Magda Romanska, Introduction
Kathleen Cioffi, “Kantor: A Short Biography”
Part I: Kantor in Theory
Martin Leach, “Tadeusz Kantor and Modernism”
Michal Kobialka, “Tadeusz Kantor’s Objects: Materialism of the Encounter”
Jacob Micah Juntunen, “Human/Object/Thing: Kantor’s Puppets and Bio-objects”
Grzegorz Niziołek, “Crushed People: Kantor and Trauma Theory”
Klaudiusz Święcicki, “Kantor and the Theatre of Postmemory”
Hans-Thies Lehmann, “Postdramatic Tragedy: Notes on the Theatre of Tadeusz Kantor,”
Magda Romanska, “Kantor and the Posthuman Stage”
Part II: Kantor, Locally
Tamara Trojanowska, “Transgression and Eschatology in the Work of Tadeusz Kantor”
Agnieszka Legutko, “Possessed by the Traumatic Past: Postmemory and S. An-sky’s Dybbuk in Kantor’s Dead Class”
Nina Kiraly, “Tadeusz Kantor and Bruno Schulz”
Łucja Iwanczewska, “Kantor and Witkacy: Childish Games with Death”
Mateusz Borowski, “Witkacy’s and Gombrowicz’s Influence on the Theatre of Tadeusz Kantor”
Kris Salata, “Kantor’s and Grotowski’s Poor Theatre”
Debra Caplan, “Imagining a Future that Never Was: Tadeusz Kantor’s Symbiotic Jewish-Polish Stage”
Kathleen Cioffi, “Kantor and Słobodzianek: The Dead Class and Our Class”
Katarzyna Fazan, “From Tadeusz Kantor’s Anatomy Lesson to the Autopsy in Polish Contemporary Art”
Part III: Kantor, Globally
Lawrence Switzky, “Kantor and Early Twentieth Century European Avant-Garde Directors”
Herda Schmid, “Tadeusz Kantor and the German Bauhaus: From Technological to Metaphysical Utopia.”
Izumi Ashizawa, “Kantor and Japan”
Karolina Prykowska Michalak, “On the Reception of Tadeusz Kantor’s Work in Germany”
Anna Róża Burzynska, “Kantor and the Contemporary European Avant-Garde: Marthaler, Perceval, and Hermanis”
Agnieszka Tworek, “Kantor and the Contemporary French Avant-Garde”
Anna Królica, “Kantor, Pina Bausch, and Dance Theatre”
Lauren Dubowski, “Kantor and the American Avant-Garde”
Contributors