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Theatre History Studies 2020, Vol. 39

edited by Lisa Jackson-Schebetta
contributions by Matthew McMahan, Ana Olivarez-Levinson, Jessica N. Pabón-Colón, Emily Sahakian, Mike Sell, Jeffrey Ullom, Patricia Ybarra, Marina J. Bergenstock, Peter A. Campbell, Sarah Alice Campbell, Julie Burrell, Jonathan Chambers, Stacey Connelly, Adam Goldstein, Macy Jones, Felicia Hardison Londré, Karin Maresh, Evleen Nasir, Wes D. Pearce, Kathy L. Privatt, Jayetta Slawson, Leo Cabranes-Grant, Eric Thibodeaux-Thompson, Weston Twardowski, Amanda Rose Villarreal, Catherine M. Young, Matthieu Chapman, Michael Chemers, Chrystyna M. Dail, Michael Dennis, Christiana Molldrem Harkulich and Eric Mayer-García
University of Alabama Press, 2020
Paper: 978-0-8173-7114-2 | eISBN: 978-0-8173-9328-1

ABOUT THIS BOOK

Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference 

Reframing the past to illuminate the future of performance.

Theatre History Studies is a peer-reviewed journal devoted to excellence in theatre historiography. Volume 38, edited by Lisa Jackson-Schebetta, features three distinct sections: foundational studies in theatre history, a special section on hemispheric historiographies, and award-winning essays from the Mid-America Theatre Conference. Contributors examine topics ranging from Shakespeare and racial antagonism to systemic dramaturgy, labor unions in regional theatre, and digital diasporic activism. The volume also includes visual histories and decolonial methodologies that challenge Eurocentric narratives and foreground Latinx, feminist, and socialist performance traditions. With 272 pages and 18 black-and-white figures, this edition is a rich resource for scholars seeking to expand the scope and methods of theatre history.


 

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