Photography At The Dock: Essays on Photographic History, Institutions, and Practices
by Abigail Solomon-Godeau
University of Minnesota Press, 1994
Cloth: 978-0-8166-1913-9 | Paper: 978-0-8166-1914-6
Library of Congress Classification TR642.S65 1991
Dewey Decimal Classification 770
TOC
- Contents
- Illustrations
- Foreword
- Nochlin, Linda
- Acknowledgments
- A Note on the Essays
- Introduction
- Part I.
- THE POLITICS OF AESTHETICISM
- 1.
- Calotypomania: The Gourmet Guide to Nineteenth-Century Photography
- 2.
- Canon Fodder: Authoring Eugene Atget
- 3.
- The Armed Vision Disarmed: Radical Formalism from Weapon to Style
- Part II.
- PHOTOGRAPHY AND POSTMODERNISM
- 4.
- Playing in the Fields of the Image
- 5.
- Photography after Art Photography
- 6.
- Living with Contradictions: Critical Practices in the Age of Supply-Side Aesthetics
- Part III.
- RETHINKING DOCUMENTARY
- 7.
- A Photographer in Jerusalem, 1855: Auguste Salzmann and His Times
- 8.
- Who Is Speaking Thus? Some Questions about Documentary Photography
- 9.
- Reconstructing Documentary: Connie Hatch's Representational Resistance
- Part IV.
- PHOTOGRAPHY AND SEXUAL DIFFERENCE
- 10.
- Reconsidering Erotic Photography: Notes for a Project of Historical Salvage
- 11.
- Just Like a Woman
- 12.
- Sexual Difference: Both Sides of the Camera
- Notes
- Index
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