the famous Roosevelt-Storer scandal, little has been written about her contributions and exploits in diplomatic relations and her powerful influence on turn-of-the-twentieth-century political leaders.  

Featuring new archival research, and never before seen photos of the Storer family, authors Constance J. Moore and Nancy M. Broermann have compiled a portrait of Maria Longworth Storer that is rich in detail, fitting to both the wide, often eclectic, breadth of Longworth Storer’s projects, and to the depth of her impact on leaders from Washington D.C. to Europe.

Moving through major moments in both American and Cincinnati history, and intersecting with significant historical figures including Teddy Roosevelt and William Howard Taft, Moore and Broermann expose the broader historical narrative of Longworth Storer’s life without letting her unique spirit and individual accomplishments become overshadowed by them.

Through thoughtful, balanced narrative, readers get to know a remarkable woman whose fascinating and dramatic life as a political figure, women’s rights advocate, and patron of the arts has had a long lasting legacy on the Queen City and the Shaping of our nation’s diplomatic policies.
 

Marie Equi explores the fiercely independent life of an extraordinary woman. Born of Italian-Irish parents in 1872, Marie Equi endured childhood labor in a gritty Massachusetts textile mill before fleeing to an Oregon homestead with her first longtime woman companion, who described her as impulsive, earnest, and kind-hearted. These traits, along with courage, stubborn resolve, and a passion for justice, propelled Equi through an unparalleled life journey.  

Equi self-studied her way into a San Francisco medical school and then obtained her license in Portland to become one of the first practicing woman physicians in the Pacific Northwest. From Pendleton, Portland, Seattle and beyond to Boston and San Francisco, she leveraged her professional status to fight for woman suffrage, labor rights, and reproductive freedom. She mounted soapboxes, fought with police, and spent a night in jail with birth control advocate Margaret Sanger. Equi marched so often with unemployed men that the media referred to them as her army. She battled for economic justice at every turn and protested the U.S. entry into World War I, leading to a conviction for sedition and a three-year sentence in San Quentin. Breaking boundaries in all facets of life, she became the first well-known lesbian in Oregon, and her same-sex affairs figured prominently in two U.S. Supreme Court cases.

Marie Equi is a finely written, rigorously researched account of a woman of consequence, who one fellow-activist considered “the most interesting woman that ever lived in this state, certainly the most fascinating, colorful, and flamboyant.” This much anticipated biography will engage anyone interested in Pacific Northwest history, women’s studies, the history of lesbian and gay rights, and the personal demands of political activism. It is the inspiring story of a singular woman who was not afraid to take risks, who refused to compromise her principles in the face of enormous opposition and adversity, and who paid a steep personal price for living by her convictions.

Eliza Orzeszkowa was a trailblazing Polish novelist who, alongside Leo Tolstoy and Henryk Sienkiewicz, was a finalist for the 1905 Nobel Prize in Literature. Of her many works of social realism, Marta (1873) is among the best known, but until now it has not been available in English. Easily a peer of The Awakening and A Doll’s House, the novel was well ahead of the English literature of its time in attacking the ways the labor market failed women.

Suddenly widowed, the previously middle-class Marta Świcka is left penniless and launched into a grim battle for her survival and that of her small daughter. As she applies for job after job in Warsaw—portrayed here as an every-city, an unforgiving commercial landscape that could be any European metropolis of the time—she is told time after time that only men will be hired, that men need jobs because they are fathers and heads of families.

Marta burns with Orzeszkowa’s feminist conviction that sexism was not just an annoyance but a threat to the survival of women and children. It anticipated the need for social safety nets whose existence we take for granted today, and could easily read as an indictment of current efforts to dismantle those very programs. Tightly plotted and exquisitely translated by Anna Gąsienica-Byrcyn and Stephanie Kraft, Marta resonates beyond its Polish setting to find its place in women’s studies, labor history, and among other works of nineteenth-century literature and literature of social change.

One of the five Hungarian scientific geniuses dubbed "the Martians" by their colleagues, John von Neumann is often hailed as the greatest mathematician of the twentieth century and even as the greatest scientist after Einstein. He was a key figure in the Manhattan Project; the inventor of game theory; the pioneer developer of the modern stored-program electronic computer; and an adviser to the top echelons of the American military establishment. In The Martian's Daughter, Marina von Neumann Whitman reveals intimate details about the famed scientist and explores how the cosmopolitan environment in which she was immersed, the demanding expectations of her parents, and her own struggles to emerge from the shadow of a larger-than-life parent shaped her life and work.

Unfortunately, von Neumann did not live to see his daughter rise to become the first or highest-ranking woman in a variety of arenas. Whitman became a noted academic during the 1960s and '70s, casting her teaching and writing in the framework of globalization before the word had been invented; became the first woman ever to serve on the President's Council of Economic Advisers and participated actively in U.S. efforts to reshape the international monetary and financial system during the early 1970s; pioneered the role of women on the boards of leading multinational corporations; and became the highest-ranking female executive in the American auto industry in the 1980s. In her memoir, Whitman quotes from personal letters from her father and describes her interactions with such figures as Roger Smith of GM and President Nixon. She also details the difficulties she encountered as an early entrant into a world dominated by men and how she overcame the obstacles to, in her words, "have it all."

WINNER, 2023 Illinois State Historical Society Superior Achievement Award in “Books, Scholarly”!

Answering the most enigmatic questions about Mary Lincoln’s life

After portraying Mary Lincoln in hundreds of performances and giving lectures over a more than thirty-year career, Donna D. McCreary has fielded every imaginable inquiry about the First Lady. Gathered here, readers will find answers to the most frequently asked questions to come from live audiences. This first question-and-answer book arises directly from a public’s enduring curiosity with one the country’s most important historical figures. Decades of conversations with audiences, scholars, and relatives of the Todd family frame McCreary’s intimate and devoted research to offer a new and unique portrait of the most tragic First Lady. 

Though Mary has been portrayed in books and film, McCreary’s book contains information not found elsewhere—details others have overlooked and those that would not fit well into a narrative history—such as lists of Mary’s beaus, servants, and the people the Todd family enslaved; appendixes that present mini-biographies of families and friends; and a uniquely thorough timeline. Mary Lincoln Demystified covers areas in which McCreary’s audiences have expressed the most interest: Mary’s sanity, her family relationships, her views on slavery and African Americans, her personality and habits, and what happened to her possessions and children after she died.

While sympathetic to the woman she portrayed for two decades, McCreary examines both sides of controversial issues and presents the facts with her trademark style and flair. More than a good read, McCreary’s Q&A factbook, based as it is on decades of extensive research in primary and secondary sources, will be the definitive resource for answers about Mary for years to come.

In 1875 Mary Lincoln, the widow of a revered president, was committed to an insane asylum by her son, Robert. The trial that preceded her internment was a subject of keen national interest. The focus of public attention since Abraham Lincoln's election in 1860, Mary Lincoln had attracted plentiful criticism and visible scorn from much of the public, who perceived her as spoiled, a spendthrift, and even too much of a Southern sympathizer. Widespread scrutiny only increased following her husband's assassination in 1865 and her son Tad's death six years later, after which her overwhelming grief led to the increasingly erratic behavior that led to her being committed to a sanitarium. A second trial a year later resulted in her release, but the stigma of insanity stuck. In the years since, questions emerged with new force, as the populace and historians debated whether she had been truly insane and subsequently cured, or if she was the victim of family maneuvering.

In this volume, noted Lincoln scholar Jason Emerson provides a documentary history of Mary Lincoln's mental illness and insanity case, evenhandedly presenting every possible primary source on the subject to enable a clearer view of the facts. Beginning with documents from the immediate aftermath of her husband's assassination and ending with reminiscences by friends and family in the mid-twentieth century, Mary Lincoln's Insanity Case: A Documentary History compiles more than one hundred letters, dozens of newspaper articles, editorials, and legal documents, and the daily patient progress reports from Bellevue Place Sanitarium during Mary Lincoln's incarceration. Including many materials that have never been previously published, Emerson also collects multiple reminiscences, interviews, and diaries of people who knew Mary Lincoln or were involved in the case, including the first-hand recollection of one of the jurors in the 1875 insanity trial.

Suggesting neither accusation nor exoneration of the embattled First Lady, Mary Lincoln's Insanity Case: A Documentary History gives scholars and history enthusiasts incomparable access to the documents and information crucial to understanding this vexing chapter in American history.

Extensively illustrated, with over 100 drawings and 11 unique Mary Schafer patterns, Mary Schafer, American Quilt Maker is a must-have book for anyone passionate about American quilting.

While we take that passion for granted today, author Gwen Marston shows that it wasn't always so; indeed, one woman, Mary Schafer, was largely responsible for the restoration of interest in one of our greatest folk arts -- long before the American bicentennial turned quilting into what seemed like an overnight sensation.

Marston presents Schafer as an unassuming scholar: the anonymous quilter, remaining humble and somewhat retiring. Behind the modest façade, however, Schafer displayed a remarkable devotion to research, historical accuracy, and community through her efforts to make quilting available to as many people as possible.

Nonquilters will find Mary Schafer, American Quilt Maker a welcome addition to their collection of the work of masters of American folk art, while quilting aficionados will appreciate it not only for the story it tells, but for the generous selection of patterns and illustrations it offers.

Gwen Marston is a nationally known quilt maker, teacher, and author. She is the author of over fifteen books on quilting, including Liberated String Quilts, 70 Classic Quilting Patterns, and Amish Quilting Patterns.

The Masculine Woman in America, 1890-1935 examines how the suffrage movement's efforts to secure social and political independence for women were translated by a fearful society into a movement of unnatural "masculinized" women and dangerous "female sexual inverts."
 
Scrutinizing depictions of the masculine woman in literature and the popular press, Laura L. Behling explicates the literary, artistic, and rhetorical strategies used to eliminate the "sexually inverted" woman: punishing her by imprisonment or death; "rescuing" her into heterosexuality; subverting her through parody; or removing her from society to some remote or mystical place. Behling also shows how fictional same-sex relationships in the writings of Henry James, Charlotte Perkins Gilman, Gertrude Stein, and others conformed to and ultimately reaffirmed heterosexual models.
 
The Masculine Woman in America, 1890-1935 demonstrates that the women's suffrage movement did not so much suggest alternatives to women's gender and sexual behavior as it offered men and women afraid of perceived changes a tangible movement on which to blame their fears. A biting commentary on the insubstantial but powerful ghosts stirred up by the media, this study shows how, though legally enfranchised, the new woman was systematically disfranchised socially through scientific theory, popular press illustrations, and fictional predictions of impending sociobiological disaster.
 

Nelly Richard is one of the most prominent cultural theorists writing in Latin America today. As a participant in Chile’s neo-avantgarde, Richard worked to expand the possibilities for cultural debate within the constraints imposed by the Pinochet dictatorship (1973–1990), and she has continued to offer incisive commentary about the country’s transition to democracy. Well known as the founder and director of the influential Santiago-based journal Revista de crítica cultural, Richard has been central to the dissemination throughout Latin America of work by key contemporary thinkers, including Néstor García Canclini, Jacques Derrida, Fredric Jameson, and Diamela Eltit. Her own writing provides rigorous considerations of Latin American identity, postmodernism, gender, neoliberalism, and strategies of political and cultural resistance.

Richard helped to organize the 1987 International Conference on Latin American Women’s Literature in Santiago, one of the most significant literary events to take place under the Pinochet dictatorship. Published in Chile in 1993, Masculine/Feminine develops some of the key issues brought to the fore during that landmark meeting. Richard theorizes why the feminist movement has been crucial not only to the liberation of women but also to understanding the ways in which power operated under the military regime in Chile. In one of her most widely praised essays, she explores the figure of the transvestite, artistic imagery of which exploded during the Chilean dictatorship. She examines the politics and the aesthetics of this phenomenon, particularly against the background of prostitution and shantytown poverty, and she argues that gay culture works to break down the social demarcations and rigid structures of city life. Masculine/Feminine makes available, for the first time in English, one of Latin America’s most significant works of feminist theory.

A brave British widow goes to Siam and—by dint of her principled and indomitable character—inspires that despotic nation to abolish slavery and absolute rule: this appealing legend first took shape after the Civil War when Anna Leonowens came to America from Bangkok and succeeded in becoming a celebrity author and lecturer. Three decades after her death, in the 1940s and 1950s, the story would be transformed into a powerful Western myth by Margaret Landon’s best-selling book Anna and the King of Siam and Rodgers and Hammerstein’s musical The King and I.
            But who was Leonowens and why did her story take hold? Although it has been known for some time that she was of Anglo-Indian parentage and that her tales about the Siamese court are unreliable, not until now, with the publication of Masked, has there been a deeply researched account of her extraordinary life. Alfred Habegger, an award-winning biographer, draws on the archives of five continents and recent Thai-language scholarship to disclose the complex person behind the mask and the troubling facts behind the myth. He also ponders the curious fit between Leonowens’s compelling fabrications and the New World’s innocent dreams—in particular the dream that democracy can be spread through quick and easy interventions.
Exploring the full historic complexity of what it once meant to pass as white, Masked pays close attention to Leonowens’s midlevel origins in British India, her education at a Bombay charity school for Eurasian children, her material and social milieu in Australia and Singapore, the stresses she endured in Bangkok as a working widow, the latent melancholy that often afflicted her, the problematic aspects of her self-invention, and the welcome she found in America, where a circle of elite New England abolitionists who knew nothing about Southeast Asia gave her their uncritical support. Her embellished story would again capture America’s imagination as World War II ended and a newly interventionist United States looked toward Asia.

Best Books for General Audiences, selected by the American Association of School Librarians

Best Regional Special Interest Boosk, selected by the Public Library Reviewers

This book is full of the questions and uncomfortable uncertainties that grief and the body bring; it is also full of speakers who are determined, and then unsure. The female bodies of Master Suffering want power to survive; they want to control and to correct the suffering they witness and withstand. But wanting can lead to suffering, too, and make speakers like Burroughs ask: “Why / should I have wanted so much / as to threaten my being?”

Who are the Black heroines of Latin America and the Caribbean? Where do we turn for models of transcendence among women of African ancestry in the region? In answer to the historical dearth of such exemplars, Mayaya Rising explores and celebrates the work of writers who intentionally center powerful female cultural archetypes. In this inventive analysis, Duke proposes three case studies and a corresponding womanist methodology through which to study and rediscover these figures. The musical Cuban-Dominican sisters and former slaves Teodora and Micaela Ginés inspired Aida Cartagena Portalatin’s epic poem Yania tierra; the Nicaraguan matriarch of the May Pole, “Miss Lizzie,” figures prominently in four anthologies from the country’s Bluefields region; and the iconic palenqueras of Cartagena, Colombia are magnified in the work of poets María Teresa Ramírez Neiva and Mirian Díaz Pérez. In elevating these figures and foregrounding these works, Duke restores and repairs the scholarly record.

Until now the advent of Western romantic love has been seen as a liberation from—or antidote to—ten centuries of misogyny. In this major contribution to gender studies, R. Howard Bloch demonstrates how similar the ubiquitous antifeminism of medieval times and the romantic idealization of woman actually are.

Through analyses of a broad range of patristic and medieval texts, Bloch explores the Christian construction of gender in which the flesh is feminized, the feminine is aestheticized, and aesthetics are condemned in theological terms. Tracing the underlying theme of virginity from the Church Fathers to the courtly poets, Bloch establishes the continuity between early Christian antifeminism and the idealization of woman that emerged in the twelfth and thirteenth centuries. In conclusion he explains the likely social, economic, and legal causes for the seeming inversion of the terms of misogyny into those of an idealizing tradition of love that exists alongside its earlier avatar until the current era.

This startling study will be of great value to students of medieval literature as well as to historians of culture and gender.

Granddaughter of James I of England, Sophia (1630–1714) began life a penniless princess in exile. She ended it as electress dowager of Hanover, an emerging European power. Had she lived two months longer, she would have succeeded to the British crown before her son, George I. In keeping with Sophia’s reputation as the era’s “most entertaining woman,” her memoirs, which she wrote in French, paint a captivating and often humorous portrait of her life as one of Europe’s preeminent noblewomen and celebrities. They also recall, with insight and verve, her interactions with leading men and ladies (Charles II, Louis XIV, Queen Christina of Sweden) and long-forgotten bit players (cavaliers, concubines, clerics, and quacks). The memoirs, which recount the first fifty years of Sophia’s life, appear here in English for the first time in their entirety. Their publication in this series is particularly timely, as it coincides with the three hundredth anniversary of the Hanoverian succession (2014).

The memoirs of Marguérite Schenkhuizen provide an overview of practically the whole of the twentieth century as experienced by persons of mixed Dutch and Indonesian ancestry who lived in the former Dutch East Indies. The memoirs provide vignettes of Indonesian life, both rural and urban, as seen through the eyes of the author first as a girl, then as a wife separated from her husband during the Japanese occupation, finally as an immigrant to the United States after World War II.

This self-portrait gives glimpses of the life of Indos from inside their society, glimpses that are valuable for their descendents as well as for outsiders. Written with humor and a positive town, Schenkhuizen’s story sets aside the myth that Indos were denied access to the upper layers of Dutch colonial society or were otherwise disadvantaged. Instead, her life story provides an authentic view of a vital Indo culture and experience that has been unavailable to the general reader of English.

Few know the name Anna Jarvis, yet on the second Sunday in May, we mail the card, buy the flowers, place the phone call, or make the brunch reservation to honor our mothers, all because of her. 

Anna Jarvis organized the first official Mother’s Day celebration in Grafton, West Virginia in 1908 and then spent decades promoting the holiday and defending it from commercialization. She designed her Mother’s Day celebration around a sentimental view of motherhood and domesticity, envisioning a day venerating the daily services and sacrifices of mothers within the home.

     After Mother’s Day became a national holiday in 1914, many organizations sought to align the holiday’s meaning with changing perceptions of modern motherhood in the twentieth century. Instead of restricting a mother’s service and influence solely to the domestic sphere, they emphasized the power of mothers both within their homes and throughout their communities. 

     Jarvis refused to accept this changing interpretation, claiming both intellectual and legal ownership of Mother’s Day. Her obsession with protecting the purity of her vision sustained a war of verbal and legal assaults against rival holiday promoters, patriotic women’s organizations, charitable foundations, public health reformers, and the Franklin D. Roosevelt administration. The struggle for control of Mother’s Day ultimately threatened her livelihood, physical health, and emotional stability. 

Memorializing Motherhood explores the complicated history of Anna Jarvis’s movement to establish and control Mother’s Day, as well as the powerful conceptualization of this day as both a holiday and a cultural representation of motherhood.

As a black Appalachian woman, Memphis Tennessee Garrison belonged to a demographic category triply ignored by historians.

The daughter of former slaves, she moved to McDowell County, West Virginia, at an early age and died at ninety-eight in Huntington. The coalfields of McDowell County were among the richest seams in the nation. As Garrison makes clear, the backbone of the early mining work force—those who laid the railroad tracks, manned the coke ovens, and dug the coal—were black miners. These miners and their families created communities that became the centers of the struggle for unions, better education, and expanded civil rights. Memphis Tennessee Garrison, an innovative teacher, administrative worker at U.S. Steel, and vice president of the National Board of the NAACP at the height of the civil rights struggle (1963-66), was involved with all of these struggles.

In many ways, this oral history, based on interview transcripts, is the untold and multidimensional story of African American life in West Virginia, as seen through the eyes of a remarkable woman. She portrays a courageous people who organize to improve their working conditions, send their children to school and then to college, own land, and support a wide range of cultural and political activities.

The essays in this volume discuss racism and sexism as they affect mental health. In particular, they focus on training, diagnosis, treatment, and research, emphasizing the power relationships between individuals and groups that cause unequal access to mental health care. They offer perspectives on issues and their distinct effects on mental health: interracial adoptions, teenage motherhood, gender bias in mental health diagnosis and therapy, prisons used as substitutes for hospitals, homeless families, and increasing violence- in the home, on college campuses, and in the streets.

Although the fourteenth-century Italian merchant Francesco Datini has received attention from business historians, there has previously been no full study of his wife, Margherita Datini. Drawing on a sizable trove of Margherita’s correspondence held in the Archivio di Stato di Prato, including hundreds of letters she exchanged with Francesco, Ann Crabb investigates the social and economic importance of women’s roles as wives and mothers, early modern European views on honor, and the practice of letter writing in Margherita’s world.

Historians and anthropologists have long been interested in South China where powerful lineages and gendered hierarchies are juxtaposed with unorthodox trading cultures, multi-ethnic colonial encounters, and market-driven consumption. The divergent paths taken by women in Hong Kong and Guangdong during thirty years of Maoist closure, and the post-reform cross-border fluidities have also gained analytical attention. This collection provides further theoretical application of a “regional construct” that appreciates process, transcends definitive powers of administrative borders, and brings out nuanced gender notions. An interdisciplinary team uses fine-grained historical and ethnographic materials to map out three crucial historical junctures in the evolution of South China, from late imperial to contemporary periods, that have significantly shaped the construction of gendered space. Stressing process and human agency, the volume uses women’s experiences to challenge dichotomous analytical perspectives on lineage patriarchy, colonial institutions, power, and social activism. For scholars of modern Hong Kong society, Merchants’ Daughters refocuses attention to cultural dynamics in the South China region of which Hong Kong is an integral part. For audiences generally interested in gender issues, this book illuminates the analytical importance of long historical periods in which layers of social, political, and economic activities intersected to constitute the complicated positioning of women.

You would as well look for blood in a corpse as for the least shred of decency in a man . . .
 
Without help from their wives, men are just like unlit lamps . . .
 
Just think of them as an unreliable clock that tells you it’s ten o’clock when it’s in fact barely two . . .
 
A man without a woman is like a fly without a head . . .
 
These are but a small selection of the quips bandied about at this lively gathering of women. The broad topic at hand is the relative pros and cons of men, and the cases in point range from pick-up artists to locker-room talk, and from double standards to fragile masculinity.

Yet this dialogue unfolds not among ironically misandrist millenials venting at their local dive bar, but rather among sixteenth-century women—variously married, widowed, single, and betrothed—attending a respectable Venice garden party. Written in the early 1590s by Moderata Fonte, pseudonym of the Renaissance poet and writer Modesta Pozzo, this literary dialogue interrogates men and men’s treatment of women, and explores by contrast the virtues of singledom and female friendship. As the women diverge from their theme—discussing everything from astrology to the curative powers of plants and minerals—a remarkable group portrait of wisdom, wit, and erudition emerges.

A new introduction by translator Virginia Cox and foreword by Dacia Maraini situate The Merits of Women in its historical context, written as it was on the cusp of Shakespeare’s heyday, and straddling the centuries between the feminist works of Christine de Pizan and Mary Wollstonecraft. Elegantly presented for a general audience, this is a must-read for baby feminists and “nasty women” alike, not to mention the perfect subtle gift for any mansplaining friend who needs a refresher on the merits of women . . . and their superiority to men.
 

Dawn Powell was a gifted satirist who moved in the same circles as Dorothy Parker, Ernest Hemingway, renowned editor Maxwell Perkins, and other midcentury New York luminaries. Her many novels are typically divided into two groups: those dealing with her native Ohio and those set in New York. “From the moment she left behind her harsh upbringing in Mount Gilead, Ohio, and arrived in Manhattan, in 1918, she dove into city life with an outlander’s anthropological zeal,” reads a recent New Yorker piece about Powell, and it is those New York novels that built her reputation for scouring wit and social observation.

In this critical biography and study of the New York novels, Patricia Palermo reminds us how Powell earned a place in the national literary establishment and East Coast social scene. Though Powell’s prolific output has been out of print for most of the past few decades, a revival is under way: the Library of America, touting her as a “rediscovered American comic genius,” released her collected novels, and in 2015 she was posthumously inducted into the New York State Writer’s Hall of Fame.

Engaging and erudite, The Message of the City fills a major gap in in the story of a long-overlooked literary great. Palermo places Powell in cultural and historical context and, drawing on her diaries, reveals the real-life inspirations for some of her most delicious satire.

This critical bilingual anthology collects and contextualizes thirty-four primary writings of understudied revolutionary mexicana rhetors and social activists who published with presses within the United States and Mexico during the late nineteenth and early twentieth centuries—a time of cross-border revolutionary upheaval and change. These mexicana newspaperwomen leveraged diverse and compelling rhetorical strategies and used the press to advance the early feminist movement in Mexico and the U.S. Southwest; to define their rights and roles in and confront the hypocrisies of their societies’ patriarchal systems; to engage in important debates about education, women’s rights, and language instruction; and to protest injustices in society and construct possible solutions. Because these presses were in both Mexico and the United States, their writings offer opportunities to explore the concerns, struggles, and triumphs of mexicanas in both U.S. and Mexican cities and throughout the borderlands.
 
Mestiza Rhetorics is the first anthology dedicated to mexicana rhetors and provides unmatched access to mexicana rhetorics. This collection puts forward the work of mexicana newspaperwomen in Spanish and English, provides evidence of their participation in political and educational debates at the turn of the twentieth century, and demonstrates how the Spanish-language press operated as a rhetorical space for mexicanas.
 

The Bolshevik seizure of power in 1917 and the ensuing communist regime have often been portrayed as a man’s revolution, with women as bystanders or even victims. Midwives of the Revolution examines the powerful contribution made by women to the overthrow of tsarism in 1917 and their importance in the formative years of communism in Russia.

Focusing on the masses as well as the high-ranking intelligentsia, Midwives of the Revolution is the first sustained analysis of female involvement in the revolutionary era of Russian history. The authors investigate the role of Bolshevik women and the various forms their participation took. Drawing on the experiences of representative individuals, the authors discuss the important relationship between Bolshevik women and the workers in the turbulent months of 1917.

The authors demonstrate that women were an integral part of the revolutionary process and challenge assumptions that they served merely to ignite an essentially masculine revolt. By placing women center stage, without exaggerating their roles, this study enriches our understanding of a momentous event in twentieth-century history.

Following tirailleurs sénégalais’ deployments in West Africa, Congo, Madagascar, North Africa, Syria-Lebanon, Vietnam, and Algeria from the 1880s to 1962, Militarizing Marriage historicizes how African servicemen advanced conjugal strategies with women at home and abroad. Sarah J. Zimmerman examines the evolution of women’s conjugal relationships with West African colonial soldiers to show how the sexuality, gender, and exploitation of women were fundamental to the violent colonial expansion and the everyday operation of colonial rule in modern French Empire. These conjugal behaviors became military marital traditions that normalized the intimate manifestation of colonial power in social reproduction across the empire. Soldiers’ cross-colonial and interracial households formed at the intersection of race and sexuality outside the colonizer/colonized binary. Militarizing Marriage uses contemporary feminist scholarship on militarism and violence to portray how the subjugation of women was indispensable to military conquest and colonial rule.

A Mind of Her Own:  Helen Connor Laird and Family 1888–1982 captures the public achievement and private pain of a remarkable Wisconsin woman and her family, whose interests and influence extended well beyond the borders of the state. Spanning almost a century, the history speaks to the way we were and are: a stridently materialistic nation with a deep and persistent spiritual component.

Growing up in Ladora, Iowa, Mildred “Millie” Benson had ample time to develop her imagination and sense of adventure. While still a journalism graduate student at the University of Iowa, Millie began writing for the Stratemeyer Syndicate, which published the phenomenally popular Hardy Boys series, among others. Soon, Millie was tapped for a new series starring amateur sleuth Nancy Drew, a young, independent woman not unlike Millie herself. Under the pen name Carolyn Keene, Millie wrote the first book, The Secret of the Old Clock, and twenty-two other Nancy Drew Mystery Stories. In all, Millie wrote more than a hundred novels for young people.

Millie was also a journalist for the Toledo Times and the Toledo Blade. At sixty-two, she obtained her pilot’s license. Follow the clues throughout Missing Millie to discover the story of this ghostwriter, journalist, and adventurer.

Descendants of indentured laborers brought from India to the Caribbean between 1845 and 1917 comprise more than forty percent of Trinidad’s population today. While many Indo-Trinidadians identify themselves as Indian, what “Indian” signifies—about nationalism, gender, culture, caste, race, and religion—in the Caribbean is different from what it means on the subcontinent. Yet the ways that “Indianness” is conceived of and performed in India and in Trinidad have historically been, and remain, intimately related. Offering an innovative analysis of how ideas of Indian identity negotiated within the Indian diaspora in Trinidad affect cultural identities “back home,” Tejaswini Niranjana models a necessary project: comparative research across the global South, scholarship that decenters the “first world” West as the referent against which postcolonial subjects understand themselves and are understood by others.

Niranjana draws on nineteenth-century travel narratives, anthropological and historical studies of Trinidad, Hindi film music, and the lyrics, performance, and reception of chutney-soca and calypso songs to argue that perceptions of Indian female sexuality in Trinidad have long been central to the formation and disruption of dominant narratives of nationhood, modernity, and normative sexuality in India. She illuminates debates in India about “the woman question” as they played out in the early-twentieth-century campaign against indentured servitude in the tropics. In so doing, she reveals India’s disavowal of the indentured woman—viewed as morally depraved by her forced labor in Trinidad—as central to its own anticolonial struggle. Turning to the present, Niranjana looks to Trinidad’s most dynamic site of cultural negotiation: popular music. She describes how contested ideas of Indian femininity are staged by contemporary Trinidadian musicians—male and female, of both Indian and African descent—in genres ranging from new hybrids like chutney-soca to the older but still vibrant music of Afro-Caribbean calypso.

When she is seventeen, Emily Merritt’s beloved father gives her the piano she has always wanted. A few days later, having lost his job, he sells Emily’s piano and moves the family out of its two-story house in Cleveland, Ohio, to his mother’s three-room house in his hometown of Knoxville, Tennessee.

The loss of her piano casts a shadow over Emily’s life in Knoxville, a city she could never love. Throughout the rest of her life, Emily longs to return to Cleveland, where she had an idyllic youth with many boyfriends and girlfriends and was, above all, a good piano student. Her life becomes like that of a nomad, moving from house to house and from job to job.
Her great love of life is expressed by dancing in highway honky-tonks, along with her six beautiful girlfriends. After divorcing her lovable, alcoholic husband, Emily falls deeply in love with troubled married men. She doesn’t enjoy whiskey or smoking, but she’s not a churchgoer. She raises three boys in poverty. A fourth son dies soon after birth. Oldest Dickie becomes a life-long petty conman, but little brother John, known as “Sunshine,” becomes a legendary rescuer of wayward boys and girls. Jerry, the middle brother, becomes a merchant seaman, a soldier, and finally a professor and successful writer.

Rather than a chronological narrative, Madden employs an impressionistic style that enables readers to experience Emily’s memories as he imagines them. In sharply focused scenes, Madden evokes the colorful expressions of the articulate, witty woman he has spent all his life listening to—and this memoir will inspire readers to listen eagerly, too.

Anna Ott died in the Wisconsin State Hospital for the Insane in 1893. She had enjoyed status and financial success first as a physician's wife and then as the only female doctor in Madison. Throughout her first marriage, attempts to divorce her abusive second husband, and twenty years of institutionalization, Ott determinedly shaped her own life.

Kim E. Nielsen explores a life at once irregular and unexceptional. Historical and institutional structures, like her whiteness and laws that liberalized divorce and women's ability to control their property, opened up uncommon possibilities for Ott. Other structures, from domestic violence in the home to rampant sexism and ableism outside of it, remained a part of even affluent women's lives. Money, Marriage, and Madness tells a forgotten story of how the legal and medical cultures of the time shaped one woman—and what her life tells us about power and society in nineteenth century America.

Histories of the Montgomery Bus Boycott of 1955–1956 typically focus on Rose Parks, who refused to yield her bus seat to a white man, and on a young Martin Luther King Jr., who became the spokesman for the black community organization set up to pursue a boycott of Montgomery's segregated city buses. In an important revision of the traditional account, this extraordinary personal memoir reveals an earlier and more important role played by a group of middle-class black Montgomery women in creating the boycott.

As head of the Women's Political Council, the most active and assertive black civic organization in the City, Jo Ann Robinson was centrally involved in planning for a boycott far in advance and was able to immediately initiate it the evening Rosa Parks was arrested. Robinson also took part in curcial but ultimately unsuccessful negotiations with white officials both before and during the protest. Her proud, moving narrative vividly portrays her colleagues in the struggle, their strategies and decisions, and evokes the complex emotional currents in Montgomery during the boycott.

The Montgomery Bus Boycott ignited the civil rights movement and has always been vitally important in southern history and African American history. This seminal publication, named to Wall Street Journal's top ten list of book on the civil rights movement, has long been a milestone publication in understanding America's complicated racial history.

Moorings and Metaphors is one of the first studies to examine the ways that cultural tradition is reflected in the language and figures of black women's writing. In a discussion that includes the works of Gloria Naylor, Alice Walker, Ama Ata Aidoo, Ntozake Shange, Buchi Emecheta, Octavia Butler, Efua Sutherland, and Gayl Jones, and with a particular focus on Toni Morrison's Beloved and Flora Nwapa's Efuru, Holloway follows the narrative structures, language, and figurative metaphors of West African goddesses and African-American ancestors as they weave through the pages of these writers' fiction. She explores what she would call the cultural and gendered essence of contemporary literature that has grown out of the African diaspora.

Proceeding from a consideration of the imaginative textual languages of contemporary African-American and West African writers, Holloway asserts the intertextuality of black women's literature across two continents. She argues the subtext of culture as the source of metaphor and language, analyzes narrative structures and linguistic processes, and develops a combined theoretical/critical apparatus and vocabulary for interpreting these writers' works. The cultural sources and spiritual considerations that inhere in these textual languages are discussed within the framework Holloway employs of patterns of revision, (re)membrance, and recursion--all of which are vehicles for expressive modes inscribed at the narrative level. Her critical reading of contemporary black women's writing in the United States and West Africa is unique, radical, and sure to be controversial.

Now in paperback, The Moral Property of Women is a thoroughly updated and revised version of the award-winning historian Linda Gordon’s classic study, Woman’s Body, Woman’s Right (1976). It is the only book to cover the entire history of the intense controversies about reproductive rights that have raged in the United States for more than 150 years. Arguing that reproduction control has always been central to women’s status, Gordon shows how opposition to it has long been part of the entrenched opposition to gender equality.
 

   The Depression era closing
        of a Ford plant sends Andy and two companions to Moscow to find work in
        a Soviet automotive plant, where he meets Natasha, an exemplar of the
        "new Soviet woman." Based on Myra Page's own experiences in Moscow during
        the first Five-Year Plan, Natasha is a portrait of women's contradictory
        social position in the early periods of socialist construction. At the
        core of this novel is a firsthand look at the developing forces and changing
        relations of production forces that bring about the conversion of Andy
        into a "Moscow Yankee." While revealing the political and economic policies
        that would inevitably lead to the demise of Soviet-style socialism, Moscow
        Yankee refutes the notion that egalitarian societies cannot succeed
        because they fail to take into account the individualism and greed of
        "human nature." Barbara Foley's introduction analyzes the Soviet Socialist
        construction in Page's novel and the politics of the novelistic form in
        relation to Moscow Yankee.
      Originally published in 1935
      "A picture of Americans lured
        to Moscow by hope in the 'great experiment,' and of others driven there
        by the depression, and of still others attracted by the simple desire
        to get good engineering jobs, Moscow Yankee; has a decided
        value . . . a sense of life, stirring in the chaos of destruction and
        reconstruction." -- The New York Times Book Review
 
 

Using a unique data set comparing mothers and daughters who attended Douglass College—the women's college of Rutgers University—twenty-five years apart, Krista Jenkins perceptively observes the changes in how women acquire their attitudes toward gender roles and behaviors in the post-women's movement years.

Mothers, Daughters, and Political Socialization examines the role of intergenerational transmission—the maternal influences on younger women—while also looking at differences among women in attitudes and behaviors relative to gender roles that might be attributed to the nature of the times during their formative years. How do daughters coming of age in an era when the women's movement is far less visible deal with gendered expectations compared to their mothers? Do they accept the contemporary status quo their feminist mothers fought so hard to achieve? Or, do they press forward with new goals?

Jenkins shows how contemporary women are socialized to accept or reject traditional gender roles that serve to undermine their equality.