The Illinois frontier offered abundant opportunity, noted English traveler William Oliver after his journey to America in 1841–42, but life there was hard. Accordingly, Oliver advised the wealthy and comfortable to remain in England and counseled the unprosperous to seek their fortunes in America. Written for the poor who would migrate and published in 1843, his Eight Months in Illinois: With Information to Immigrants sought only to provide pertinent, valid, and practical information about what people might encounter in the frontier state. What Oliver actually accomplished, however, was much more: he imparted invaluable insights into and analyses of American life during an era of sweeping social, economic, and political change.
In his new foreword to this edition, James E. Davis stresses Oliver’s sincere desire to help British immigrants succeed in America. Oliver, Davis notes, “devoted dozens of pages of advice on numerous matters: various routes to Illinois and their advantages and disadvantages, processes of settling, qualities of western houses, costs of obtaining a new farm.” Oliver discussed other practical matters, such as the importance of having sons. He also assured his intended readership that “in the West, distinction of classes is little known and seldom recognized.”
As a document covering the middle west in the 1840s, Eight Months in Illinois: With Information to Immigrants has few equals. Its portrayal of farming and trade in relatively primitive times is historically accurate. It paints a plain picture, laying out the essential facts and presenting the typical incidents that enable us to trace the course of a settler’s simple, diligent, laborious day-to-day life. According to Davis, Oliver depicted “accurate and balanced slices of life in Illinois and America, including nasty insects, crude conditions, and the necessity of work.” And he did so without a trace of anti-American bias.
Eight Months in Illinois with Information to Immigrants was reprinted with emendations in 1924 by Walter Hill.
Exciting and beautifully crafted, The Extraordinary Work of Ordinary Writing provides an entirely new way of viewing “ordinary writing,” the everyday writing we typically ignore or dismiss. It takes as its center the diary of Jennifer Sinor's great-great-great-aunt Annie Ray, a woman who homesteaded in the Dakotas in the late nineteenth century. Diaries such as this have long been ignored by scholars, who prefer instead to focus on diaries with literary features. Reading diaries through this lens gives privileged status to those that are coherently crafted and ignores the very diaries that define the form through their relentless inscription of dailiness.
Annie Ray’s diary is not literary. By considering her ordinary writing as a site of complex and strategic negotiations among the writer, the form of writing, and dominant cultural scripts, Sinor makes visible the extraordinary work of the ordinary writer and the sophistication of these texts. In providing a way to read diaries outside the limits and conventions of literature, she challenges our approaches to other texts as well. Furthermore, because ordinary writing is not crafted for aesthetic reception (in contrast to autobiography proper, memoirs, and literary diaries), it is a productive site for investigating how both writing and culture get made every day.
The book is truly original in its form: nontraditional, storied, creative. Sinor, an accomplished creative writer, includes her own memories as extended metaphors in partnership with critical texts along with excerpts from her aunt's diary. The Extraordinary Work of Ordinary Writing will be a fascinating text for students of creative writing as well as of women's studies and diaries.
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