Contents
Preface
Acknowledgments
Introduction: The Political Fallacy of Vanguard Performance - Kimberly Jannarone
Part I. Heroic Vanguards and Radical Reactionaries
Part Introduction: Performance at the Edge of the Abyss - Alan Filewood
9/11 as Avant-Garde Art? - Richard Schechner
Il Duce’s Directors: Art Theaters as Instruments of the Fascist Revolution - Patricia Gaborik
Patricide and the Fascist Sublime - Monica Achen
“So That the Sun Should Shine on Free Men”: Henry Williamson, Lawrence of Arabia, and the Performance of Vanguard Visions - Graham White
Mishima’s Balcony Performance: Hypermasculinity, Masochism, and Reactionary Vanguardism - Kara Reilly
Part II. Exalted and En Masse
Part Introduction: Immersion, Togetherness, and the Sublime - Kimberly Jannarone
Collisions in the Coliseum: Mussolini, Modernism, and the Agon for Antiquity - Odai Johnson
Beijing, 2008 - Katherine Profeta
“Signaling through the Flames”: Hell House Performance and Structures of Religious Feeling - Ann Pellegrini
“One Vision”: Music, Performance, Combat - Erik Butler
Part III. Research Wings for the Right
Part Introduction: Something’s Happening Here: Encountering Vanguard Performance in Context - Graham White
Encrypted Vanguards and Bleeding-Edge Technologies: Signals Intelligence, Radio Drama, and the False Transmissions of the Special Operations Executive - James Harding
Beatrice Joanna and the Rhetoric of Rape - Kim Solga
The Academy and the Marketplace: Avant-Garde Performance in Neoliberal Times - Liz Tomlin
Avant-Garde Theory and Right-Wing Ideology - Mike Sell
Contributors
Index