front cover of Bibles
Bibles
An Illustrated History from Papyrus to Print
Christopher de Hamel
Bodleian Library Publishing, 2011

A unique visual history of the world’s best-selling book of all time, Bibles provides a rich snapshot of the biblical bookmaking tradition through images from fifty rare and important Bibles. As the captivating and colorful images collected here reveal, in many ways the history of the Bible mirrors the history of the book and publishing.

Presented chronologically, the Bibles provide a fascinating look into the book making techniques and characteristics of their time. From the fragile papyrus fragments of the ancient world to medieval illuminated manuscripts and glorious modern printed editions, each image is accompanied by a caption which explains its particular significance. In addition, each chapter includes a short introduction that contextualizes each book within its time period. Featuring many unusual examples—some of which have never been illustrated in print before—Bibles includes many of the great biblical texts of the Eastern and Western traditions, including the Magdalen Papyrus, the Laudian Acts, the Anglo-Saxon Exodus, St Margaret’s Gospel-book, the Douce Apocalypse, the Bible Moralisée (MS. Bodley 270b), the Kennicott Bible, the Guttenberg Bible, and the King James Bible.

Drawing exclusively from one of the finest collections of Bibles in the world, which is held at the Bodleian Library at Oxford University, this book tells the remarkable story of the development of the Bible across media, language, and provenance.

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front cover of Book of Beasts
Book of Beasts
A Facsimile of MS. Bodley 764
Christopher de Hamel
Bodleian Library Publishing, 2008

front cover of Making Medieval Manuscripts
Making Medieval Manuscripts
Christopher de Hamel
Bodleian Library Publishing, 2017
Many beautiful illuminated manuscripts survive from the Middle Ages and can be seen in libraries and museums throughout Europe. But who were the skilled craftsmen who made these exquisite books? What precisely is parchment? How were medieval manuscripts designed and executed? What were the inks and pigments, and how were they applied? Examining the work of scribes, illuminators, and bookbinders, this lavishly illustrated account tells the story of manuscript production from the early Middle Ages through to the high Renaissance. Each stage of production is described in detail, from the preparation of the parchment, pens, paints, and inks to the writing of the scripts and the final decoration of the manuscript. Christopher de Hamel’s engaging text is accompanied by a glossary of key technical terms relating to manuscripts and illumination, providing an invaluable introduction for anyone interested in studying medieval manuscripts today.
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