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In the Shadows of Romance: Romantic Tragic Drama in Germany, England, and France

by Jeffrey N. Cox
Ohio University Press, 2011
Cloth: 978-0-8214-0858-2 | Paper: 978-0-8214-1982-3 | eISBN: 978-0-8214-4379-8
Library of Congress Classification PN1898.E85C68 1987
Dewey Decimal Classification 809.2512

TOC

  • TABLE OF CONTENTS 
    • PREFACE
    • NOTE ON TRANSLATIONS
    • Chapter One: 
    • ROMANTICISM AND TRAGEDY
      • I: 
      • Traditional Tragedy and the Romantic Redefinition of the Tragic
      • II: 
      • Romantic Tragic Drama: The Self, Revolt, and History
    • Chapter Two: 
    • THE FORM OF ROMANTIC TRAGIC DRAMA
      • I: 
      • Romantic Drama and the Dramatic Tradition
      • II: 
      • Monodrama and Melodrama
    • Chapter Three: 
    • SCHILLER AND THE IMPORTANCE OF GERMAN ROMANTIC DRAMA
      • I: 
      • The Quest for a “Romantic Classic”
      • II: 
      • The Achievement of Schiller
    • Chapter Four: 
    • GOETHE AND ROMANTIC DRAMA: VARIATIONS ON A THEME
      • I: 
      • Egmont: The Pattern of Romantic Tragic Drama
      • II: 
      • Variation I: Iphigenia's “Devilish Classicism”
      • III: 
      • Variation II: Faust's Visionary Forms Dramatic
    • Chapter Five: 
    • BERTRAM, BYRON, AND ENGLISH ROMANTIC DRAMA
      • I: 
      • Gothic Melodrama, Monodramatic Psychology, and the Pursuit of the Tragic
      • II: 
      • Maturin and Coleridge: Identity and Morality
      • III: 
      • Byron and Tragedy: Mysteries and Histories
    • Chapter Six: 
    • SHELLEY'S THE CENCI: THE TRAGEDY OF “SELF-ANATOMY”
      • I: 
      • Culture and Anarchy: Society and the “principle of self”
      • II: 
      • Shelley and Shakespeare: The Ravages of “Self-Anatomy”
      • III: 
      • Cenci and Beatrice: Shelley's Dramaturgy of Self and Innocence
      • IV: 
      • The Theater of Self-Knowledge
    • Chapter Seven: 
    • NEOCLASSICAL TRAGEDY, MELODRAMA, AND FRENCH ROMANTIC DRAMA
      • I: 
      • Chenier's Charles IX: Tragedy and History
      • II: 
      • The Search for a Form and the Avoidance of Tragedy
      • III: 
      • The Theater of Revolt
    • Chapter Eight: 
    • MUSSET'S LORENZACCIO: INNOCENCE, EXPERIENCE, AND THE TRAGEDY OF REVOLT
      • I: 
      • Lorenzo and Florence: Innocence and Experience
      • II: 
      • Lorenzo: The Modern Brutus
      • III: 
      • The Tragedy of Revolt
    • Chapter Nine: 
    • KLEIST'S PRINCE FRIEDRICH OF HOMBURG: THE TRAGEDY OF NON-TRAGIC MAN
      • I: 
      • Prince Friedrich and Historical Drama: The Chaos of Chance
      • II: 
      • Prince Friedrich: Beautiful Soul or Case Study?
      • III: 
      • The Elector: Master Builder or Tyrant?
      • IV: 
      • The Hero and the Educator: Culture, Mortality, and Illusion
      • V: 
      • Romantic Tragic Drama and Modern Tragicomedy
    • NOTES
    • BIBLIOGRAPHY
    • INDEX
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