front cover of Back to the Dance Itself
Back to the Dance Itself
Phenomenologies of the Body in Performance
Edited with Essays by Sondra Fraleigh
University of Illinois Press, 2018
In Back to the Dance Itself, Sondra Fraleigh edits essays that illuminate how scholars apply a range of phenomenologies to explore questions of dance and the world; performing life and language; body and place; and self-knowing in performance. Some authors delve into theoretical perspectives, while others relate personal experiences and reflections that reveal fascinating insights arising from practice. Collectively, authors give particular consideration to the interactive lifeworld of making and doing that motivates performance. Their texts and photographs study body and the environing world through points of convergence, as correlates in elemental and constant interchange modeled vividly in dance. Selected essays on eco-phenomenology and feminism extend this view to the importance of connections with, and caring for, all life.

Contributors: Karen Barbour, Christine Bellerose, Robert Bingham, Kara Bond, Hillel Braude, Sondra Fraleigh, Kimerer LaMothe, Joanna McNamara, Vida Midgelow, Ami Shulman, and Amanda Williamson.

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front cover of Dreams, Illusion, and Other Realities
Dreams, Illusion, and Other Realities
Wendy Doniger O'Flaherty
University of Chicago Press, 1984
"Wendy Doniger O'Flaherty . . . weaves a brilliant analysis of the complex role of dreams and dreaming in Indian religion, philosophy, literature, and art. . . . In her creative hands, enchanting Indian myths and stories illuminate and are illuminated by authors as different as Aeschylus, Plato, Freud, Jung, Kurl Gödel, Thomas Kuhn, Borges, Picasso, Sir Ernst Gombrich, and many others. This richly suggestive book challenges many of our fundamental assumptions about ourselves and our world."—Mark C. Taylor, New York Times Book Review

"Dazzling analysis. . . . The book is firm and convincing once you appreciate its central point, which is that in traditional Hindu thought the dream isn't an accident or byway of experience, but rather the locus of epistemology. In its willful confusion of categories, its teasing readiness to blur the line between the imagined and the real, the dream actually embodies the whole problem of knowledge. . . . [O'Flaherty] wants to make your mental flesh creep, and she succeeds."—Mark Caldwell, Village Voice

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front cover of Moving Consciously
Moving Consciously
Somatic Transformations through Dance, Yoga, and Touch
Edited by Sondra Fraleigh
University of Illinois Press, 2015
The popularity of yoga and Zen meditation has heightened awareness of somatic practices. Individuals develop the conscious embodiment central to somatics work via movement and dance, or through touch from a skilled teacher or therapist often called a somatic bodyworker. Methods of touch and movement foster generative processes of consciousness in order to create a fluid interconnection between sensation, thought, movement, and expression. In Moving Consciously , Sondra Fraleigh gathers essays that probe ideas surrounding embodied knowledge and the conscious embodiment of movement and dance. Using a variety of perspectives on movement and dance somatics, Fraleigh and other contributors draw on scholarship and personal practice to participate in a multifaceted investigation of a thriving worldwide phenomenon. Their goal: to present the mental and physical health benefits of experiencing one's inner world through sensory awareness and movement integration. A stimulating addition to a burgeoning field, Moving Consciously incorporates concepts from East and West into a timely look at life-changing, intertwined practices that involve dance, movement, performance studies, and education. Contributors: Richard Biehl, Robert Bingham, Hillel Braude, Alison East, Sondra Fraleigh, Kelly Ferris Lester, Karin Rugman, Catherine Schaeffer, Jeanne Schul, and Ruth Way.
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front cover of The Power of the Nath Yogis
The Power of the Nath Yogis
Yogic Charisma, Political Influence and Social Authority
Daniela Bevilacqua
Amsterdam University Press, 2022
The volume collects a series of contributions that help reconstruct the recent history of the Nath tradition, highlighting important moments of self.reinterpretation in the sampradaya’s interaction with different social milieus. The leitmotif tying together the selection of articles is the authors’ explorations of the overlap between religious authority and political power. For example, in which ways do the Naths’ hagiographical claim of possessing yogic charisma (often construed as supernatural powers, siddhis) translate into mundane expressions of socio.political power? And how does it morph into the authority to reinterpret and recreate particular traditions? The articles approach different aspects of the recent history of the Nath sampradaya, spanning from stories of yogis guiding kings in the petty principalities of the eighteenth century to gurus who sought prominence in the transnational environments of the twentieth century; examining some Nath lineages and institutions under the British Raj, in the history of Nepal, and in contemporary India.
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front cover of Sinister Yogis
Sinister Yogis
David Gordon White
University of Chicago Press, 2009

Since the 1960s, yoga has become a billion-dollar industry in the West, attracting housewives and hipsters, New Agers and the old-aged. But our modern conception of yoga derives much from nineteenth-century European spirituality, and the true story of yoga’s origins in South Asia is far richer, stranger, and more entertaining than most of us realize.

To uncover this history, David Gordon White focuses on yoga’s practitioners. Combing through millennia of South Asia’s vast and diverse literature, he discovers that yogis are usually portrayed as wonder-workers or sorcerers who use their dangerous supernatural abilities—which can include raising the dead, possession, and levitation—to acquire power, wealth, and sexual gratification. As White shows, even those yogis who aren’t downright villainous bear little resemblance to Western assumptions about them. At turns rollicking and sophisticated, Sinister Yogis tears down the image of yogis as detached, contemplative teachers, finally placing them in their proper context.

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Stories, Songs, and Stretches!
Creating Playful Storytimes with Yoga and Movement
Katie Scherrer
American Library Association, 2017

front cover of Yoga and the Hindu Tradition
Yoga and the Hindu Tradition
Jean Varenne
University of Chicago Press, 1977
A popular and critical success when it first appeared in France, Yoga and the Hindu Tradition has freed Yoga from the common misconceptions of the recent Yoga vogue. Jean Varenne, the distinguished French Orientalist, presents the theory of classical Yoga, in all its richness, as a method—a concrete way to reach the Absolute through spiritual exercises—which makes possible the transition from existence to essence.

This excellent translation, including line drawings and charts, a glossary of technical terms, and a complete translation of the Yoga Darshana Upanishad, begins with a brief description of the metaphysical and religious history on which Yoga is based. Varenne discusses the theoretical conception of Yoga as the search for liberating knowledge, concluding with a brief indication of the physical practices and extra Yogic themes such as Kundalini and Tantrism. It is the author's hope that "those who read [this book] will come to realize that it is in fact dishonest to reduce Yoga to some sort of physical training, or to just an occult doctrine; it is a 'world view' a Weltanschauung that comprehends reality in its totality."

"The straightforward, well-organized presentation makes the book itself a microcosm of what Varenne singles out as a dominant feature of classical Hindu thought—a bringing of the complex and multitudinous into a unity."—Judith Guttman, Yoga Journal
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