Title Page
Copyright Page
Contents
Preface
Part I: The Life of Francesco Galezaai
Part II: The Theoretical-Practical Elements of Music
Appendix: Writings and Compositions by Francesco Galeazzi
Theoretical-Practical Elements of Music
Preface
Article I: Principles of Ancient and Modern Music
Article II: Greek Music Theory
Article III: Diatonic Genus
Article IV: Chromatic and Enharmonic Genera
Article V: Guido d'Arezzo
Article VI: Notation and Clefs
Article VII: Note Shapes and Mensuration
Article VIII: Accidentals
Article IX: Solfege
Article X: Plainsong Modes
Article XI: Keys
Appendix: Part I, Article XI: Keys
Article I: Intervals and Inversions
Article II: Physical Harmonic Phenomenon
Article III: Consonant and Dissonant Intervals
Article IV: Fundamental Bass
Article V: Cadences
Article VI: Chord Inversions
Article VII: Ascending Scale and Harmonic Connection
Article VIII: Descending Scale
Article IX: Compositional Styles
Article X: Musical Motions and Strict Counterpoint
Article XI: One or Two Notes against One
Article XII: Four Notes against One
Article XIII: Suspensions
Article XIV: Florid Counterpoint
Article XV: Harmony in Minor Keys
Article XVI: Florid Counterpoint with Modulations
Article XVII: Imitation
Article XVIII: Three Parts
Article XIX: Four Parts and Text Setting
Article XX: Double Counterpoint
Article XXI: Canon
Article XXII: Fugue
Article I: Writing Music
Article II: Facilitating Inspiration
Article III: Melody and Its Members
Article IV: Modulation
Article V: Pure Vocal Style
Article VI: Pure Instrumental Style
Article VII: Mixed Style and Orchestration
Article VIII: Scores and Instruments
Works Cited
Index