front cover of Last Animals at the Zoo
Last Animals at the Zoo
How Mass Extinction Can Be Stopped
Colin Tudge
Island Press, 1992

In Last Animals at the Zoo, Colin Tudge argues that zoos have become an essential part of modern conservation strategy, and that the only real hope for saving many endangered species is through creative use of zoos in combination with restoration of natural habitats. From the genetics of captive breeding to techniques of behavioral enrichment, Tudge examines all aspects of zoo conservation programs and explains how the precarious existence of so many animals can best be protected.

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front cover of The Zoo
The Zoo
Joanie Mackowski
University of Pittsburgh Press, 2001
Joanie Mackowski’s debut collection of poetry is meditative, vivid, sometimes weird. Turning an idiosyncratic eye to the inhabitants of zoos and fish tanks, cafes and cemeteries, she illuminates details that make the familiar seem strange. An egret stands "still as a glass of milk"; iceberg lettuce is a "vegetable leviathan" that "extends beneath the dinner table / an unseen, monstrous green"; a bald eagle may "love a jet?—  / or worship them all, or mock them, rigid / freaks that never linger."
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front cover of Zoo
Zoo
Poems
Alice Friman
University of Arkansas Press, 1999

Alice Friman writes her poems with a razor-like intensity. Her metaphors slice through comfortable conventions of nature, family, love, and history. Vultures flock to carrion and “[s]pread / their wings into a tablecloth of frenzy.” A male lion takes a dead leopard’s head “in his jaws, argues it like a cat with a mole.” With equal skill, Friman can also light up quieter moments. A neglected ceiling threatens to crash down “in a blizzard of broken sidewalks,” and in the middle of family tension sits the daughter “curled in the living room chair, the eye / of the storm drowning herself in a book.”

Whether she confronts the ghosts of family, the bewildering violence of nature, or the phantoms of love in the here and now, Friman tears away the gauzy veils with her diamondhard imagination. She never takes her eyes off the subjects, always aware that the beasts are watching, too. Line by line, she takes this frightening, beautiful zoo and offers it up to us in poems that contain but do not strangle the life out of it. The bars of her lines and stanzas bend and tense while animals roar inside. Zoo testifies to the ability of language to make the familiar new in the hands of a skilled maker.

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