front cover of V-2
V-2
A Combat History of the First Ballistic Missile
T. D. Dungan
Westholme Publishing, 2005
A History of One of World War II's Most Advanced and Terrifying Technologies
In August 1944, Londoners thought the war might be over by Christmas. But on September 8, 1944, in the London suburb of Chiswick, a thunderous double-boom was heard followed by a huge plume of black smoke rising high into the air. Several minutes later another explosion rocked the earth near Epping. There had been no warnings, no drone of aircraft above, just sudden devastation. "Operation Penguin," the V-2 offensive, had begun. The A-4 rocket, better known as the V-2, Vergeltungswaffen Zwei, or "Vengeance Weapon 2," was the first ballistic missile to be used in combat. Soaring over 50 miles high at supersonic speeds, the V-2 would strike its target within 5 minutes of launching. Once in the air its deadly warhead was unstoppable. The ancestor of all Cold War and modern day ballistic missiles, as well as the rockets used for space exploration, the V-2 could not win the war for Germany—it was too expensive, too complicated, too inaccurate, and its warhead was too small—but its unprecedented invulnerability and influence on Allied planning made the V-2 and the advancements it represented the ultimate war prize, and British, American, and Soviet forces scrambled to seize German rocket technology along with its scientists and engineers. In V-2: A Combat History of the First Ballistic Missile, T. D. Dungan relies on an unparalleled collection of original documents, unpublished photographs, and accounts from those who were there to provide a complete description of the V-2 program, the missile's use in combat, and the race to capture its secrets.
[more]

front cover of Valor and Courage
Valor and Courage
The Story of the USS Block Island Escort Carriers in World War II
Benjamin J. Hruska
University of Alabama Press, 2021
Recounts the stories of the USS Block Island CVE 21 and CVE 106 and their crews, many of whom served on both ships in the Atlantic and Pacific theatres

In Valor and Courage: The Story of the USS Block Island Escort Carriers in World War II Benjamin Hruska explores the history and commemoration of the USS Block Island—or, more properly, the Block Islands, as two escort carriers bore that name during WWII. The first, CVE 21, bears the distinction of having been the only American aircraft carrier sunk in the Atlantic Theatre after being torpedoed by a German U-boat off the coast of North Africa.
 
Of the CVE 21’s 957 crew members, six sailors were killed and eighteen injured in the strike, and four of the Block Island’s fighter pilots were lost later in the day searching for a safe place to land their planes. When the CVE 106 was commissioned to replace its predecessor, Captain Massie Hughes successfully persuaded the Navy to keep the CVE 21’s crew together in manning the new ship. After resurrection as the CVE 106, the Block Island was assigned to the Pacific theater where it fought until the end of the war. The saga of these two ships and the crew that navigated two very different theaters of war offers a unique lens on naval strategy and engineering as it evolved during WWII, especially as pertains to the escort carrier class—generally underappreciated both in naval studies and in public memory.
 
Using archival materials, dozens of oral histories, primary sources, and official records, Hruska traces the life of the Block Island from the CVE 21’s construction through its missions in the Atlantic, its work as an antisubmarine hunter, its destruction, and the lasting impact of those experiences on its crew. Hruska’s study juxtaposes traditional military history with an examination of the acts of remembrance and commemoration by veterans who served on the escort carriers, how those practices evolved over time, and how the meanings of personal wartime experiences and memories gradually shifted throughout that process.
[more]

logo for Harvard University Press
Vanguard of Nazism
The Free Corps Movement in Postwar Germany, 1918–1923
Robert G. L. Waite
Harvard University Press

Vanguard of Nazism is the first full history of the German Free Corps and of its contributions to the rise of Nazism. This dramatic and horrifying story sheds new light on a dark corner of the recent past, and it has an unhappy relevance to neo-Nazist tendencies in Germany today.

The newly established Weimar Republic, defenseless against the Communists, hired groups of volunteer soldiers (the Free Corps) to fight for it. These volunteers—born of the pre–World War I youth movement, nourished on the battlefields of the War, unreconciled to defeat and determined to avenge it—fought for the Republic (which they despised) from Munich to Berlin, from Düsseldorf to the Baltic. When the Republic, in fear, tried to disband them, they went underground until they reappeared in the brown shirts of the Nazis.

The savage spirit, brutal acts, and perverted ideology of the men whom Hermann Goering called “the first soldiers of the Third Reich” stand out in glaring relief in this record. The book is based on contemporary newspaper accounts and government documents, but the story it tells would hardly be credible were it not for the memoirs of the Free Corps fighters themselves, from which Robert G. L. Waite quotes liberally. With this material, Waite is able to show that the Free Corps contributed to Hitler’s Germany powerful political shock troops, labor camps, a youth movement, a well-developed Führer concept, and the basic tenets of National Socialist ideology.

The movement, half a million strong, swept Germany at a time when Hitler was an unknown political agitator. But when Hitler came to power, leaders of the Free Corps emerged as leaders of the Third Reich. Waite lists the names of these men in a valuable appendix to the book, which shows the activities of each man in both movements.

Waite emphasizes and substantiates the thesis that National Socialism really began in the months and years immediately following World War I. Aside from its importance as history, the story of these self-styled Freebooters has all the ingredients of a fantastic adventure tale: intrigues, conspiracies, quick reversals, and sudden death follow each other in dramatic succession.

[more]

front cover of Victory Banner Over the Reichstag
Victory Banner Over the Reichstag
Film, Document and Ritual in Russia's Contested Memory of World War II
Jeremy Hicks
University of Pittsburgh Press, 2020
In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow’s Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness.
[more]

front cover of Voices from Shanghai
Voices from Shanghai
Jewish Exiles in Wartime China
Edited by Irene Eber
University of Chicago Press, 2008

When Hitler came to power and the German army began to sweep through Europe, almost 20,000 Jewish refugees fled to Shanghai. A remarkable collection of the letters, diary entries, poems, and short stories composed by these refugees in the years after they landed in China, Voices from Shanghai fills a gap in our historical understanding of what happened to so many Jews who were forced to board the first ship bound for anywhere.
            Once they arrived, the refugees learned to navigate the various languages, belief systems, and ethnic traditions they encountered in an already booming international city, and faced challenges within their own community based on disparities in socioeconomic status, levels of religious observance, urban or rural origin, and philosophical differences. Recovered from archives, private collections, and now-defunct newspapers, these fascinating accounts make their English-languge debut in this volume. A rich new take on Holocaust literature, Voices from Shanghai reveals how refugees attempted to pursue a life of creativity despite the hardships of exile.
 
 
[more]


Send via email Share on Facebook Share on Twitter