front cover of Aesthetics at Large
Aesthetics at Large
Volume 1: Art, Ethics, Politics
Thierry de Duve
University of Chicago Press, 2019
Immanuel Kant’s Critique of Judgment, Thierry de Duve argues in the first volume of Aesthetics at Large, is as relevant to the appreciation of art today as it was to the enjoyment of beautiful nature in 1790. Going against the grain of all aesthetic theories situated in the Hegelian tradition, this provocative thesis, which already guided de Duve’s groundbreaking book Kant After Duchamp (1996), is here pursued in order to demonstrate that far from confining aesthetics to a stifling formalism isolated from all worldly concerns, Kant’s guidance urgently opens the understanding of art onto ethics and politics.
          Central to de Duve’s re-reading of the Critique of Judgment is Kant’s idea of sensus communis, ultimately interpreted as the mere yet necessary idea that human beings are capable of living in peace with one another. De Duve pushes Kant’s skepticism to its limits by submitting the idea of sensus communis to various tests leading to questions such as: Do artists speak on behalf of all of us? Is art the transcendental ground of democracy? Or, Was Adorno right when he claimed that no poetry could be written after Auschwitz?
          Loaded with de Duve’s trademark blend of wit and erudition and written without jargon, these essays radically renew current approaches to some of the most burning issues raised by modern and contemporary art. They are indispensable reading for anyone with a deep interest in art, art history, or philosophical aesthetics.
[more]

front cover of Clement Greenberg Between the Lines
Clement Greenberg Between the Lines
Including a Debate with Clement Greenberg
Thierry de Duve
University of Chicago Press, 2010

Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. This volume, a lively reassessment of Greenberg’s writings, features three approaches to the man and his work: Greenberg as critic, doctrinaire, and theorist. The book also features a transcription of a public debate with Greenberg that de Duve organized at the University of Ottawa in 1988. Clement Greenberg Between the Lines will be an indispensable resource for students, scholars, and enthusiasts of modern art.

“In this compelling study, Thierry de Duve reads Greenberg against the grain of the famous critic’s critics—and sometimes against the grain of the critic himself. By reinterpreting Greenberg’s interpretations of Pollock, Duchamp, and other canonical figures, de Duve establishes new theoretical coordinates by which to understand the uneasy complexities and importance of Greenberg’s practice.”  John O’Brian, editor of Clement Greenberg: The Collected Essays and Criticisms

“De Duve is an expert on theoretical aesthetics and thus well suited to reassess the formalist tenets of the late American art critic's theory on art and culture. . . . De Duve's close readings of Greenberg . . . contain much of interest, and the author clearly enjoys matching wits with ‘the world's best known art critic.’”   Library Journal

[more]

front cover of Come On, Men, One More Effort …
Come On, Men, One More Effort …
Anthropogenesis, Christianity, Sexuation
Thierry De Duve
Diaphanes, 2024
A theoretical exploration of possible ways out of concepts adopted by the Enlightenment.

Thierry de Duve outlines the main features of a critical theory of male, all-too-male sexuation and cross-gender emancipation, drawing on Marcel Gauchet’s theses on Christianity as an exit from religion, Jacques Lacan’s algebra of desire, and Geneviève Morel’s analysis of the “law of the mother.”

Wouldn’t it have required more than the translation of the three Christian maxims “faith, hope, love” into the revolutionary maxims “liberté, egalité, fraternité?”  Is there more to the knot of incarnation, fatherhood, and the cult of Mary than just Christian mysticism? Can the uncertainty of fatherhood become an act of faith that acknowledges a fundamental uncertainty?

Come On, Men, One More Effort… explores ways out of the dead end of political concepts adopted by the Enlightenment and their continued impact today, since the only possibility seems to be to embrace the religious and reject it at the same time.
 
[more]

front cover of Hommes, encore un effort…
Hommes, encore un effort…
Anthropogenèse, christianisme, sexuation
Thierry de Duve
Diaphanes, 2023
Dans ce petit livre intempestif arc-bouté à la conviction selon laquelle « le christianisme est la religion de la sortie de la religion » (Marcel Gauchet), Thierry de Duve sort des disciplines qui sont les siennes, l’esthétique et histoire de l’art, pour aborder deux questions anthropologiques que la mutation de l’ordre symbolique en cours rend pressantes : la différence des sexes, qu’il envisage par le biais de l’incertitude de la paternité, et l’avenir de la politique d’émancipation, qu’il ancre à la naissance prématurée des enfants humains. Le ton de ce livre est une certaine effronterie respectueuse par laquelle de Duve engage un dialogue imaginaire avec quelques grandes figures intellectuelles, parmi lesquelles Françoise Héritier, Alain Badiou, Georges Duby, Marcel Gauchet et, last but not least, Jacques Lacan.
[more]

front cover of Sewn in the Sweatshops of Marx
Sewn in the Sweatshops of Marx
Beuys, Warhol, Klein, Duchamp
Thierry de Duve
University of Chicago Press, 2012
Joseph Beuys, Andy Warhol, Yves Klein, and Marcel Duchamp form an unlikely quartet, but they each played a singular role in shaping a new avant-garde for the 1960s and beyond. Each of them staged brash, even shocking, events and produced works that challenged the way the mainstream art world operated and thought about itself.
 
Distinguished philosopher Thierry de Duve binds these artists through another connection: the mapping of the aesthetic field onto political economy. Karl Marx provides the red thread tying together these four beautifully written essays in which de Duve treats each artist as a distinct, characteristic figure in that mapping. He sees in Beuys, who imagined a new economic system where creativity, not money, was the true capital, the incarnation of the last of the proletarians; he carries forward Warhol’s desire to be a machine of mass production and draws the consequences for aesthetic theory; he calls Klein, who staked a claim on pictorial space as if it were a commodity, “The dead dealer”; and he reads Duchamp as the witty financier who holds the secret of artistic exchange value. Throughout, de Duve expresses his view that the mapping of the aesthetic field onto political economy is a phenomenon that should be seen as central to modernity in art. Even more, de Duve shows that Marx—though perhaps no longer the “Marxist” Marx of yore—can still help us resist the current disenchantment with modernity’s many unmet promises.
 
An intriguing look at these four influential artists, Sewn in the Sweatshops of Marx is an absorbing investigation into the many intertwined relationships between the economic and artistic realms.
[more]


Send via email Share on Facebook Share on Twitter